(Edward G. Robinson, All My Yesterdays, 1973, First Edition, New York, Hawthorn Books) This is an original hardcopy first printing of Edward G. Robinson's autobiography, written with Leonard Spigelgass. Signed on the title page by Spigelgass in black ink. The book also includes a signed type-written letter from Robinson to Art Ronnie, dated Sep. 28, 1970. Very good condition. (Edward G. Robinson Jr., My Father, My son, 1958, First Edition, New York, Frederick Fell) This is an original hardcopy first printing of Edward G. Robinson, Jr.'s autobiography. Signed by Robinson in black ink on the inside front endpage: "To Art, With every good wish Always, Edward G. Robinson, Jr. 10/14/70." Some wear at the lower spine of the dust jacket. Otherwise, very good condition.

(Ricardo Montalban, Reflections: A Life in Two Worlds, 1980, First Edition, New York, Doubleday) This deeply candid and personal autobiography is signed and dated by Ricardo Montalban in green ink on the inside front endpage: "To Art, Sharon, Chris and Matt, With much love from, Ricardo Montalban Oct. 7, 1983." Accompanied by a signed typed written letter by Montalban and signed photo of Montalban and Hervé Villechaize, both in character from Fantasy Island. The dust jacket exhibits minor wear. Otherwise, the book is in very good condition.

(Niven Busch, A Duel in the Sun, 1944, Seventh Edition, New York, Hampton Publishing Co.) This seventh printing of the book is signed by Charles Bickford (tipped), Joseph Cotten, Lillian Gish and Gregory Peck. The film version was released in 1946. Some wear on the dust jacket. Otherwise, in very good condition.

(Rudy Valleé, Vagabond Dreams Come True, 1930, First Edition, New York, E.P. Dutton) Original first edition autobiography signed by singer and band leader, Rudy Valleé. Inscribed in black ink on the inside front endpage opposite the title page, "To Art, This was written on the R.K.O. lot, Sept-Oct. 1929. (Vagabond Lover) God forbid, Rudy Valleé Aug. 25, 1967." A fantastic inscription! Minor wear on the dust jacket. Otherwise, in very good condition.

(Ruth Waterbury, Elizabeth Taylor: Her Life, Her Love, Her Future, 1964, First Edition, New York, Appleton-Century-Crofts) Original first edition written by Ruth Waterbury and signed by Elizabeth Taylor in purple ink on the inside front endpage, "Elizabeth Taylor." In fine condition.

(Terry Ramsaye, A Million and One Nights, Volumes I & II, 1926, First Editions, New York, Simon & Shuster, Inc.) Original blue cloth intact. Good condition. This original two-volume set of film historian and author Terry Ramsaye's definitive history of motion picture chronicles the development of movie photography to the era of the silent era. As Ramsaye writes: "Mark you well this Edison peep show Kinetoscope. Every strand in the thread of motion picture destiny runs through it. It is the inescapable link between the gropings of the past and the attainment of the present. Every motion picture machine, every motion picture enterprise, every motion picture personality, screen star or magnate of the screen theatre can be traced to some connection growing out of the little black box that Edison dubbed the Kinetoscope. This is one of the absolute facts of the history of the motion picture." This book is indispensable to the student of the early technical & business development of motion picture. Written in 1926 it does not include the development of sound because it was written before that was developed. The stories are vivid because the memory of the early rough and tumble years had not faded. Essential for the film student and highly recommended for everyone else.

This set of 3 vintage directories include: Motion Picture News Blue Book 1930, Motion Picture Studio Directory and Trade Annual 1923-24 and the Film Daily Year book 1928. Each volume exhibits age and wear, but each remain in good condition given its age. Great reference material for collectors and academics.

Set of six vintage program books from AFI's annual Lifetime Achievement Award presentations. Included are program books for James Cagney (1974), Alfred Hitchcock (1979), Frank Capra (1982), Lillian Gish (1984), Gregory Peck (1989), and Jack Nicholson (1994). James Cagney was the 2nd recipient of the AFI Lifetime Achievement Award, as it began in 1973 (John Ford). The Cagney program book is signed by Cagney in blue ink introduction page, "For Art Ronnie, Best, James Cagney '74." Each program exhibits minor wear. Otherwise, each in good condition.

(Alvin H. Marill, Movies Made for Televsion: The Telefeature and the Miniseries, 1964-1986, 1984, First Edition, New York, New York Zoetrope). This is the original first edition anthology of TV movies by film historian Alvin H. Marill. It is signed on the inside front endleaf and the title page by a litany of television stars, including Isabel Sanford, Candy Clark, Michael Ansara, Madlyn Rhue, Earl Holliman, Ray Danton, and others. In fine condition.

(Fox-TV, 2001-09) Rubber stunt knife custom-made for the production for use by Kiefer Sutherland, as Jack Bauer, in various episodes. Some wear from use, measures 9" long.

(Fox-TV, 2001-09) Prop micro cassette recorder/bomb used by Chad Lowe, as Reed Pollock, to assassinate Alexander Siddig (Hamri Al-Assad) and critically injured DB Woodside (President Wayne Palmer) in the season six episode titled "Day 6: 4:00 pm - 5:00 pm. Accompanied by a COA signed by 24 Executive Producer Howard Gordon and Prop Master Randy Gunter confirming its use in the episode.

(Warner Bros., 2006) This set of vambraces were custom-made for the production for use by Andrew Tiernan as Ephialtes. Made of molded rubber and detailed to look weathered and battle damaged. "Ephialtes #9" is handwritten on the inside of each piece. Each measures approximately 9" long.

(Columbia Pictures, 2012) Black hoodie with zipper closure that is modified with plastic balls, felt lettering and image transfers attached. Manufactures tag has been removed and no size is marked.

(Warner Bros., 2001) This outfit was acquired for the production for use by Courtney Cox as Cybil Waingrow. The outfit comprises a matching skirt and jacket, blouse, earrings and scarf that was used to tie up her hands.

(Columbia, 2004) This two-piece outfit was acquired for the production for use by Blake Clark as Marlin Whitmore. The outfit comprises a red shirt that features the Whitmore Charter Services logo above the chest pocket and a larger version of the same logo on the back. The manufacturer's tags have been removed from the shirt. Includes a pair of tan shorts made by American Eagle Outfitters, size 40. The shorts show minor wear from use and feature a rough cut around the bottom edges.

(Columbia, 1992) This Baseball uniform was acquired for the production for use by an extra. The uniform features the "South Bend Blue Sox" team patch on the chest, number "24" on the back and the "All American Girls Professional Baseball League" patch on the left arm. The uniform has no size marked and exhibits minor wear from use, but remains in good condition.

(20th Century Fox, 1989) This large full sized door was one of several used on-screen and featured in many scenes inside the underwater drilling platform during the film. The door is made of wood and fiberglass and was distressed to have the well used look of metal. Standing an impressive 48" tall and 32.5" wide, the door shows signs of use with minor scratches and wear around the edges. Special shipping required.

(Columbia, 2002) This "Aqua World" Baseball hat was acquired for the production for use by Chris Cooper as John Laroche. The hat can be seen on screen in several scenes including the final sequence in the film when Laroche is killed. Chris Cooper won the Academy Award for Best Supporting Actor for his role in this film.

(Paramount, 1991) This long coat was custom-made for the production for use by Christopher Lloyd as Uncle Fester. The coat features a hidden button down front with no markings. One button is broken, otherwise it is in very good condition.

(ABC-TV, 2001-06) Prop chemical bomb custom-made for the production for use by Gina Torres, as Anna Espinosa, and David Anders, as Julian Sark, in the season four episode, "A Man of His Word." Constructed of resin, plastic and metal with liquid filled center. Measures 9.5" x 3.5". Exhibits some wear from use.

(20th Century Fox, 1997) This knife was custom-made for the production and is the broken version used by Winona Ryder as Annalee Call. Made of plastic and broken in two pieces for filming. Measures 9" long.

(Columbia, 2006) This coat was custom-made for the production for use by Kate Winslet as Anne Stanton. Made by Donna Langman of New York with "Miss Kate Winslet" written in marker on the tag.

(Columbia, 2000) These hats were acquired for the production for use by Matt Damon as John Grady Cole, Henry Thomas as Lacey Rawlins and Lucas Black as Jimmy Blevins. Each hat has a costume tag that details the scenes that they were used in the film.

(WB-TV, 1999-2004) This leather jacket was worn on screen by Alexis Denisof, as Wesley Wyndam-Pryce, in the season five episode entitled, "Smile Time." It is a brown leather jacket with large brown buttons made by Barneys New York, size large. There is a large area on the back where the leather has been splashed with a liquid that has removed the color and left splotches of green. Accompanied by a Fox Studio COA confirming its use during filming.

(WB-TV, 1999-2004) This set of pants and boots were worn on screen by David Denman as the demon, Skip, in several episodes of the show. The pants have material sewn on that have hooks around the waist band to attach to the upper part of the costume. The material and pants are also glued to the boots and are wrapped under the boot to appear seamless on screen. The pants are made by Bal Togs, size large.

(Columbia, 2009) This jacket was custom-made for the production for use by Tom Hanks, as Robert Langdon, and features a costume tag attached in the inside pocket that reads "Tom Hanks, May 08." In very good condition.

(New Line, 2002) This outfit was custom-made for the production for use by Mindy Sterling as Frau Farbissina. The outfit consists of a tunic and skirt with matching belt. The outfit has no markings or size indicated. Some minor wear from use, but remains in overall good condition.

(New Line, 2002) This magazine was customized with a special printed Austin Powers cover on one side. The magazine itself is an off the rack Japanese printed merchandise book. Also included is the pen also used in the scene of Fook Mi handing Austin the magazine to autograph.

(New Line, 2002) This prop letter was custom-printed for the production for use by Young Dr. Evil (Josh Zuckerman). The letter is addressed to Master Evil and is in reference to his acceptance to the Evil Medical School and signed by the dean of admissions. Although not seen in the theatrical release of the movie, this letter was implied based on the storyline.

(New Line, 2002) This prop map was custom-printed for the production and can be seen when Austin Powers (Mike Meyers), Mini-Me (Verne Troyer) and Foxxy Cleopatra (Beyoncé) infiltrate Dr. Evil's sumbarine lair. The map features the complete layout of the submarine lair and measures 19.5" wide x 15" tall.

(New Line, 2002) This outfit was custom-made for the production for use by Mike Myers as "Austin Powers." The outfit consists of an orange jacket with "Mike Myers" handwritten on the inside pocket, blue shirt with white dots, pants with multicolored stripes, with "Myers 2" handwritten on the inside and a bandana that matches the jacket lining. Accompanied by a New Line Cinema COA confirming its use on screen.

(New Line, 1999) This lingerie was custom-made for the production for use by Elizabeth Hurley as "Vanessa Kensington." Black silk with white trim, no size indicated. The lace detail on this particular piece matches on screen exactly to the outfit Elizabeth Hurley wears in the scene.

(Universal, 1985) This is a set of original letterhead printed for the film's executives for use during the production of the film. The letterhead features the film's final logo design.

(Universal, 1985) This is a set of original letterhead printed for the film's executives for use during the production of the film. The letterhead features one of the film's early logo designs.

(Universal, 1985) This is a full set of 28 production used Industrial Light and Magic (ILM) storyboards. The pages held together with metal brads and blue paper cover labeled "ILM Storyboard, Back to the Future" with "Kevin Pike" written by hand. The set includes the shots that were worked on at ILM and include the "Time Slice" effect of the DeLorean traveling through time, lightning and electrical effects at the Clock Tower and Miniature DeLorean takeoff and flight into the future. The pages have minor wear consistent with use, but remain in good condition.

(Universal, 1985) This is a full set of over 280 production used storyboards for the "Twin Pines/Lone Pine Mall" scenes. This incredible set details the shot by shot requirements of the entire scene. These were used by Kevin Pike and his team during the production. The pages have minor wear consistent with use, but remain in good condition.

(Universal, 1985) This set consists of five inter-office memos from the time production was under way for the now classic film. The memos included are as follows: •From: Bob Gale, 2 page memo regarding script changes, dated 11/14/84 on Amblin letterhead and stamped "BTTF 0020" •From: Bob Gale, 2 page memo regarding script changes, dated 11/19/84 on early Back to the Future letterhead •From: Bob Gale, 2 page memo regarding script revisions, dated 11/26/84 on early Back to the Future letterhead •From: Bob Gale, 1 page memo regarding script revisions, dated 2/25/85 on early Back to the Future letterhead •From: Jack Grossberg (Unit Production Manager), 2 page memo regarding the second unit shoot, dated 3/28/85 on early Back to the Future letterhead. Included with the memos is a six-page script breakdown, dated 11/26/84, enumerating the scene details and time.

(Universal, 1985) This is a set of three cast, crew and staff contact sheets. The 3 sets comprise a total of 23 pages. Some slight staining and wear from use. Otherwise in good condition.

(Universal, 1985) White short sleeve shirt with abstract geometric pattern worn by Lea Thompson, as Lorraine McFly, at the end of the film when Marty returns home and finds himself in the new and improved 1985. In fine, screen-worn condition.

(Universal, 1990) This is an original photographic print created during the production of the movie. It is a 4" x 6" print of Christopher Lloyd in front of the clock by himself. The back of the photo is stamped "Photo credit: Ralph Nelson".

(Universal, 1989) This large fish statue was custom-made for the production for use as set dressing for the "Enchantment Under the Sea" dance scenes. Made of fiberglass, the piece stands about 5 feet tall, has some wear from use and may have been repainted for another production after Back to the Future Part II was completed. Special shipping required.

(Universal, 1989) This large fish statue was custom-made for the production for use as set dressing for the "Enchantment Under the Sea" dance scenes. Made of fiberglass, the piece stands about 5 feet tall, has some wear from use and may have been repainted for another production after Back to the Future Part II was completed. Special shipping required.

(Universal, 1989) This large fish statue was custom-made for the production for use as set dressing for the "Enchantment Under the Sea" dance scenes. Made of fiberglass, the piece stands about 5 feet tall, has some wear from use and may have been repainted for another production after Back to the Future Part II was completed. Special shipping required.

(Universal, 1989) This is a set of "Biff Co." bills that were custom-printed for the production for use by extras in alternate 1985 and features Biff's image in place of the U.S. presidents in the center of the bills. Included in the set are a one-dollar bill and a twenty-dollar bill. The Biff money is never seen in the final cut of the film.

(Universal, 1989) Grey wool zip-front jacket with black ribbed cuffs, neckline, rear waistline and pale green satin lining. Worn by Thomas F. Wilson, as Biff Tannen, at the Enchantment Under the Sea dance as well as other scenes. Faint pinkish stain at the upper right chest, one pulled stitch at the top of the right shoulder; otherwise, fine, screen-worn condition.

(Universal, 1989) White Spandex leotard with black triangular geometric print and wire mesh tubing that coils around the arms and over the neckline. Worn by Darlene Vogel, as Spike, one of Griff's gang members. Exhibits slight soiling; otherwise, fine condition. Approximately a women's size small.

(Universal, 1989) This Diet Pepsi bottle is in great condition. This bottle is made of wood, painted white with the future Diet Pepsi logo applied to the front and drink information on the back. The bottle is presented in a custom display case that measures 13.75" tall x 10" wide x 4.5" deep.

(Universal, 1989) This future Slice bottle was custom-made for the production for use by various actors. Made of plastic with built in flip up straw and detailed with the future Slice logo.

(Universal, 1989) This clapperboard was used during filming and features the film's working title "Paradox" and was wiped clean after filming, but still showing signs of use.

(Universal, 1989) This prop Oh La La magazine cover was custom-printed for the production for use by Tom Wilson as Biff Tannen. The cover is an unused backup in good condition.

(Universal, 1989) This is a set of 34 production made slides of various menu dishes from the Café 80s. Some of the dishes featured are the "Reagan Scramble," "Gorbachev Goulash" and "Rambo Roughy." All slides are in color with some duplicates.

(Universal, 1989) This Pizza Hut bag was custom-made for the production to be used by Lea Thompson as Lorraine McFly. It is a 5.5" square foil bag with "Pizza Hut" printed on the front with cooking directions. This backup prop was ultimately not used and remains in very good condition.

(Universal, 1989) This large 15" diameter custom-printed decal, featuring Biff's hotel and casino, was made to be used in the alternate 1985 sequences. They can be seen on various vehicles, particularly on the police tanks, since in the alternate timeline Biff runs both the town and the police. Ultimately an unused backup, this decal has minor damage in the lower left corner, but the backing paper is attached. Overall, still in good condition.

(Universal, 1989 & 1990) This prop Mattel Hoverboard was custom made for the production and used during filming. The hoverboard is made of lightweight Styrofoam with hand-applied details including Velcro accents, footpad and vacu-formed hover-pans. Accompanying this Mattel Hoverboard is a signed letter from the film's assistant director confirming its use during filming, making this very iconic and sought after prop even that much more special. Some wear from use is present, otherwise the Hoverboard is in very good condition.

(Universal, 1990) Original production-made 8" x 10" black & white photo of Christopher Lloyd as Doc Brown in front of the clock. It was intended to be used in the library scene where it was one of the photos from the archive. Some numbers written in pencil on the verso.

(Universal, 1990) A set of various Delorean Time Machine parts used primarily on-screen as part of the wreckage of the destroyed Time Machine. Included are a crushed vent hose, five relays, multicolor wire, black tube, electrical connector, T-handle from the interior, and two capacitors. Some of these parts were also used on-screen in various sequences of the film.

(Universal, 1990) This complex chess set is visible in Doc Brown’s 1955 timeline living room during the sequence when Marty (Michael J. Fox) plays against the dog, Copernicus. This intricately built prop features a stained wood game board surrounded by a steel frame with lattice top that attaches the complex wiring loom. Each chess piece has an attached wire at the top and ¼" male plugs at the bottom that plug into the female sockets mounted to the board. The underside of the board is a mass of complex wiring and appears like something right out of a 1950's Sci-Fi movie. Measures 18" square x 17" tall. This prop was originally used in the movie "War Games" (MGM 1983).

(Universal, 1990) This is a 136 page script simply titled "Three" and is dated July 6, 1989. The script features all white pages and comes with an inter-office memo from Bob Gale also dated July 6, 1989. The memo covers the page and scene numbering of the included script and is on Back to the Future letterhead. A very rare script with memo from the film's producer.

(Universal, 1990) Smoke box cover given as an ILM crew gift following filming of Back to the Future III. Constructed of molded urethane resin with center painted red and gold. Measures 13" in diameter and mounted to 17 ½" x 20" Plexiglass. Perfect for display.

(Columbia, 2003) This cloth Klan hood was custom-made for the character "Det. Mike Lowrey" played by Will Smith. The hood is in very good condition and has "ML" written in ink on the inside.

(Columbia, 2011) This outfit was acquired for the production for use by Cameron Diaz as Elizabeth Halsey. The outfit consists of a red dress with zipper closure in front, no tags or size marked, a black sweater with no tags or marking and a pair of jeans, size small with no markings. Included with the outfit is a production used inventory tag that details the entire costume, scene and change numbers.

(Warner Bros., 1995) This 114 page script dated November 10, 1994 has been signed on the title page by the following cast and crew: • Director: Joel Schumacher • Batman / Bruce Wayne: Val Kilmer • Two-Face / Harvey Dent: Tommy Lee Jones • Riddler / Dr. Edward Nygma: Jim Carrey • Robin / Dick Grayson: Chris O'Donnell • Producer: Peter Macgregor-Scott • Director of Photography: Stephen Goldblatt • Production Designer: Barbara Ling • Costumer Designer: Bob Ringwood • Key Makeup Artist: Ve Neill • Visual Effects Supervisor: John Dykstra • Screenplay: Akiva Goldsman • Property Master: Brad Einhorn

(Warner Bros., 1992) This helmet was worn on screen by one the penguins during their attack on Gotham City at the film's climax. The small resin helmet features a chin strap and one wire antenna (the second antenna is missing).

(Buena Vista, 1991) Mixed media on illustratrion paper, measuring 14" x 17". Signed on the bottom left "M. Hobson." The artwork is taped to a larger piece of paper, and a clear mylar sheet is taped to the front. This early concept artwork shows the process of character development in visual form for both Belle and the Beast.

(Thames Television, 1969-89) This pair of glasses were worn on screen by Benny Hill as television producer Fred Scuttle. The thin style glasses were as integral part of Benny's costumes throughout the series and are a very iconic artifact. These glasses were acquired from the costume designer that worked on the show and kept them in his personal collection for many years after the show wrapped in 1989. The glasses are presented in a custom display case that measures 13" wide x 8" deep x 8" tall.

(Paramount, 1987) This is a black crew jacket featuring the film's logo on the back and patches on the arms. The jacket is in very good condition and is a size medium.

(Columbia, 2005) This two-piece suit was custom-made for the production for use by Will Ferrell as Jack Wyatt. Both the pants and jacket have Dominic Gherardi tags with "Will Ferrell" printed on them.

(Columbia, 2001) This jacket was acquired for the production for use by Tom Sizemore as McKnight. It is a DCU-Desert Camouflage Uniform jacket or three-color desert camouflage pattern, size medium/long. The right front pocket has a leaf pin on it with a nametag above that reads "McKnight." The left front pocket has a pin with two rifles crossed on it and a U.S. Army patch above. It has a slightly dirty appearance and the American Flag patch worn on the right shoulder is missing.

(Columbia, 2001) This jacket and pants were worn by the stunt double for Josh Hartnett who portrayed Eversmann. It is a DCU-Desert Camouflage Uniform jacket or three color desert camouflage pattern, size medium/long that features a “Eversmann” patch on the right chest and U.S. Army patch on the left chest, with “DBL” written on the inside collar. The matching uniform pants are size medium/regular with "Blood #2-Everm-DBL" written on the inside and has studio blood applied. Some of the pockets have been stuffed with pieces of material to have a full appearance on screen. There is also a black material belt with a slip through claw clasp.

(New Line, 2004) This outfit was acquired for the production for use by Ryan Reynolds as Hannibal King. The undershirt has had the manufacturer's tag removed. The pants are made by American Eagle Outfitters, size 32 x 34. There are also three black rubber band type bracelets that King wears on his left wrist.

(New Line, 2004) This 4-piece costume was acquired for the production for use by Jessica Biel as Abigail Whistler. The outfit consists of a jacket with full length zippers on the sleeves with no markings or size marked, a white sleeveless shirt, size small, a pair of jeans with "Hero - 4" written on the inside and a black leather arm guard that laces up one side. The outfit has minor wear from use, but remains in very good condition.

(Lifetime TV, 2006-present) This is the rubber stunt version of the Illumination del Sol used in various episodes of the show. Painted gold and silver and measuring about 6" across, the prop is in very good condition.

(Warner Bros., 1993) This prop pod was custom-made for the production for use as set dressing. Made of rubber with an inner bladder and plastic fitting to connect to an air line. Measures 16” long x 9.5” wide x 7” tall.

(Warner Bros., 2010) Distressed t-shirt with holes, studio blood and duct tape applied to the abdomen and lower back for use by Denzel Washington as Eli. The shirt is a size XL and is purposely distressed for filming.

(Warner Bros., 2010) Prop soft rubber sword with hard rubber handle, painted to look like metal. Paint on blade is cracking from use and flexing of blade, otherwise the sword in in good condition. Measures 26.25" long.

(Columbia, 2010) This blouse was acquired for the production for use by Jennifer Aniston as Nicole Hurley. Button down white blouse with no markings in very good condition.

(Columbia, 1992) This silhouette of an impaled victim was custom-made for the production for use as set dressing. The piece is made of wood attached to a wood pole. The figure measures 35" tall x 22" wide and the pole stands just under seven feet tall. The figure has minor damage to one hand and the foot was repaired at some point. Special shipping required.

(Universal, 2000) This outfit was custom-made for the production for use by Gabrielle Union as Isis. This is the outfit she wears during a deleted scene that was featured on the DVD. The top has "Berkeley" applied to the chest.

(Universal, 2000) This cheerleader outfit was custom-made for the production for use by Shamari Fears as Lava and is the style seen during the cheerleading competition and throughout the movie. The costume consists of a green top with the "Clovers" logo, skirt, shoes, socks, panties and shorts. "Lava" is written in both the top and panties.

(Universal, 2003) This is a set of prop Post-it note prayers that were used as set dressing in Bruce's room when he tries to answer everyone's prayers. The set consists of two 8.5" x 11" photocopied pages that features several notes and several individual notes, some of the individual notes are stuck to the pages. This folder was one of several contained in God's filing cabinet and is blank on the inside. The folder measures 9" x 14" and is in very good condition.

(Columbia, 2011) This sweater was custom-made for the production for use by Nick Swardson as Bucky Larson. The knitted sleeveless sweater features a large gold and pink star on the back with "Bucky" in red. No size marked.

(WB-TV, 1997-2003) This prop tombstone and stake were custom-made for the 1-800-COLLECT ad campaign featuring Sarah Michelle Gellar as Buffy Summers. They were featured in the "Let Em Eat Stake Sweepstakes" commercial. The tombstone and stake are made of dense foam and incredibly detailed with the 1-800-COLLECT "Let Em Eat Stake Sweepstakes" theme. Some wear is present. Tombstone measures 43.5" tall x 30" wide x 8" deep, the stake measures 17.5" long x 2" in diameter. Special shipping required.

(WB-TV, 1997-2003) This prosthetic hand was worn on screen by the Claw Guy, nicknamed by Buffy (Sarah Michelle Gellar) as "Fork Guy." It can be seen in the season one episode, "Teacher's Pet," when Buffy is out looking for Dr. Gregory's killer and encounters the Claw Guy. It is a prosthetic hand with the "skin" made of foam rubber with aluminum blades in place of the fingers. There are a few small areas where the outer foam rubber has pealed off revealing the mesh material underneath. The claw hand is presented on a custom acrylic display stand.

(WB-TV, 1997-2003) This prosthetic hand was worn on screen by Franc Ross as Razor, leader of the Hellions Biker Gang. The hand was used in the season six episodes titled "Bargaining: Part 1" and "Bargaining: Part 2." The hand is made of foam rubber with aluminum blades attached through the fingers. The glove also has five rings made of resin. The hand is very detailed and in very good condition with only minor wear from use. Also included are production shooting scripts for both episodes, "Bargaining: Part 1" and "Bargaining: Part 2." The scripts are overall good condition with some edge wear.

(WB-TV, 1997-2003) This set of three prop club arms were used on-screen in the season one episode, "Nightmares." • The special effects break-away club arm was used for the scene when Buffy blocks a swing from the Ugly Man and breaks his arm in two. The club arm is made of rubber and foam and measures 24" long. This piece would slide over the actors hand/arm and features a small plastic handle on the inside. • The hero club arm was used for non fighting scenes and is made of rubber with a plastic handle attached inside. The arm measures 21" long and features a clean opening that would have been blended into the actors arm with effects make-up. • The stunt club arm is made of a soft foam rubber and was used for fight scenes and stunt work. The arm measures 25" long and has a metal bracket that fit over the actor's forearm.

(WB-TV, 1997-2003) This tranquilizer gun and night vision goggles were used by various members of The Initiative throughout season four. The gun is made of metal and rubber and measures 15.5" long. The goggles have green lenses and soft foam on the inside. Accompanied by a 20th Century Fox COA confirming their use on screen.

(WB-TV, 1997-2003) This outfit was acquired for the production for use by Alyson Hannigan, as Willow, in the season six episode, "Dead Things." The outfit consists of a size 1/2 jacket, a blouse with no size marked and size small skirt. This piece comes with a 20th Century Fox Studio COA, confirming its use on screen.

(WB-TV, 1997-2003) This prop jetpack was custom-made for use by Adam Busch, as Warren Meers, in the season six episode, "Seeing Red." The prop consists of foam, plastic and resin parts and has a 20th Century Fox TV inventory barcode label applied. In overall good condition with some wear from use including one missing fin on the thrusters. Measures 16" x 13" x 13".

(20th Century Fox, 1992) This prop stake was custom-made for the production for use by Kristy Swanson as Buffy. The stake is a retractable stabbing version that Buffy uses in the scene at the parade float storage yard as she "breaks" this stake off one of the floats to kill a vampire. The stake measures about 13.5" long. It is missing the soft rubber tip and most of the "moss" from the top of the stake is no longer present. The stake is presented on a custom acrylic stand for display.

(Screen Gems, 2010) This dress and earrings were acquired for the production for use by Christina Aguilera as Ali. The form fitting dress is a mini skirt length in very good condition. The large hoop earrings are 3.5" in diameter, also in good condition. Included with the dress is a production used costume tag that details the scene numbers, change number and costume details.

(Universal, 2003) This is a custom-made hat that was screen used by Mike Myers as the Cat in the Hat. The hat was used for the "extended hat" gag and has servos inside the hat that allow the hat to be controlled remotely. The hat is in working order, but remote control equipment is not included.

(Warner Bros., 2005) This prop box was used during the production of Charlie and the Chocolate Factory. The empty box was custom-printed with the Wonka logo on the sides and used as set dressing.

(Warner Bros., 2005) This is one of the actual Wonka bars used on screen during filming. It is not a real chocolate bar, but some type of light material such as plastic inside, though this bar was never opened.

(Warner Bros., 2005) This is one of the actual Wonka bars used on screen during filming. It is not a real chocolate bar, but some type of light material such as plastic inside, though this bar was never opened.

(United Artists, 1988) This set of toy packaging was custom-printed for use as set dressing in the toy store. The lot consists of the packaging and stickers that would have been used with various toy sets. Ultimately unused, this set of extras are in very good condition.

(Warner Bros., 1997) This suit was custom-made for the production for use by James Woods as Michael Kitz. The suit was made by Dominic Gherardi and has "James Woods" printed on the labels of each piece.

(Columbia, 2006) This shirt was acquired for the production for use by Tom Hanks as "Robert Langdon". The long sleeve button down shirt was made by Turnbull & Asser, London and is dated July 2005 and remains in very good condition.

(20th Century Fox, 2003) These pants with attached boots were custom-made for the production for use by Jennifer Garner as Elektra. The set has minor wear from use during filming and are marked "JG" on the inside with a marker.

(Universal, 1992) This clapperboard was used during filming and features the film's title and markings from its final shot. Exhibits signs of use.

(Warner Bros., 2006) This is a set of three bricks of "cocaine" from Martin Scorsese's 2006 Academy Award-winning crime drama. Each brick is made of fiberglass wrapped in plastic with duct tape strapping them together and measures approximately 7" x 6" x 1.5".

(Columbia, 1999) This outfit was acquired for the production for use by Kirsten Dunst as Betsy Jobs. The outfit consists of a housecoat, two-piece pajamas and a pair of slippers. Included with the outfit is a production used costume tag that details the costume, change and scene numbers used.

(Fox-TV, 2009-10) This chair back was used on set during filming by Tahmoh Penikett and features his name on one side and the show's logo on the other. Tahmoh Penikett has signed both his name and his character's name on one side. Accompanied by a 20th Century Fox Studio COA confirming its use on set. Included with the chair back is a signed 8" x 10" photograph of Tahmoh Penikett in character as "Paul Ballard.". A photograph of the chair back being signed by Penikett is also included.

(ABC-TV, 1995-2004) This two-piece suit was custom tailored for Drew Carey for filming of his show. The suit has labels in both the jacket and pants indicating "Tailored for Drew Carey". This suit is the basic style he wears in almost every episode of the show.

(Buena Vista, 1994) This is a set of unused face appliances custom-made for the production for use by Martin Landau as Bela Lugosi. The set includes the nose, upper lip, chin and ears, all in good unused condition.

(New Line, 2003) This elf outfit was custom-made for the production for use by Will Ferrell as Buddy. The costume comprises a jacket, tights, hat, vinyl belt with metal buckle, and shoes. The jacket is marked on the inside "Buddy Hero 3," while the tights, hat and belt each have a Carelli Costumes tag marked, "Mr. Ferrell." There are no markings in the pair of elf shoes. Accompanied by a New Line COA confirming the costume's use on screen.

(NBC-TV, 1994-2009) This medical coat was acquired for the production for use by Anthony Edwards as Dr. Mark Greene. It is a long white lab coat made by Cherokee, size 44 with the name "M. Greene, M.D." embroidered in blue thread above the left breast pocket.

(NBC-TV, 1994-2009) This lab coat and shirt were acquired for the production for use by Noah Wyle as Dr. John Carter. It is a long white lab coat made by Cherokee, size 42 with the name "J. Carter, M.D." embroidered in blue thread above the left breast pocket. In the left lower pocket is the crossword section, page B5 and B6 of a New York Times newspaper dated Thursday, August 12, 1999. There are small areas of dirt smudges on the sleeves. The shirt is a deep blue long sleeved dress shirt made by Anto, Beverly Hills. There is a tag sewn on the inside back collar with the initials "N.W." and the date Aug. 2002.

(NBC-TV, 1994-2009) This scrubs shirt was acquired for the production for use by John Stamos, as Dr. Tony Gates, who joined the cast of ER in 2005. It is a green short-sleeved hospital scrub shirt with applied studio blood on the front, made by Medline AngelStat, size medium. Stamos has signed, "Love & Peace," on the front of the shirt. Clipped onto the left chest pocket is a plastic photo ID badge labeled, "County General Hospital, Tony Gates, Emergency, Intern," with magnetic strip on the back.

(De Laurentiis Entertainment, 1987) This page from the Necronomicon was custom-made by the film's animator, Tom Sullivan, for use by various actors including Bruce Campbell, who played the hero, Ash. This piece includes a certificate of authenticity that is signed by Tom Sullivan. Screen used artifacts from the Evil Dead films are very hard to come by, much less items certified by the creator of the "Book of the Dead."

(De Laurentiis Entertainment, 1987) This page from the Necronomicon was custom-made by the film's animator, Tom Sullivan, for use by various actors including Bruce Campbell, who played the hero, Ash. This piece includes a certificate of authenticity that is signed by Tom Sullivan. Screen used artifacts from the Evil Dead films are very hard to come by, much less items certified by the creator of the "Book of the Dead."

(20th Century Fox, 2005) This prop pulse emitter was custom-made for the production for use by various actors and as set dressing. The prop features opening side panels with an unfinished interior. Some minor wear is present from use. Made of plastic, wood and metal, the prop measures 25" tall x 14" wide x 14" deep when closed.

(Columbia, 1997) This is a set of two miniature single-garages used in the street scenes with the flying cars. Various scales were used for different depths. These particular garages each measure approximately 9" wide, made of a solid resin and have been weathered for filming.

(Columbia, 1997) This miniature double-garage was used in the street scenes with the flying cars. Various scales were used for different depths. This particular garage is two side by side that measure approximately 17" across, made of a solid resin and weathered for filming.

(Universal, 1994) This requisition plate was custom-made for the production for use by Halle Berry as Ms. Stone. It is a "Slate and Co.” Requisition plate made of resin and is painted gray, brown and blue and measures 11" wide x 15" tall.

(Universal, 2000) This hat was custom-made for the production for use by Joan Collins as Wilma's mother, Pearl Shaghoople. It is a large brimmed hat that is green on the underside and black on the top. There are palm frond strips on the top for decoration that have been painted black. The underside consists of up painted leather strips sewn together at the ends. There is a hole in the middle of the hat where it sits on the actress's head and has a strip of net like material sewn along the inside and two bobby pins for securing to the head.

(Universal, 2000) This watch was custom-made for the production and worn on screen by various cast members during filming. Two of the small resin bone pieces have been broken off, otherwise the watch is in very good condition.

(New Line, 2007) This two-piece suit was custom-made for the production for use by Ryan Gosling as Willy Beachum. The pants have a costume tag attached with the film title and "Ryan" written on it.

(New Line, 2007) This two-piece suit was custom-made for the production for use by Ryan Gosling as Willy Beachum. The pants have a costume tag attached with Ryan Gosling's character name "Willy" written on it.

(New Line, 2003) This stunt rubber machete was custom-made for the production for use by Ken Kirzinger as Jason Voorhees. Measuring approximately 30" in length, this rubber machete has a metal sub-structure so it would keep its shape during filming of the action scenes.

(New Line, 2009) This prop life preserver was custom-made for the production for use as set dressing. Distressed for filming, the life preserver features heavy wear and staining with "Camp Crystal lake" painted on each side. Measures 20" in diameter x 3.5" thick.

(Screen Gems, 2011) This outfit was acquired for the production for use by Mila Kunis as Jamie Rellis. The outfit consists of a knit sweater, tank top, sweat pants and green and black striped socks. Included with the outfit is a production used costume tag that details the costume, scene and change number.

(Columbia, 2005) This outfit was acquired for the production for use by Tea Leoni as Jane Harper. The bathing suit top has multi-colored stripes and is made by Baja Blue, size 10. The bathing suit bikini bottoms are brown and are made by Swim Systems, size small. The board shorts are pink with white Hawaiian flowers and are made by Canyon Beachwear, size medium.

(Columbia, 2005) This outfit was acquired for the production for use by Jim Carrey as Dick Harper. The vest is dark blue and features the Kost Mart logo embroidered on the left chest, size medium. The white long sleeved dress shirt is made by Anto, Beverly Hills and has Jim Carrey’s initials and the date "Sept 2004" on the label. The dress pants are dark gray and are made by High Society and have a label sewn on the inside pocket that reads "HS Dick & Jane 11/8/04."

(DreamWorks, 1999) This jumpsuit was worn on screen by Sam Rockwell as Guy Fleegman. It can be seen throughout the film. It is a one piece gray jumpsuit with blue cutouts on the shoulders. There is a Western Costume inventory barcode label on the inside with the numbers crossed out in black marker and "set 1, chest 36 w. 32" are written on the inside of the costume. The right chest/shoulder area has a stain from what is left of the slime that he is hit with during filming and there are several small holes on the left leg.

(Columbia, 1993) This hat was custom-made for the production for use by Gene Hackman as General George Crook. It is a beige safari hat with a hard shell and a material overlay made by Turner & Laughlin Ltd and has a wide padded material band around the base.

(Columbia, 2007) This costume was custom-made for the production for the character Caretaker, played by Sam Elliot. The costume comprises a long sleeve shirt, pants, vest and bandana. The shirt has a tag attached inside with "Call DBL" written in black ink. Both pants and vest each have a cloth tag attached inside that reads "Caretaker Stunts, Mick Roughan." The bandana contains no markings.

(Columbia, 2007) This outfit was acquired for the production for use by Raquel Alessi, as young Roxanne Simpson, and can be seen when she and a young Johnny Blaze (Matt Long) make plans to run away together. The outfit consists of a sundress, cross necklace and sandals.

(Columbia, 2007) This jacket was custom-made for the production for use by Nicolas Cage's stuntman, Eddie Yansick. The leather jacket features large rubber spikes on the shoulders (one has come loose, but still included). No size is marked and a small tag on the inside has "Eddy Y" written in ink. Overall the jacket is in very good condition with only minor wear.

(MGM, 2007) This is a custom-printed bookcover over a non-descript book for use as set dressing. Although used in production and ultimately cut from the theatrical release of the film, the book can still be seen in the special features section of the DVD, in the deleted scenes index entitled, "Very Young." In the deleted scene, Dr. Loomis is speaking at a college and is autographing books for some of the students. The bookcover has minor scratches in some small areas and some of the interior pages have a small amount of discoloration.

(Warner Bros., 2001) This is one of the Chocolate Frog Wizard trading cards used during filming by Daniel Radcliffe as Harry Potter. There were different versions created, this style features a blank screen section where the computer graphics would be displayed.

(Warner Bros., 2001) This is one of several Galleon coins used during the production while filming. There were three types of coins, with this being the largest in size.

(Universal Home Entertainment, 2007) This Sony radio/cassette player was used on-screen by Emily Osment ("Cassie Keller", Brittany Curran ("Priscilla Wright") and Cody Linley ("Sean"). It can be seen in several scenes of the film and was modified by the prop department to light up by way of a red switch that was wired from the back into the battery compartment and connected to a 9volt battery. This prop has some damage to the buttons on the top of the player that match in the scene when it is lowered down into the sewer to attract the monster. Since the player was modified to light-up, it no longer functions as a radio/cassette player.

(Gaumont-TV, 1992-1998) Hero sword with distinctive curved blade wielded by James Horan, as Grayson, in the Highlander season 1 episode, "Band of Brothers." The blade is signed in black ink by Horan, "James Horan Grayson," and also by F. Braun McAsh, who was the sword master on the series. The hilt was later lengthened by the armorer following the production to its current length, 12 in. Overall length is 39 in. The blade exhibits scuffs and oxidation on the unsigned side.

(20th Century Fox, 1992) This is a set of four campaign buttons that were custom-made for the production and can be seen on-screen in various sequences of the film. The set includes two small buttons that measure 2" in diameter and two larger buttons that measure 3.25" in diameter, all in very good condition.

The Hollywood sign is a true cultural landmark. It has been featured in numerous films and adorned countless postcards, keychains, snow globes, t-shirts and other souvenir mementos. It is recognized throughout the world as the one true icon of the entertainment industry. This is a section of the original sign that stood in the Hollywood hills from 1923-1978. It is a piece of Hollywood history that will be remembered for all time. The section shows signs of rust and contains holes in order for the wind to pass through the sign. The section is presented in a custom display case that measures 22" tall by 25.5" wide by 3" deep.

(ABC-TV, 1991-99) This is a set of props acquired for the production for use as set dressing and each piece has been customized with "Binford" logos. The set includes a Binford rat trap, plastic Binford gas can, small Binford spray can, Binford door & window foam tape and an empty VHS tape cover with custom graphics applied for a Tool Time special on "How to Make a Greenhouse." Some wear from use is present on these props, but they remain in overall good condition.

(TriStar, 1991) This is a set of ear tips that were custom-made for the production for use by Julia Roberts as Tinkerbell. Made of foam with glitter applied, the ear tips remain in very good condition.

(TriStar, 1991) This clapperboard was used during filming and features the film's title and markings from its final shot. Exhibits signs of use.

(TriStar, 1991) Suede "Tinkerbell" tunic and skirt custom-made for the production for use by Julia Roberts and her stunt person (Donna Evans). The costume tag in the tunic has "Julia" marked out and "Donna" added next to her name. This suggests that the tunic was worn by Julia during filming and downgraded to a stunt piece at some point during filming. The skirt has "Donna, F2" written on the costume tag and has special slits in the sides to allow for the wires from the harness to pass through the costume. The wings are made of plastic with a metal bracket attached that passes through the back of the tunic. Both the costume and wings have minor wear from use, but remain in good condition.

(Lionsgate, 2007) This shirt was acquired for the production for use by Lauren German as Beth. The shirt has studio blood applied and no size is indicated.

(MGM, 2010) This production-made prop can of Chernobly features a metalized label on an emptied existing drink can. Chernobly is the high power Russian beverage that Adam and the guys spill on the controls of their hot tub at the Kodiak Valley Ski Resort, transforming it into a time machine back to 1986. The prop can is presented on a custom acrylic stand for display.

(Columbia, 2010) This baseball uniform was acquired for the production for use by Owen Wilson as Matty. The uniform consists of a red long sleeve under shirt, a white jersey with the team name "Nationals, 33" on the front and "Reynolds, 33" on the back with "Matty" handwritten on the inside, a pair of white pants with red pinstripe also with "Matty" handwritten on the inside. The outfit is in very good condition.

(Universal, 2000) This lot includes a Whobilation invitation and group of mail letters used as set dressing. The invitation was custom-printed for use on-screen by various actors including Jim Carrey as The Grinch. The invitation features the details of the event and measures 7.5" x 5.25". Printed on card stock paper. The group of mail was also custom-printed for use as set dressing in the Whoville Post Office mailroom. The envelopes consist of one large pale green, one small red and two small green, each addressed to various members of the Whoville community.

(Universal, 2000) This set of six "One Whomolian" bank notes were custom-printed for use by various actors. Each bill features the Whoville trademark Christmas tree on one side and the value of the note on both sides. The set of nine Whomolian coins were also custom-made for the production and each features Whoville Christmas elements. The coins are made of metal and very detailed in various sizes and values. The envelopes were custom-printed for use as set dressing in the Whoville Post Office mailroom. The envelopes consist of two pale green and two red, each addressed to various members of the Whoville community.

(Universal, 2000) This sweater was custom-made for use by Jim Carrey in the title role as The Grinch. The sweater features a large Christmas tree with "I Love XMAS" decorated with tiny lights that are powered by a battery pack that connects to wiring within the sweater. The back of the sweater is open and was tied closed with string during filming. The string and battery pack are not included with the sweater. This is a fantastic costume piece from the Ron Howard holiday classic.

(Universal, 2000) This prop antler was custom-made for the production for use by Max the dog. The lightweight resin antler has two threaded holes in the base for attaching to Max's head appliance. Detailed to give it that Seuss style, the antler stand 12.5" tall and is in good condition with only minor wear.

(HBO, 2009- ) Blue and yellow football helmet with wolf stickers on the sides and "W" stickers on the back. The helmet is worn with signs of use and features distinctive marking that match exactly on screen with the helmet that Thomas Jane, as Ray Drecker, wears while dancing for a client.

(Columbia, 2002) These boxing shorts were custom-made for the production for use by Eddie Murphy as Kelly Robinson. The shorts are black with gold trim and feature "Kelly" at the waist, "Robinson" down the side of the left leg and the World Boxing Champion logo patch attached to the right leg.

(Vivendi Entertainment, 2008) This dress was custom-made for the production for use by Leelee Sobieski as Muriella. It is full-length green crushed velvet with green shoes that have small gold plastic jewels attached. No size marked in the dress.

(Vivendi Entertainment, 2008) This set of shoulder armor was custom-made for the production for use by Matthew Lillard as Duke Fallow. The armor is made of sheet metal with resin accents attached and has minor wear from use.

(Paramount, 2008) This lab coat was acquired for the production for use by various extras. Customized with a Stark Industries logo on the left chest, in very good condition.

(Paramount, 2010) Molded plastic California license plate with embossed lettering "STARK 15." Used as set dressing in Tony Stark's garage. 12" wide x 6" tall.

(Dimension Films, 2001) This outfit was acquired for the production for use by Eliza Dushku as Sissy. The outfit consists of a jersey style shirt with the numbers "55" on the front, with no size marked and a pair of size 2 purple jeans. Both the shirt and jeans are in very good condition.

(Columbia, 2001) This two piece outfit was acquired for the production for use by Kid Rock as Robby. The outfit consists of a white undershirt with minor staining and has "Robbie" written in marker on the inside collar, no size is marked and a pair of jeans made by "Carhartt" size 36 x 32 with "Robbie" written in marker on the inside left pocket.

(Universal, 1993) License plate number 29 was screen used on the Jeep that takes John Hammond and his guests into Jurassic Park for the investigation of the island. It can be seen during the ride from the helicopter-landing pad to the drop off point at the park's welcome center. This license plate is part of the famous scene where John Hammond says, "Welcome to Jurassic Park," just after Dr. Alan Grant and Dr. Ellie Sattler see their first dinosaurs on the island.

(Universal, 1993) This jacket and sweatshirt were given out to various crewmembers that worked on the production of Jurassic Park. The jacket is in good condition and is a size large. The sweatshirt is a size small, also in good condition.

(Universal, 1993) This is a hand painted cel of Mr. DNA with no background, used in the cartoon played for the visitors of Jurassic Park. Color paint on Mylar, 12.5" x 10.5".

(Universal, 1993) This is a hand painted cel of Mr. DNA with no background, used in the cartoon played for the visitors of Jurassic Park. Color paint on Mylar, 12.5" x 10.5".

(Universal, 1993) This is a hand painted cel of Mr. DNA with no background, used in the cartoon played for the visitors of Jurassic Park. Color paint on Mylar, 12.5" x 10.5".

(Universal, 1993) This is a set of three original pencil and colored Mr. DNA sequence production drawings. These were done as guides for the final painted cels. Each piece measures 12.5" x 10.5".

(Universal, 1993) This is a set of three original pencil and colored Mr. DNA sequence production drawings. These were done as guides for the final painted cels. Each piece measures 12.5" x 10.5".

(Universal, 1997) This 1:16 scale study maquette was custom-made for the production of the film. It was intended to be used as a study model for the movements of a dinosaur leg and foot. It is a small scale mechanical device mounted on a 9" x 9" x .25" inch black Plexiglas base and measures approximately 10 inches in height. The leg can be positioned by hand to mimic various real life movements and motions with particular foot positions. White label on the base reads, "Insert Leg Lost World 1:16."

(CBS-TV, 1998-2007) This shirt was worn on-screen by Jerry Stiller, as Arthur Spooner, in the 8th season episode entitled, "Fight Schlub." Arthur can be seen wearing the shirt when he returns Carrie's camisole after using it to shine the mailbox.

(CBS-TV, 1998-2007) This sweater was worn on-screen by Jerry Stiller, as Arthur Spooner, in the 8th season episode entitled, "Inn Escapable." Arthur can be seen wearing the sweater when he is trying to talk one of his lady friends into staying the night when Doug and Carrie are away for the weekend.

(CBS-TV, 1998-2007) This robe was worn on-screen by Kevin James, as Doug Heffernan, in the season one episode entitled, "Dog Days." It is a red robe made by Rochester Special Men and is in very good condition, however it is missing the cloth belt that was used on-screen with the robe. Doug can be seen with the robe when he goes next door to confront the neighbors about their dog's all night barking and he ends up walking the dog.

(CBS-TV, 1998-2007) This "International Parcel Service" shirt was worn on-screen by one of the extras during filming. The shirt was made by Venice Custom Shirts of Los Angeles, and is dated Jan. 1999. The buttons have been removed from the shirt after filming.

(CBS-TV, 1998-2007) This "International Parcel Service" jacket was custom-made for the production for use by one of the extras during filming and features the "IPS" logo on the left chest. The jacket is missing the zipper, otherwise it is in very good condition and is a size small. This is a very recognizable wardrobe piece from the long-running popular TV sitcom.

(Warner Bros., 1997) This stunt gun and holster were acquired for the production for use by Russell Crowe as Wendell "Bud" White. Made of soft rubber for stunt work the gun was molded from a 38 Special and the clip holster is made of leather with metal belt clip. Included with this lot is a letter from the assistant property master on the film confirming their use on set.

(20th Century Fox TV, 1968-70) This is one of the costume patches custom-made for the production. The patch is in very good condition and may have been an unused backup.

(Paramount, 2001) This is one of the large resin swords custom-made for filming. The swords can be seen on screen as part of the statues that come to life, then Lara Croft takes one of the swords and uses it when fighting the statues. This sword measures 43" long x 7" at the widest section. Some wear from use is visible including a small chipped off section on the handle and minor surface cracks on the blade, otherwise the sword is in very good condition.

These two coats were custom-made and worn by Lassie in the early days for parades, appearances and maybe film and television. One coat features two large patches for the "U.S. Savings Stamps Minuteman Award" with four stars on the collar and the second coat has "Jeff's Collie" applied to one side and "Lassie" to the other. Very few artifacts surface from the most famous dog hero, making this set extremely rare. Both coats are in very good condition with only minor wear and staining.

(Paramount, 2004) This costume was custom-made for use by Jim Carrey, as Count Olaf, and can be seen near the end of the film during the play/wedding. The extremely detailed costume consists of a matching wood-grain jacket and pants, tights, vest and shirt. This costume is in overall very good condition with only minor wear from use.

(New Line, 2000) This clapperboard was autographed by Adam Sandler after filming. It is unclear whether or not this clapperboard was used during filming, as it is in near perfect condition. Accompanied by a New Line COA confirming that it was an original artifact from the production.

(New Line, 2000) This prop dog collar was worn on screen by Beefy the Bulldog. The cloth collar with plastic spikes attached was custom-made for the film and features heavy wear from use. The collar is presented on a custom acrylic base for display.

(Lolita Productions, 1997) This chair back was custom-made for the production for use by Melanie Griffith on set during filming. The chair back features her character name "Charlotte Haze" and is in very good condition.

(Universal-TV, 1971-77) This two-piece suit was custom made for the production for use by Rock Hudson as Police Commissioner Stewart "Mac" McMillan. The suit was made by Cotroneo Costume and both pieces feature costume tags with "Rock Hudson, 1973" typed on the information lines. The suit remains in very good condition.

(Universal-TV, 1980-88) This shirt was acquired for the production for use by Tom Selleck, as Thomas Magnum, in the season three episode, "Heal Thyself." The shirt features a flower design that is an exact screen match. In very good condition.

(Fox-TV, 1987-97) This outfit was worn on screen in several episodes by Ed O'Neill as Al Bundy. The outfit consists of a shirt and pants that were worn by Al together and in various combinations with other articles of clothing during filming of the series.

(Fox-TV, 1987-97) This robe was worn on screen in several episodes by Ed O'Neill, as Al Bundy, including the season 10 episode, "How Bleen Was My Kelly." The well worn thick terry cloth robe ties at the waist.

(Fox-TV, 1987-97) These polka-dot shorts were worn on screen by Ed O'Neill, as Al Bundy, in the season five episode, "You Better Shop Around Part 1." Al wears these shorts while relaxing in the Bundy pool, as Peg and the kids try to convince him to install an air conditioning unit in the house.

(Fox-TV, 1987-97) This chair was used on the "Gary's Shoes" set for the run of the series and is an iconic part of the set. The chair has seen its share of action and has wear consistent with many years of use, including a cigarette burn on the seat cushion. Measures 32" tall x 24" wide x 25" deep. Special shipping required.

(Fox-TV, 1987-97) Remote-controlled full-size figure of the beloved Bundy family dog, Buck. This figure is a striking likeness of Michael, the Briard, that played Buck for eight years on the show. It features a movable head and mouth that opens and closes. The figure stands 27" tall x 42" long x 17" deep. Will require refurbishing to bring back to full working order. Special shipping required.

(Fox-TV, 1987-97) This is a very rare and special cast & crew gift that honored the service of Michael, the Briard, that played the Bundy family dog, Buck. Michael was twelve-and-a-half when he retired from Married with Children, having spent eight years on the show. He died at the age of thirteen, nine months after retiring. This statue of Buck was custom-made in a very limited number as a gift from the producers to the cast & crew. It stands 4.25" tall x 3.75" wide.

(TriStar, 1998) This trademark mask was custom-made for the production for use by Anthony Hopkins as the original Zorro, before handing over the sword to Antonio Banderas.

(Cannon Films, 1987) This jacket was given to various members of the crew. The jacket is a size medium and features the film's logo with "Coming to Earth, 1987, Cannon Films, Inc." embroidered on the left chest.

(Cannon Films, 1987) Hero sword with polished aluminum blade used by Anthony de Longis as Blade. Hilt is resin and decorated with a faux blue gem on either side. Signed in black ink on the blade, “Noblesse Oblige, Anthony de Longis.” Exhibits wear and notching along the blade from production use. Otherwise, still in very good condition.

(NBC-TV, 1962-69) This is a set of three original 3 x 5 index cards with typed questions that were read by Gene Rayburn during the taping of The Match Game. The four-decades old cards have faded a bit over the years, but remain in very good condition. One card in the set has been autographed by Dick DeBartolo, the original writer of the questions during the run of the show.

(NBC-TV, 1962-69) This is a set of three original 3 x 5 index cards with typed questions that were read by Gene Rayburn during the taping of The Match Game. The four-decades old cards have faded a bit over the years, but remain in very good condition. One card in the set has been autographed by Dick DeBartolo, the original writer of the questions during the run of the show.

(Warner Bros., 1999) This is one of the head plugs used on-screen by one of the main actors. It is not known exactly which actor used this because they were kept aside by the makeup effects team and placed on the back of their heads daily. It could have been Neo, Morpheus, Trinity, or a few others. The piece is presented on a custom acrylic stand for display.

(Warner Bros., 1999) This is a pair of pants created for the production for use by Keanu Reeves, as Neo. They are oversized in the waist, most likely to accommodate padding and harnesses for the stunt scenes. They are made of a thick jeans like material with several auto seat belt material designs sewn into place.

(Warner Bros., 2003) This is one of Neo's (Keanu Reeves) Nebuchadnezzar crew boots. These were custom-made by Airwalk for the second and third movie and used by all of the crew on board the ship. This is a single spare boot, not used on screen.

(Warner Bros., 1994) This vest was custom-made for the production for use by Mel Gibson as Bret Maverick. The vest has a Motion Picture Costume Co. tag that reads "Maverick, Mel Gibson." This vest is seen during the Crystal City scenes and is also featured on the movie poster.

This check from "Mel Torme Productions" is dated Nov 30, 1987 and was issued to "The Morton Co" in the amount of $374.00. It is boldly signed by Mel Torme. Included with the check is a hardhat gifted to Mr. Torme by the Vandenberg Air Force Base during a visit to the base. Exhibits minor wear.

(DreamWorks, 2001) This ring was custom-made for the production for use by Brad Pitt, as Jerry Welbach, and by Julia Roberts, as Samantha Barzel. The metal ring is the section of the priceless antique pistol called, The Mexican, that ejects from the end of the barrel when Samantha fires the gun. That ejected section is given from Jerry to Samantha as an engagement ring. This ring is one of two that were modified and used during filming and comes with a letter from the film's property master confirming its use during filming.

(Lionsgate, 2008) This foam stunt mallet was custom-made for the production for use by Vinnie Jones as Mahogany. The mallet has studio blood applied and measures 15" long x 5.25" wide and is in very good condition.

(DreamWorks, 2002) This suit was acquired for the production for use by Max von Sydow, as Director Lamar Burgess, and can be seen in the last scenes of the film as he attends the benefit in his honor. The three-piece suit was custom-made by "Dominic Gherardi Custom Tailoring" for Max von Sydow. The tag on the vest features "Max von Sydow" typed onto the tag. The name and date lines on each tag have been covered over with black marker after filming was complete.

(Touchstone, 2000) This NASA tether line gun was custom-made for the production for use by various actors. The prop features a "NASA" inventory label and trigger grip. The prop is non-functioning, has approximately six feet of rope extended and features minor wear from use.

(Columbia, 2011) Baseball uniform acquired for the production for use by Reed Thompson as Young Billy Beane. The uniform consists of a Mud Hens jersey #12, blue long sleeve undershirt, baseball pants with red and blue stripes, red stirrups, white socks, a pair of red and white batting gloves, and baseball hat with the Mud Hens logo on the front. Included with the uniform is a production used costume tag that details the costume, scenes used and change number.

(Columbia, 2011) This visor was acquired for the production for use by Brad Pitt as Billy Beane. The visor is a one size fits all with the manufacturer's tag removed. It exhibits some wear and staining from use, but remains in good condition. Included with the visor is a production used costume tag that details the scene and change numbers.

(Columbia, 2011) This outfit was acquired for the production for use by Jonah Hill as Peter Brand. The outfit consists of a navy blue nylon windbreaker with red lining, a Maroon wool V-neck sweater and a light blue button down shirt. Included with the outfit are two production used costume tags that detail the costume, change number and scene used.

(Columbia, 2011) This baseball uniform was acquired for the production for use by Brent Jennings as Ron Washington. The uniform consists of an Athletics size large green warm-up jacket with "Washington" handwritten on the inside of the collar, a green and yellow A's baseball cap, a green long sleeve undershirt with the A's logo on the collar, a white jersey with the Athletics logo #38 on front and "Washington #38" on the back, and a pair of baseball pants with "Washington #38" handwritten on the inside. Included with the uniform is a production used costume tag that details the costume, scenes used and change number.

(Newmarket Films, 2003) This orange western shirt was worn on-screen by Charlize Theron in her Academy Award-winning role as Aileen Wuornos. The shirt is worn in the scenes when Aileen and Selby (Christina Ricci) get in a fight with a guy in the the restaurant. The inside collar has a Universal Studios bar code label.

(New Line, 2005) This white suit was acquired for the production for use by Jane Fonda as Viola. It can be seen toward the end of the film when she is temporarily living with Charlotte (Jennifer Lopez) and driving her crazy. Charlotte gets sweet revenge and "accidentally" splashes her with spaghetti sauce and terrorizes her with the dogs. This white suit is a Kim Barrett design and is made from a heavy fabric that is lined with silk. The jacket is long sleeved and has 6 mother-of-pearl buttons on the front along with "spaghetti sauce" splatter. The skirt falls just below the knee and also has "spaghetti sauce" on it. The suit is accompanied by white swan neckless with rhinestones along the inside of its wings and a red rhinestone for its eye. There is a gold colored bead hanging from its mouth and at the top where the two chains meet. The chain is very thin and it is broken. This particular costume matches exactly on screen and is the one worn the final take, including all of the food stains in the close up screen shots.

(Summit, 2005) Soft rubber shotgun with metal armature custom-made for the production for stunt work. Minor wear from use, measuring 34.25" long.

(20th Century Fox, 1993) This prop latex face appliance was custom-made for the production for use by Robin Williams as Daniel Hillard. The appliance is one that was used as a prop during shots of the it being handled while dressing and undressing into his Mrs. Doubtfire disguise. The appliance has minor wear from use, but remains in very good condition.

(Paramount, 1991) This shirt was custom-made for O.J. Simpson as Nordberg. He wears various blue shirts throughout the entire film. It is made by Anto Distinctive Shirt makers Beverly Hills. The initials O.J.S. and the date November 1990 are sewn on the inside collar. The letters "PAR" were later written on the label and shirt.

(Disney, 2007) This set of two prop books and standee were custom-made and used as set dressing in the Riley Poole book signing scene. The books are white-painted wooden blocks with custom-printed dust jackets that read, "The Templar Treasure and Other Myths That Are True" By Riley Poole, with a photo of part of the treasure on the back. The standee features the image of Justin Bartha, as Riley Poole, in full adventure gear, standing behind his book. Both the books and stand-up have wear from use, the books each measure 8.5" tall x 6" wide x 1.25" deep and the standee measures 66" tall x 30" wide. Special shipping required.

(Paramount, 2007) This outfit was acquired for the production for use by Julianne Moore as Callie Ferris. The outfit consists of a jacket, shirt, hooded sweatshirt and a pair of jeans.

(Gramercy Pictures, 2000) This costume was acquired for the production for use by Greg Kinnear as Dr. David Ravell/George McCord. This is the costume he wears during the taping of his role on Betty's favorite soap opera, A Reason to Love. This costume consists of a lab coat with nametag, shirt, tie, belt, pants and shoes.

(DreamWorks, 2003) This fraternity jacket was acquired for the production for use by Rick Gonzalez as Spanish. The jacket features their fraternity crest and has "Spanish" written on the inside pocket.

(Columbia, 2000) This colonial hat was worn on screen by Heath Ledger as Gabriel Martin. It is a khaki felt hat with the right and left brim folded up. Each side has two laces that secure the brim. On the underside is a sticker with the name "Gabriel #2" handwritten in black ink.

(Columbia, 2000) This coat was worn on screen by Heath Ledger as Gabriel Martin. It is a blue and white Continental Army style with "USA" buttons. The inside pocket has a "Dominic Gherardi" custom tailoring label attached with "Heath Ledger, July 1999" typed on the information lines.

(Universal, 1988) Screen-used during the filming of the Phantasm II. One of the most recognizable icons in horror film history, the Deadly Flying Sphere terrified moviegoers and became the trademark image of the Phantasm Franchise. This weapon of the Tall Man would impale it's victims in the head and drain the blood from their body. The sphere measures about 6" long from the tips of the blades to the back of the sphere and has some wear with some scuffs on the chrome and chips on the blades. Made of plastic with the blades glued in the fixed position, the drill bit is loose but sits nicely in place for display. The sphere is presented on a custom stand for display.

(Disney, 2006) This full-scale prop is of an elephant tusk in a shipping crate. The amazing prop was used as set dressing on the boat docks and consists of the resin elephant tusk held in place within the wood crate with rope. Measuring an impressive 6' 9" tall x 3' wide x 14.5" deep. Special shipping required.

(Disney, 2003) This stunt flintlock blunderbuss was custom-made for the production for use by various actors. The dense rubber blunderbuss features a custom paint scheme, giving the prop the same details seen on the metal version. Measuring approximately 33" long, the blunderbuss has that distinctive pirate look.

(Disney, 2003) This stunt flintlock blunderbuss was custom-made for the production for use by various actors. The dense rubber blunderbuss features a custom paint scheme, giving the prop the same details seen on the metal version. The piece measures approximately 30" long.

(Disney, 2003) Rubber stunt flintlock rifle and pistol, custom-made for the production for use by various actors. Detailed to match the hero versions each with that distinctive pirate look. The rifle measures 42" long, the pistol measures 14" long, both have some wear from use, but remain in good condition.

(Disney, 2003) Rubber stunt flintlock rifle custom-made for the production for use by various actors. Detailed to match the hero version. The rifle measures 42" long and has some wear from use, but remains in good condition.

(Disney, 2003) Metal sword and handle with metal trimmed scabbard for use by various extras, showing signs of wear from use. Measuring 30" long.

(Disney, 2003) Metal sword and handle for use by various extras, showing signs of wear from use. Measuring 30" long.

(Disney, 2006) A collection of props used as set dressing during filming, consisting of two native weapons and four skulls. One weapon is a resin bone handle with resin bones tied to the top and the second is a metal blade with resin bone handle tied to the end. The four skulls are made of resin and distressed for filming.

(Disney, 2006 & 2007) A collection of props used as set dressing during filming, consisting of a small wood chest with "East India Trading Company" logo branded into the top, two ceramic candle holders, two native weapons and a skull made of resin with a human tail bone attached with leather string.

(Disney, 2006 & 2007) A collection of props used as set dressing during filming, consisting of a small wood chest with metal trim, two hand carved candle holders with candles, wicker basket and a skull made of hard foam and presented on a custom wood base for display that stands about 14" tall.

(Disney, 2006 & 2007) A collection of props used as set dressing during filming, consisting of a frozen Chinese bucket, frozen blanket, wood basket, glass rum bottle and a skull made of hard foam and presented on a custom wood base for display that stands about 14" tall.

(Disney, 2006 & 2007) A collection of props used as set dressing consisting of a small seat with melted wax on top, native style bucket with rope handle, metal lantern with candle, native wood carving and a skull made of hard foam and presented on a custom wood base for display that stands about 14" tall.

(Disney, 2006 & 2007) A collection of props used as set dressing during filming, consisting of a battle damaged small wood chest, metal and glass lantern, wood basket, leather pitcher, glass rum bottle and a skull made of hard foam and presented on a custom wood base for display that stands about 14" tall.

(Disney, 2006 & 2007) This is a collection of five prop rum bottles that were used as set dressing during filming. The bottles are made of glass, empty and are in very good condition.

(Disney, 2006 & 2007) A collection of props used as set dressing during filming, consisting of a native shield, wood bucket with rope handle, leather pitcher, glass rum bottle, small battle damaged wood chest and a skull made of resin.

(Disney, 2007) This prop lintstock was custom made for the production for use by Geoffrey Rush as Barbossa. The lintstock stands just over 50" tall with a staff made of resin and resin tw- headed dog at the top. Rope is wrapped, tied and feeds through the dog's heads with burn marks at the ends. Some wear from use is present.

(USA Films, 2000) 1:96 scale design study maquette of the Merchant Vessel, which Hunter/Gratzner Industries created for use as a three dimensional version of the designs of the ship and also for video animatic shot with a lipstick camera of the crash sequence. Hand-sculpted of urethane foam, detailed with styrene and pinned together with brass tubes and dissembles to represent each portion of the jettison sequence in the film. Hand-painted by New Deal Studios co-founder Matthew Gratzner. This impressively detailed model measures 29 ½ in. long and is mounted to a MDF display stand with applied “Hunter/Gratzner Industries, Inc.” label, the company responsible for the film’s miniature special effects. Includes a Hunter/Gratzner COA.

(20th Century Fox, 1990) This production used chair back features the film's logo on one side and "Cast" printed on the other. Some wear and fading is present.

(Screen Gems, 2011) A pair of goggles modified for filming for use by Paul Bettany, as Priest, and Maggie Q, as Priestess. Exhibits wear from use and the aluminum bracket attached to the top is missing.

(Screen Gems, 2011) A pair of goggles modified for filming for use by Paul Bettany as "Priest" and Maggie Q as "Priestess". Some wear from use is present.

(Screen Gems, 2011) This outfit was custom-made for the production for use by Cam Gigandet as "Hicks." The outfit consists of a brown leather aged coat, button down shirt, brown leather aged hat, suede vest, bandana, brown leather pants, leather fingerless gloves and brown aged boots. Included with the outfit are two production used costume tags that detail the outfit, scenes used and change numbers.

(Screen Gems, 2011) This outfit was custom-made for the production for use by Paul Bettany as "Priest". The outfit consists of a hooded tabard, dark gray tunic with sleeve wraps, hand wraps, waist sash, black cotton twill pants and a pair of black boots. Included with the outfit is a production used costume tag that details the outfit, scenes used and change number.

(Screen Gems, 2011) This prop weapon was custom-made for the production for use by a Church guard. The rubber taser weapon is detailed to look like metal with "1000 Volts" labels applied to the sides. Measures 21" long.

(Screen Gems, 2011) Molded plastic flashlight with metal accent and leather wrapped handle. Used by Paul Bettany, as Priest, in the vampire caves. In nonworking condition with minor wear from use. Measures 9" long.

(Screen Gems, 2011) This knife rig was custom-made for filming for use by Paul Bettany as Priest. The rig consists of a rubber table knife handle mounted to a metal bracket that is bent to accommodate Paul's under arm and give the illusion that the knife is passing through his shoulder and into the wall of the train car. Some studio blood is still present. Measures 12" x 6" x 3".

(Screen Gems, 2011) Plastic cross painted silver and detailed to look like metal, used by Paul Bettany as Priest. Minor wear from use. Measures 3.25" tall x 3" wide.

(Screen Gems, 2011) Dense rubber knife detailed to look like metal, used by Paul Bettany as Priest. Measures 8.75" long.

(Screen Gems, 2011) This outfit was custom-made for the production for use by Lily Collins as "Lucy Pace". The outfit is distressed with staining, torn and missing sleeve for filming on the train and consists of a blouse, skirt, corset, tights and socks. Included with the outfit are two production used costume tags that detail the costume, change and scene numbers.

(Screen Gems, 2011) This outfit was custom-made for the production for use by Lilly Collins as "Lucy Pace". The outfit consists of a blouse and skirt in very good condition. Included with the outfit are two production used costume tags that detail the change and scene numbers.

(Screen Gems, 2011) This motorcycle breathing mask was custom-made for the production for use by Paul Bettany, as Priest, and Maggie Q, as Priestess. Made of plastic and rubber with elastic head band to hold it in position. Minor wear from use but remains in good condition.

(Screen Gems, 2011) This monsignor robe and hood were custom-made for the production and features a "Ha Nguyen" costume design tag i each piece along with a "Costume CO-OP" tag with "Charles" written on them. The hood attaches to the full length robe by way of several snaps that outline the shape of the hood. Both pieces are in very good condition.

(Disney, 2010) A collection of prop weapons from Prince of Persia including stunt rubber swords and wooden bow in handcrafted leather holster with metal detailing. Showing minor wear from use.

(Disney, 2010) Collection of prop weapons from Prince of Persia including two stunt rubber swords, stunt rubber pick and two shields with metal accents. Exhibits minor wear from use.

(Disney, 2010) A collection of prop weapons from Prince of Persia including stunt rubber sword with scabbard and belt, stunt bladed staff, stunt rubber pick and shield with dented metal accent. Exhibits minor wear from use.

(Disney, 2010) This large axe weapon was custom-made for the production for use by various actors. The blade is made of resin detailed to look like a well-worn metal with an aluminum handle detailed to look like wood. The prop weapon stands 71" tall x 16" wide and exhibits wear from use. Special shipping required.

(Paramount, 1997) This red vest was screen worn by Robin Quivers as herself. It can be seen when Howard (Howard Stern) is attempting the make a new world record by having the first naked woman on the radio. The red vest is made by Carole Little Sport, size L. It has embroidered flowers outlined with beads on the front.

(Paramount, 1997) This shirt and vest were screen worn by Howard Stern as himself. They can be seen after Howard manipulates the show's producers to bring Robin (Robin Quivers) back to the show. These are his "Welcome back Robin" clothes. The t-shirt is made by EC Sport, size XL. The striped vest is made by I.N.C., size XL.

(Paramount, 1997) This costume was screen worn by Howard Stern as himself, and can be seen when Howard is working for 107 FM WRNW radio station in Westchester New York in 1977 when he gets promoted to program director because he is a terrible disc jockey. The beige floral dress shirt is made by L. Allmeier, NY. The red pants are made by Red Snap.

(Universal, 2009) A set of stunt rubber guns custom-made for the production for use by Johnny Depp, as John Dillinger, and other actors. Consisting of a pair of Colt .45 pistols and Thompson submachine gun, each detailed to look like the live firing counterparts. Minor wear from use.

(Screen Gems, 2008) This outfit was acquired for the production for use by Martini the dog. The one-piece outfit multicolor with black trim with skull and cross bones patch attached is in very good condition.

(Columbia, 2001) This wedding dress was acquired for the production for use by Drew Barrymore as Beverly Donofrio. The dress was made by Grace Costumes and comes with two veils, two pairs of shoes and cross necklace.

(Warner Bros., 1991) This sword was custom-made for the production for use by various actors. The sword is made of plastic. The handle is painted black, the pommel, cross guard and blade are painted silver, with some of the paint chipped off in areas. It has an oblong shaped pommel and a long curved cross guard. The scabbard is made of brown leather with a reinforced piece at the bottom.

(Warner Bros., 1991) This bow and arrow were acquired for the production for use by various actors. The bow is made from a flat piece of wood with the ends notched for the rope to attach and it has a black handle in the center. The tip of the arrow is covered in a kindling material. The shaft is made of wood and the bottom has a series of white feathers. Exhibits signs of wear from usage.

(Disney, 1991) This program was custom-printed for filming and features the Bigelow's Air Circus artwork on the cover and opens to the details of the day's events. The programs can be seen in the crowd at the air show and is also featured in the prop newspaper article (pictured to the left) titled, "Air Circus Owner Won't Reveal Hero's Identity."

(Disney, 1991) This prop pennant was custom-made for the production for use as set dressing and features the Bigelow's Air Circus logo, date and location of the event on one side. Some wear from use. Measures 25.5" x 11".

(Disney, 1991) These prop buttons and small banner were custom-made for the production for use by various actors. Both the buttons and banner feature the Bigelow's Air Circus logo. The buttons each measure 2" in diameter and the banner measures 12.5" wide x 9.25" tall.

(Disney, 1991) This prop poster and pennant were custom made for the production for use as set dressing. The poster is printed on card stock and features the "Bigelow's Air Circus" logo, date and location on one side, minor wear from use 23" x 18". The pennant also features the "Bigelow's Air Circus" logo, date and location of the event on one side with some wear from use. Measures 25.5" x 11".

(Disney, 1991) This helmet was custom-made for the production for use by Bill Campbell as Cliff Secord/The Rocketeer. The helmet is made of slush cast resin with a weathered copper finish, padded interior and chinstrap. This particular helmet features special distressing to the top of the fin and left temple over the eye lens. The fin and helmet is intentionally dented as if the helmet was grazed by a bullet. This helmet can be seen on-screen during the scene when Cliff meets Neville Sinclair (Timothy Dalton) at the Griffith Observatory to trade the jet pack for Jenny (Jennifer Connelly), making this a unique screen-matched helmet. The helmet is presented on a custom acrylic base for display.

(Disney, 1991) This prop book was custom made for the production for use by Jennifer Connelly as Jenny. The book consists of a wood block that has a hard bound custom book cover attached. The title of the book, "The Conquests of Casanova," is printed on the spine and two small holes are drilled into the base of the wood block to hold the book in place on the shelf and allow it to tilt to reveal a hidden room. Measuring 11.5" tall x 8.5" wide x 2" thick.

(Disney, 1991) This prop Hoover Vacuum Cleaner was custom made for the production for use by various actors. The vacuum is based on an actual vintage vacuum that features some modifications including the addition of the "Hoover" logo. A key prop from the film that comes with a Disney Studios COA confirming its use during filming. Measures 25" x 14" x 9" with two disney prop dept. tags still attached.

(Disney, 1991) This prop South Seas Menu was used as set dressing in the nightclub battle sequence. A beautiful, very large prop menu designed by the Disney Art Department. Printed on cardboard stock with gold foil printing and matching silk-like gold ribbon. Interior features detailed menu page from the era. The note given to Jenny in her soup bowl by Cliff features the corner detailing of menu page.

(MGM, 2006) This is one of the VIP badges worn by ringside audience members. This particular badge was worn by Ginger Fontaine as an extra, who was standing right next to Geraldine Hughes who played "Marie" in the movie.

(New Line, 1998) This bomb vest was custom-made for the production for use by Jackie Chan as Hong Kong Detective Inspector Lee. The nylon vest features wiring, trigger and fake explosives attached. Some wires are cut/open ended as seen in the film and exhibits basic wear from use.

(New Line, 2001) This clapperboard was custom-made and features the film’s logo. The board has been autographed by the film's stars, Jackie Chan and Chris Tucker, along with the film's director Brett Ratner. In very good condition with only some minor rub marks to the signatures.

(Twisted Pictures, 2005) This tape recorder was used by Donnie Wahlberg as "Detective Eric Matthews". It can be seen at the end of the film, when after searching for his son he wakes up chained in a dark room and listens to the recorded message from Jigsaw (Tobin Bell) and then throws the tape recorder at the closing door. The broken tape recorder does not appear in the final cut of the film. It is a hand held mini cassette tape recorder that is broken into pieces. Along with our screen-used COA this prop come with a Twisted Pictures COA.

(Universal, 1993) This clapperboard was used during filming and features the film's title and markings from its final shot. Exhibits signs of heavy usage.

(Dimension Films, 1997) This outfit was acquired for the production for use by Sarah Michelle Gellar as Casey "CiCi" Cooper. The outfit consists of a matching long and short sleeve shirt set with stab wound and studio blood applied, a pair of pants, also with some studio blood staining and a pair of leather boots. Included with the outfit are two production costume tags that detail the change and scene numbers.

(Universal, 2003) This suit was custom-made for the production for use by Jeff Bridges as Charles Howard. Made by John David Ridge and featuring Jeff Bridges's name typed on the tags in the jacket and pants.

(FOX-TV, 2002-03) This medical vest and hat were acquired and customized for the production for use by Nathan Fillion, as Captain Malcolm Reynolds, in the season one episode, "Ariel." The vest features medical patches attached to the front and back with reflective strips also added to both the front and back. The entire vest has been painted purple over the blue, giving it a very unique look. The vest has "Mal" handwritten on the manufacturer's tag. The hat features a matching medical patch attached and has no size marked, "Fox" and "Mal" are handwritten on the inside. All of the details on this vest exactly match on screen.

(Universal, 2005) This outfit was acquired and customized for the production for use by Jewel Staite as Kaylee. The outfit consists of a mesh blue shirt with multicolor floral print and sleeveless coveralls. The shirt has "Kaylee" written in black ink on the manufacturer's tag and the coveralls have "Stunt, Kaylee, Dart" written on the inside. "Dart" refers to the small dart hole located near the neckline for filming of scenes 173-181. The outfit is distressed for filming, but remains in good condition. Included with the costume is a production used costume tag that features details of the costume, scene and change numbers.

(Universal, 1994) This crossbow was custom-made for the production for use by one of Shiwan Khan's Mongols. Made of resin and fixed in the closed position, the crossbow is ornately detailed to look like wood and metal. Measures about 26" long.

(WB-TV, 2001-11) This is a piece of the set dressing from the Fortress of Solitude. The piece was cut from a large set piece and measures 4" tall. Made of plastic with glitter glued to the surface, the piece is in good condition and is presented on a custom acrylic base for display.

(WB-TV, 2001-11) This is a piece of the set dressing from the Kent farmhouse. The piece was cut from a large set piece and measures 5.5" tall. Made of wood and painted yellow, the piece is in good condition and is presented on a custom acrylic base for display.

(WB-TV, 2001-11) This is a piece of the set dressing from the Kent barn. The piece was cut from a large set piece and measures 4.5" tall. Made of wood and painted red, the piece is in good condition and is presented on a custom acrylic base for display.

(WB-TV, 2001-11) This motorcycle jacket was acquired for the production for use by Tom Welling, as Clark Kent, in several episode of the series including the season two episodes, "Red" & "Exodus," season three episode, "Exile," and the season six episodes, "Crimson" & "Combat". "Hero" is handwritten on the inside. There is a 3" separation on the seam of the lower right section of the jacket, otherwise the jacket is in good condition.

(New Line, 2005) This lightweight foam mask was made in a very limited run and given as a crew gift by the producers of the film. It is a one to one scale copy of the prop mask used during filming with a simulated metal plate on the inside with the inscription that reads, "Son Of The Mask, Thanks for your efforts, we couldn't have done it without you. 2003 - 2004."

(MGM, 1987) Original poster concept drawing, depicting all the main characters, graphite on vellum, 16.5" x 25.25", taped to illustration board. In very good condition. Drawn by the concept artist Michael Hobson.

(20th Century Fox, 1994) This bomb device was custom-made for the production and was used on-screen during the elevator shaft scene at the beginning of the film. The set of props were made of aluminum, and plastic, consisting of a panel that was mounted to the elevator wall with duct tape that was connected by wire to a hidden control box that allowed a stage hand to illuminate and control the red LED numbers on the panel. Also included is the hand held remote that Dennis Hopper, as Howard Payne, used on-screen to simulate control of the panel. Both units are still in working condition. The loose wires can be attached to a power source, though some type of battery holder would be required for permanent use. These props were one of a kind and screen match, making them a very rare artifact from the now classic film and one of the late Dennis Hopper's best on-screen characters.

(Columbia, 2004) This set of resin, plastic and metal tentacle sections were used to represent Dr. Otto Octavius (Alfred Molina). They are incredibly detailed to look like distressed metal and are fixed together with sections that come apart and reattached with small metal pins.

(Columbia, 2004) Screen-used by Tobey Maguire as Spider-Man, this abric swatch was taken from the left back leg of the Spider-Man costume, and comes with a Columbia Pictures COA. Measures approximately 8" x 5", the piece is displayed in a frame that measures 18.75" wide x 24.25" tall.

(Columbia, 2007) This is a swatch of the Spider-Man costume, cut from the lower arm. The section is framed with the official Columbia Pictures COA. The frame measures 24.5" tall x 15" wide.

(Columbia, 2007) This set of prop pumpkin bombs were screen-used as set dressing in the New Goblin's weapons room. The bombs are made of solid resin with a highly detailed paint scheme and measure about 3" across. Presented in a custom display case that measures 10" tall x 15" wide x 6.5" deep.

(Dimension Films, 2002) This outfit was acquired for the production for use by Antonio Banderas as Gregorio Cortez. This shirt is made by Yves Saint Laurent, size 41/16. The material has a sheen to it that gives it a purple hue in the light. Pants are black and made by Dolce & Gabbana. Belt is made by Geoffrey Beene, with the silver buckle slightly tarnished. The black shoes are size 10 1/2.

(Paramount, 1979) Collection of Star Trek: The Motion Picture original production documents and inter-office memos, including Apogee paperwork that detailed script changes, drawings, and other production-related material. A very rare look at the inner workings of the production.

(Paramount, 1979) This set of orange (with gold triangle) Starfleet rank epaulets were custom-made for the production for use by various actors. The set measures approximately 3" long and are in very good condition.

(Paramount, 1979) This set of red Starfleet rank epaulets were custom-made for the production for use by various actors. The set measures approximately 3" long and are in very good condition.

(Paramount, 1979) This set of tan Starfleet rank epaulets were custom-made for the production for use by various actors. The set measures approximately 3" long and are in very good condition.

(Paramount, 1979) This set of gold Starfleet rank epaulets were custom-made for the production for use by various actors. The set measures approximately 3" long and are in very good condition.

(Paramount, 1979) This set of orange (with gold bar) Starfleet rank epaulets were custom-made for the production for use by various actors. The set measures approximately 3" long and are in very good condition.

(Paramount, 1979) Shoulder patch made for wear on Starfleet uniforms in Star Trek: The Motion Picture and featured in subsequent Star Trek films. Worn by Starfleet crewmembers at Starfleet Headquarters in San Francisco, and presumably other locations. The patch depicts Earth's Solar System, with nine planets in orbit around a black sun at the center. The Earth is colored blue, while all the other planets are gray. Measures approx. 5" in diameter.

(Paramount, 1979) This is a very rare crew jacket that was given to members of the special effects team that worked on the film. The jacket features the film's logo and U.S.S. Enterprise on the back and "Special Effects Crew" embroidered on the left chest. The jacket has no size marked and has some minor wear.

(Paramount, 1979) This bio-monitor was custom-made for the production for use by a female extra during filming. Made of plastic, the interior is filled with foam and a back panel holds into place a pair of elastic strips with dried glue residue. The item measures approx. 3" x 1.75" x 0.5".

(Paramount, 1979) This set of five patches were custom-made for the production for use on various Starfleet uniforms and are color coded for the different divisions of Starfleet. Each patch is in very good condition.

(Paramount, 1979) This pair of contact lenses were custom-made for the production for use by Billy Van Zandt as "Alien Boy." The lenses are housed in the original container that features the doctor and patient names handwritten on the back along with "2nd Pair" written in black ink.

(Paramount, 1982) This pair of gloves was acquired for the production for use by an extra. The gloves are painted white with Mylar tape added to the back and white trim to the base of each. Each glove is in good condition with only minor wear and a few missing sections of white tape.

(Paramount, 1986) Laminated crew badge with clip used during filming. It reads, "Star Trek IV, Crew, 68." Paramount logo at the lower left corner.

(Paramount, 2002) This is a set of five custom-printed and laminated parking passs issued to crew members to gain access to the studio during filming. Each pass features the Nemesis logo and was intended for production support vehicles and crew. The passes measures approximately 13.5" long and are in very good condition.

(Paramount, 2002) Prop Type 2 Phaser custom-made for the production for use by various actors. Made of resin with plastic accents. Exhibits wear from use and one button is missing. Measures 7.5" long.

(Paramount, 2002) Prop Type 2 Phaser custom-made for the production for use by various actors. Made of resin with plastic accents. Exhibits wear from use. Measures 7.5" long.

(Paramount-TV, 1987-94) This Starfleet comm badge was custom made for the production for use by various actors. Made of resin with Velcro applied to the back for attachment to the costume.

(Paramount-TV, 1987-94) This production script is for the episode titled "The Last Outpost" which aired on 10/19/87. It has a blue cover and printed on the front is "Star Trek" "The Next Generation" "The Last Outpost" "Final Draft August 4, 1987". It is held together with two button style clips and is in very good condition.

(Paramount-TV, 1987-94) This is a set of two Klingon interior ship wall panels. Made of Vacuformed plastic painted green and weathered for filming. Some wear from use is present. Each panel measures 46" tall x 22" wide x 1.5" thick. Special shipping required.

(Paramount-TV, 1987-94, 1993-99, 1995-2001) Silver and black-painted molded resin with one button that lights up the green display on top and another that lights up the firing effect utilizing a 9 volt battery. Used in seasons 3 to 7 of TNG and the earlier seasons of DS9 and Voyager, as well as the ST: First Contact and Insurrection films. Built by Prop'er Effects and measures 8" long. Exhibits some age and wear.

(Paramount-TV, 1993-99) Prop glass root beer bottle with removable cap. Fictitious label depicts the Earth with a tree growing on top of it, with a caption that reads, "Curiously Delightful." Can be seen being served in Quark's Bar. Measures approx. 7 x 2 ½ diameter, minor wear from use.

(Paramount-TV, 1993-99) Prop Columbian Raktajeno (iced coffee from Earth) glass bottle with removable cap. Fictitious label depicts a tree branch, with supposed Raktajeno beans, set against a snowcapped mountain backdrop. Can be seen being served in Quark's Bar. Measures approx. 7 x 2 ½ diameter, minor wear from use.

(Paramount-TV, 1993-99) Black & gray Starfleet issue jumpsuit uniform with gold colored under-tunic. This style Starfleet jumpsuit with characteristic gray quilted shoulders was designed for Star Trek VIII: First Contact and continued to be used in Star Trek IX: Insurrection and Star Trek X: Nemesis. This style was again used in episodes of Deep Space Nine from the middle of the fifth season and episodes of Voyager, late in the series. This uniform features a operations gold undershirt that zips up the front and the black and gray jumpsuit with gold cuff trim and front zipper closure. Handwritten "Gerald Brodin," with size indications, on DS9 costume labels in both shirt and jumpsuit. Exhibits some wear from use.

(Paramount-TV, 1993-99) This prop Cardassian disruptor rifle was custom-made for the production for use by various actors and is seen in various episodes of Star Trek: Deep Space Nine. Made from cast resin and painted to appear metallic with gold, red and blue accents. Measures 22.5" long with some wear and paint chips.

(Paramoun-TV, 1995-2001) Foam core models like this were built to scale by the art department. This model shows what would be the full-sized physical partial set. This allowed the Producers, Director, and Visual Effects Department to plan shots and determine what elements had to be created by Visual Effects. The model measures 14.5" wide x 17" deep x 7" tall and is of the "Tsunkatse Arena" set. The model shows some signs of use and wear with some pieces missing and the paper plaque is curling up at the edges.

(Paramount-TV, 1995-2001) This is a Star Trek VII: Generations-style uniform jumpsuit that was continued to be used through Deep Space Nine and Voyager. It is a black uniform with sciences blue shoulders and front zipper closure that comes up to just below the color line. The gray undershirt also zips up the center and has the rank pin attached. Both the undershirt and jumpsuit have Voyager tags attached, with the tag in the jumpsuit reading, "162, John Novak," and in the shirt, "Size 42." Some wear from use, but remain in good condition.

This is an amazingly detailed final drawing by John Alvin for the 1994 release of the Danbury Mint's official Star Wars Chess Set. Graphite on paper, 14" x 17".

This is an amazingly detailed final drawing by John Alvin for the 1994 release of the Danbury Mint's official Star Wars Chess Set. Graphite on paper, 14" x 17".

This is an amazingly detailed final drawing by John Alvin for the 1994 release of the Danbury Mint's official Star Wars Chess Set. Graphite on paper, 14" x 17".

This is an amazingly detailed final drawing by John Alvin for the 1994 release of the Danbury Mint's official Star Wars Chess Set. Graphite on paper, 14" x 17".

This is an amazingly detailed final drawing by John Alvin for the 1994 release of the Danbury Mint's official Star Wars Chess Set. Graphite on paper, 14" x 17".

(Lucasfilm, 1977) This is a print from the Star Wars Art Portfolio by Ralph McQuarrie that featured 21 prints of his production paintings. The print features Luke Skywalker, C-3PO and R2-D2 looking over Mos Eisley Spaceport. It is hand-signed by the legendary Star Wars production artist below the art. The print measures 14" x 10.5" and is in very good condition.

This is a print from the Star Wars Art Portfolio by Ralph McQuarrie that featured 21 prints of his production paintings. The print features the Millennium Falcon being pulled into the Death Star and is hand-signed by the legendary Star Wars production artist below the art. The print measures 14" x 10.5" and is in very good condition.

(Lucasfilm, 1999) This jacket is a Star Wars Industrial Light & Magic Visual Effects crew jacket. It is a black long sleeved wool jacket with leather sleeves and inside collar that zips up the front. Embroidered on the front left chest is "Star Wars ILM VFX Crew". Embroidered on the back is "Star Wars: Episode I The Phantom Menace." Made by Pineapple Clothing Company, size large.

(Lucasfilm, 1977) This is a section of the Death Star surface used in the first film, Star Wars - A New Hope. There were several different sized "tiles" created from as small as 3" square up to 24" square. This piece measures about 12" square and approximately 2" tall. This particular piece has various depths, adding to its character. The tiles were painted differently and placed in multiple places to represent the surface of the Death Star. It is made of a very dense, lightweight foam type material, which shows it's age with yellowing on the bottom and some sides. This particular piece has small reflective squares in various places in order to look like windows.

This is a section of the Death Star surface used in the first movie "Star Wars - A New Hope". There were several different sized "tiles" created from as small as 3" square, up to 24" square. This piece measures about 9.5" by about 3.25". The tiles were painted differently and placed in multiple places to represent the surface of the Death Star. It is made of a very dense, light weight foam type material, which shows it's age with yellowing on the bottom and some sides.

(Lucasfilm, 1977) The Star Wars campaign book, a lavishly illustrated large-format book, which was sent to theaters before the films release to help sell the film to theater owners. The book is still sealed in its white 11x14-inch box, which came with the film's logo banded around its middle. This is the very rare pre-release book and box that both feature the "pointy W" logo style that was later changed to the logo used on everything since the release of the film.

(Lucasfilm, 1983) This is an original "Blue Harvest" vintage crew rain suit used during the production of Return of the Jedi. It is a raincoat and pants that are bright yellow and show wear including a faded section on the left arm/shoulder. Cast and crew items from Return of the Jedi that feature the false title "Blue Harvest" are very rare sought after pieces of Star Wars history. The false film title "Blue Harvest" was used during the early production stages of filming Return of the Jedi.

(Lucasfilm, 1983) This is a section of the Death Star surface screen used during the miniature effects shots. There were several different sized "tiles" created from as small as 3" square, up to 24" square. This piece measures about 12.5" x 6". The tiles were painted differently and placed in multiple places to represent the surface of the Death Star. It is made of a very dense, lightweight foam type material. This is a very detailed piece that is presented in a custom display case that measures 19" wide x 13" tall x 7" deep.

(Lucasfilm, 1983) This is a section of the Death Star surface screen used during the miniature effects shots. There were several different sized "tiles" created from as small as 3" square, up to 24" square. This piece measures about 8" x 3". The tiles were painted differently and placed in multiple places to represent the surface of the Death Star. It is made of a very dense, lightweight foam type material. This is a very detailed piece that is presented in a custom display case that measures 18" wide x 13" tall x 8" deep.

(Lucasfilm, 1983) This is a "Blue Harvest" clapperboard used during filming of Return of the Jedi location filming. The piece shows signs of heavy use and still featuring markings from its final shot. Items from Return of the Jedi that feature the false title "Blue Harvest" are very rare sought after pieces of Star Wars history. The false film title "Blue Harvest" was used during the early production stages of filming Return of the Jedi and this would be the most sought after "Blue harvest" production artifact for collectors. This exact clapper board can be seen in behind the scenes footage on the DVD, with screne matching marks and scratches.

(Lucasfilm, 1983) This is a section of a crashed Speeder Bike and is the nose cone piece seen in the very front of the bike. Made of fiberglass and showing signs of distressing for use as set dressing. 5.25" long x 2.5" in diameter.

(Lucasfilm, 1983) This is an original, vintage cast and crew sweatshirt for the production of Star Wars: Return of the Jedi. This is a Revenge sweatshirt, prior to the name change. It is a blue long sleeved sweatshirt with a Star Wars Revenge of the Jedi transfer on the front, made by Model T, size large.

(TriStar, 1997) This combat helmet was custom-made for the production for use by various extras during filming. The helmet shows wear from use, including some small cracks and chips. This helmet was also repainted and reused in Starship Troopers 3: Marauder.

(TriStar, 1997) This combat helmet was custom made for the production for use by various extras during filming. The helmet features a dull gray paint with wear from use, including some small cracks and paint chips.

(Sony Pictures, 2008) This prop Morita MK III was custom-made for the production for use by various actors. The gun is made of foam rubber with metal clips and nylon strap attached. Incredibly detailed, the weapon also features the simulated (stamped) text, "Property of the United Citizen Federation," with patented number beneath. Exhibits wear from use. Measures 37.5" long.

(Warner Bros., 1992) This “Starfleet” outfit was custom-made by Bill Hargate costumes for use by Jeffrey Jones as Spike. It is a parody-style full-length jumpsuit of black and gold very similar to those worn on the U.S.S. Enterprise bridge. A Bill Hargate costume label is attached with “Jeffrey Jones” typed on the information line. Exhibits some wear from use.

(Columbia, 1999) This cat collar was worn on screen by Snowbell (voiced by Nathan Lane) and can be seen throughout the entire film. It is a small blue collar with rhinestones around the outside and a plastic tag that has a kitty face on one side and "Snowbell" engraved on the other.

(Columbia, 2002) This cat collar was worn on screen by Snowbell (voiced by Nathan Lane) and can be seen throughout the entire film. It is a small blue collar with rhinestones around the outside and a silver colored bell hanging from the middle. The inside piece of the bell has been glued to the side so that it will not make noise.

(Columbia, 2006) This helmet was acquired for the production and customized with the Wonder Bread team logo and graphics for use by various pit crew members. The helmet is made by Bell and exhibits very minor wear from use.

(Columbia, 2060) This fire suit was acquired for the production for use by an extra as one of the Old Spice pit crew. The suit features the Old Spice race team colors, logos and all the sponsor patches attached. With only minor wear from use, the suit remains in very good condition. Marked size "66" by costume dept.

(Hemdale Film, 1984) These police IDs were used on screen by Lance Henriksen, as Sergeant Hal Vukovich, and Paul Winfield, as Lieutenant Ed Traxler. These were the only IDs made for these characters and were acquired directly from the Property Master of the film. Accompanied by two hand-signed letters--one for each ID--from the Property Master explaining they were made by him and are one-of-a-kind.

(Carolco Pictures, 1991) These two shirts were acquired by the production for use by Edward Furlong as John Connor. They are both in distressed condition from use in the movie.

(Carolco Pictures, 1991) This is one of the stage 1 signature leather jackets worn by Arnold Schwarzenegger as The Terminator. This particular jacket has some distressing to give it a used appearance. Since this jacket was created for use in the early sequences before he is shot in the Galleria mall, there are no bullet holes in the jacket. The inside is like most other T2 screen used jackets with Velcro around the bottom of the lining in order to allow use with squibs if needed. There is some ripping and staining on the inside lining from use on-screen. Several jackets were created with various levels of distress from very clean all the way through to shredded at the end of the movie.

(Halcyon Company, 2009) These binders consist of the complete script continuity pages with continuity list of scenes and the complete set of storyboards. Used during the production with minor wear.

(Lionsgate, 2008) This costume was acquired for the production for use by Gabriel Macht as the title character, The Spirit. The costume consists of a black hat size large, black coat with torn left shoulder and studio blood staining applied, red tie, black gloves with no markings, black long sleeve shirt with no markings, black pants with "Stunt" handwritten on the inside and a pair of black Converse All Star shoes with studio blood and fake snow applied and minor wear from use.

(20th Century Fox, 1998) This blue hooded jacket and gray "Providence College" t-shirt were acquired for the production for use by Ben Stiller as Ted. Both the hooded jacket and shirt are a size small.

(Warner Bros., 2001) This dress was a backup to the hero worn on screen by Kathryn Anderson as Jean Kriticos (The Withered Love). This dress can be seen at the end of the film when Jean returns to her former self to say goodbye to her family.

(20th Century Fox, 1997) This is one of the life vests worn during filming of the Academy Award winning film, Titanic. These life vests are seen on almost everyone on the ship during the sinking scenes. Exhibits wear from use on set. Accompanied by an original 20th Century Fox COA confirming its use during filming.

(20th Century Fox, 1997) This miniature chimney cowl was custom-made for the production for use on the 65' sinking miniature Titanic. Made of resin by Donald Pennington, Inc. and has been signed in black in "Titanic 98, Donald Pennington, in film" at the base of the piece. Measures 10.5" tall x 4" wide and in very good condition with only minor wear from use.

(20th Century Fox, 1997) This First Class dinner plate was custom-made for the production for use by various actors and as set dressing. The plate has been professionally mounted in a framed display by the J. Peterman Company and comes with the original 20th Century Fox COA and the original J. Peterman shipping box. The frame measures about 13.5" x 16.5" x 2.25". The plate itself is about 10" in diameter.

(20th Century Fox, 1997) This is one of the center screw propellers used on the 1/8 scale miniature ship. It is made of a fiberglass or resin type of material with metal rod for attachment to the miniature ship. The propeller measures almost two feet wide and has minor wear from use. There were several of these created along with some metal ones for close up work. The propeller is presented on a custom acrylic base with poster and photos for display.

(20th Century Fox, 1997) This is one of the tickets created for the various scenes when Jack (Leonardo DiCaprio) and the rest of the passengers are boarding the ship at the beginning of the film. Printed on the ticket, "Third Class (Steerage) Passenger's Contract Ticket." Important to note is that the ticket image is actually a mirror image (reversed). Because the set had to face into the prevailing wind so that the smoke would blow the right way in the "at sea" scenes, the film had to be reversed for the Southampton dock scenes in order to get the ship the right way in relation to the dockside. Consequently, many notices, signs, and props were printed as mirror images so that the film could be "reversed." This prop ticket has been professionally mounted in a framed display by the J. Peterman Company. This piece comes with the original 20th Century Fox COA and the original J. Peterman shipping box. The frame measures about 11.25" x 10.25".

(Warner Bros., 1974) This set of costume patches were custom-made for the production for use by extras playing Duncan Enterprises' technicians. One patch features the company logo and "Duncan Enterprises" embroidered on the face, the other has simply "Duncan Enterprises" embroidered on the face. Included with the patches is a world premiere ticket that features the film's logo and simulated "Irwin Allen" signature, a cloth ribbon with the film's premiere information printed on one side and a round button. These three items were given to guests invited to the world premiere of the film.

(Paramount, 2007) This is a piece of tail section from the insect robot Scorponok. This tail section can be seen towards the beginning of the film when the few remaining soldiers find the Decepticons in the desert and call in air support to try and destroy it. The piece measures about 16" tall and is made from metal with fiberglass detailing and internal metal rod. The detailing pieces are painted to appear like metal, have "scrapes" and chunks out of it that appear as though the metal has been damaged. This piece is presented in a custom display case that measures 19" tall x 19" wide x 14" deep.

(Disney, 1982) Perhaps the most identifiable prop from this imaginative film, is this Identity Disc, a detachable glowing disc worn on the user’s back. As the villain, Sark, so eloquently put it, “You will each receive an identity disc. Everything you do or learn will be imprinted on this disc. If you lose your disc, or fail to follow commands, you will be subject to immediate deresolution. That will be all.” Based on a Frisbee, the disc is constructed of white plastic with applied black gaffer tape at the outside edge and white and black painted paper affixed at the center and inside surfaces. Measures 9 ¼ in. diameter. Exhibits minor soiling but remains in very good condition.

(Warner Bros., 2004) This large hammer was custom-made for the production for use by Tyler Mane as Ajax. The hammer is about 49" long and is made of a wood handle with foam rubber head and rubber flag. It is missing a longer pointed extension that attached at the bottom to make the overall piece even longer.

(Universal, 2002) This prop hair pick was custom-made for the production for use by Eddie Griffin as the Undercover Brother. Made of plastic with the peace sign cut into the center of the handle and the Brotherhood Fist at the top. Size: 9" x 3".

(Universal, 2004) This costume was worn by Hugh Jackman on-screen as Van Helsing. It includes a sweater, scarf, pants, and hat. The hat is a very dark brown and exhibits signs of use. It has a label inside that is handwritten, "Van Helsing 59." The turtleneck sweater is a multicolored grey and has a collar that turns down. The scarf is a multicolored black and brown. The pants are made of an olive/brown cloth and are styled for this period. They have a tag inside with "Hugh Jackman" written on it.

(Universal, 2004) Screen-used lantern that served as set dressing in the castle of Kate Beckinsale's character, Anna. Anna uses a similar lantern, as she looks for an intruder. This lantern has been wired to plug into a wall outlet, and still lights up. The lantern stands about 16" tall and is about 8" wide.

(20th Century Fox, 1992) This is one of the tank tops that Wesley Snipes wears in the film as Sidney Deane. He wears this in several scenes in combination with other shirts, and also on the DVD cover. The letters "WS" are written in the back of the shirt.

(FOX-TV, 1993-2002) This outfit was acquired for the production for use by Gillian Anderson, as Agent Scully, in the series finale episode, "The Truth." The costume consists of a blouse, pair of pants and coat. Accompanied by a COA from Gillian Anderson's personal charity auction.

(Universal-TV, 1995-2001) These boots were custom-made for the production for use by Renee O'Connor's stunt double as Gabrielle. The leather boots show signs of use and are marked on the inside "Gabrielle, stunt dbl, Tammy" in one boot and "Gabrielle" with the rest covered by black tape in the other boot.