VALERIO ADAMI b. 1935 Born in Bologna 1935 (Italian) Title: Man with Cigarette Technique: Original Hand Signed and hand numbered Serigraph/SilkScreen in colours on vellum paper Paper Size: 93 x 59 cm / 36.6 x 23.2 in Image Size: 78.5 x 47 cm / 30.9 x 18.5 in Additional Information: This work is hand signed in the lower right margin in pencil "Adami". It is also Hand Numbered in pencil from an edition of 125 at the lower left margin. Condition: Very good condition, apart from minor creases in the margins.

PIERRE ALECHINSKY b. 1927 born in Brussels 1927 (Belgian) Title: Alechinsky a Gallerie de France, Paris, 1971 Technique: Original Hand Signed, Numbered and Dated Lithograph on Arches vellum paper Paper Size: 80.5 x 56.5 cm / 31.7 x 22.2 in Additional Information: This work is hand signed in pencil by the artist "Alechinsky" at the lower right corner and hand numbered in pencil "58/100" at the lower Middle. The work is also signed and dated in the plate 1971 and inscribed in the plate "Gallerie de France, Paris ". This work was published in the occasion of Alechinsky's exhibition in May 1971 at the Galerie de France in Paris. It was printed in a limited edition of only 100 hand signed and numbered impressions on Arches paper. There were a further 500 impressions for the poster edition of this image but they were NOT Hand Signed. The Litho was printed by Clot, Bramsen et Georges in Paris and published by Galerie de France, Paris. The paper bears the watermark of d'Arches France paper. Literature: PIERRE ALECHINSKY: Les Etampes de 1946 a 1972 (the prints of 1946-1972), by Yves Riviere, Paris, 1972. reference: Riviere 503, illustrated in page 187. Provenance: Christies London Condition: Excellent condition.

SUÑOL MUÑOZ RAMOS ALVAR b. 1935 Born in Montgat, Spain 1935 (Spanish) Title: Women with Dove Technique: Hand Signed Lithographic Poster on paper Paper Size: 75 x 48.5 cm / 21.5 x 19.1 in Image Size: 47 x 63 cm / 18.5 x 24.8 Additional Information: This litho poster is hand signed in crayon by the artist "Alvar" in the lower right corner of the image. The image also bears the artist's name in the upper part. This is probably a rare proof without text for an exhibition poster. Condition: Overall handling creases. Some small stains and surface dirt in the margins. The lower part of the print has been folded and glued to the back. This does not affect the image. The back side shows some foxing and stains, and paper/tape residue in the corners.

YANNICK BALLIF b. 1927 (French) Title: Cascade, 1974 Technique: Original Hand Signed, Dated and Numbered Etching with Aquatint in colours on vellum paper Overall size: 76 x 56 cm / 29.9 x 22 in Additional Information: This work is hand signed and dated in pencil by the artist at the lower right corner "Y.Ballif '74", as well as hand numbered in pencil at the lower right corner "29/70". The work was printed in the 1974 in a limited edition of 70 hand signed and numbered impressions by the French publishers "EditionsModerne" Condition: Very good condition. discoloration of the paper, some tape removal scuffs verso and handling marks.

FRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish / British) Title: Study for a Portrait of John Edwards, 1987 Technique: Hand Signed and Numbered Lithograph on Arches paper Paper Size: 94.5 x 68 cm / 37 x 26.8 in Image Size: 68 x 50.3 cm / 27 x 19.8 in Additional Information: This lithograph is hand signed in pencil by the artist "Francis Bacon" in the lower left margin. It is also numbered in pencil "36/180" in the lower right margin. The work was printed in a limited edition of 180 impressions aside a few HC impressions (Hors Commerce, i.e. "Out of Trade") by Mourlot, France and published by Galerie Lelong, Paris in 1987. Literature: Tacou, Alexandre. Francis Bacon,Estampes. Editions Bervillé. Reference: Tacou 23 Condition: Excellent condition. Some tape remains verso.

FRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish / British) Title: Triptych inspired by Oresteia of Aeschylus, 1981 Technique: Original Hand Signed and Numbered Lithograph on Arches paper Paper Size: 53 x 104 cm / 20.8 x 40.9 in Image Size: Each image 30 x 40 cm / 11.5 x 15.7 in Additional Information: This original lithograph is hand signed in pencil by the artist "Francis Bacon" in the lower right margin. It is also numbered in pencil "" in the lower left margin.. The work was printed in a limited edition of 150 impressions by Arts Litho, France and published by Editions La Différence, Paris in 1981 The paper bears the printer's dry stamp at the lower margins. Note: The Oresteia is a trilogy of Greek tragedies written by Aeschylus which concerns the end of the curse on the House of Atreus. (Atreus was the king of Mycenae). The first tragedy is Agamemnon, second is The Libation Bearers where the children of Agamemnon take their reveng. The final is The Eumenides (which also inspired a Triptych by Bacon) where the son of Agamemnon is tourmented by the patricide and matricide he just committed in the second act. Provenance: Acquired directly from the publisher by the previous owner. Literature: Tacou, Alexandre. Francis Bacon,Estampes. Editions Bervillé. Reference: Tacou 12 Condition: Excellent condition.

ERICH (ARIK) BRAUER 1867-1932 Title: Brauer Liedermappe, 1968 Technique: Original Portfolio including 10 hand signed and numbered Etchings and Aquatints in colours on Zerkall-Buetten paper Paper Size: (each) 59.3 x 41.6 in / 23.3 x 16.3 in Image Size:(each) 33 x 30 cm / 12.9 x 16.3 in Additional Information: This portfolio includings 10 hand signed and numbered original etchings with Aquatints in colours. Each one is hand signed in pencil "Brauer" at the lower right margin and numbered "76/99" in the lower left also in pencil. The work was printed by Finger, Wien and published by Sydow, Frankfurt in 1968 in a limited edition of 99 copies. There were a further 15 artist's proofs. Literature: Walter Koschatzky, Brauer Graphik - Das Graphische Werk von 1951 von 1974, Switzerland: Verlag Goldregen AG Glarus, 1974. Reference: Koschatzky G-30, pages 202-203 Condition: Very Good Condition

WILLI BAUMEISTER 1889-1955 Stuttgart 22 Jan 1889-Stuttgart 31 Aug 1955 (German) Title: Solar Figures-Airborne Figures / Sonnenfiguren-Luftfiguren, 1946 Technique: Original Hand Signed and Numbered Lithograph on chamois vellum paper Paper Size: 30.5 x 36.5 cm / 12 x 14.4 in Additional Information: This is an original lithograph by Willi Baumeister. It is hand signed by the artist "Baumeister" at the lower right corner, as well as hand numbered in pencil "22/50" at the lower left margin. The work was included in the portfolio 'Graphische Figurationen' that was published in 1946. Literature: Spielmann, Heinz. Das graphische Werk/The Graphic works of Willi Baumeister. Volume II. Reference: Sp. 121 Provenance: Property of Major James Klein, P&O, Staff & Faculty, Kansas. Condition: Very good condition. Light paperdiscoloration in the edges of the sheet. Glued to a cardboard support in the upper margin.

ABEL BERTRAM 1871-1954 (French) Title: Landscape Technique: Original Stamp Signed Etching on paper glued to carton. Paper Size: 19 x 30 cm / 7.5 x 11.8 in Plate Size: 14.5 x 24 cm / 5.7 x 9.4 in Additional Information: This work is stamp signed with the signature stamp of the artist "Abel Bertram" at the lower left. The etching is also signed in the plate with the initials of the artist at the lower left corner of the image. Condition: Very good condition. The margins of the paper have been cut. Light discoloration of the paper.

ROGER BEZOMBES 1913-1994 (American) Title: Harlequin Technique: Original Hand Signed and Numbered Color Lithograph on Arches paper Paper Size: 50 x 65 cm / 19.7 x 25.6 in Additional Information: This work is hand signed in pencil by the artist "Roger Bezombes" at the lower left margin. The work is also Hand Numbered in pencil "24/100" at the lower right margin. Condition: Good condition. Discoloration of the paper at the margins. Minor handling creases. Minor staining.

PAOLO BONI b. 1926 born in Vicchio 1926 (Italian) Title: Autour d'Elle, 1974 Technique: Original Hand Signed and Numbered Carborundum Etching on thick paper Paper Size: 65 x 50 cm / 25.6 x 19.7 in Additional Information: This Original Carborundum etching is hand signed in ink by the artist at the lower right part as well as hand dated '74 (1974) next to the signature. The work is also titled in ink "Autour d'Elle" by the artist and hand numbered "19/50". This unique Carborundum was published by "ouevre Grave" in 1974 in a limited edition of only 50 hand signed and numbered impressions in France. The paper bears the drystamp of the publsihers. Condition: some creases and soft folds in the corners, tape remains verso, discoloration of the paper verso, minor foxing verso.

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Green Nest, ca. 1950 Technique: Hand Signed and Numbered Etching and Aquatint in colours on BFK Rives paper Paper Size: 38 x 50.5 cm / 15 x 19.9 in Plate Size: 23 x 31 cm / 9.1 x 12.2 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin "G.Braque" It is also Hand Numbered in pencil at the lower left margin "63/300". This Etching was printed by Crommelynck, Paris, based on a painting by Braque, and published by Maeght, Paris in ca. 1950. The paper bears the printers blind stamp at the lower right margin. The work was printed in a limited edition of 300 hand signed and numbered impressions. Braque was very involved in the printing process, overseeing the engraver and correcting the proofs when necessary. Literature: "Braque: The Complete Graphics Catalogue Raisonne", by Dora Vallier, published by Alpine Fine Arts collection, NY, 1982. Reference: Maeght 1028, page 294, illustrated Condition: Very good condition.

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: Grouse, 1960 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 47.7 x 65.2 cm / 18.8 x 25.7 in Image Size: 35 x 22.5 cm / 13.8 x 8.8 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin "G.Braque", and hand numbered in pencil at the lower left margin "32/75". The work was printed by Mourlot and published in a limited edition of 75 signed and numbered impressions by Galerie Maeght, Paris in 1960. There were a few further signed and unsigned proofs. Literature: 1. Vallier Dora. 1982. Braque: The Complete Graphics, 1982. New York: Alpine Fine Arts collection. Reference: Vallier 149. 2. Georges Braque - Oevre Grave. Maeght Editeur. 1989. Reference: Maeght page 134 (no.74) 3. Hatje Gerd. 1961. L'Oeuvre Graphique de georges Braque. Stuttgard: La Guilde du Livre Lausanne. ReferenceL Hatje 92. Condition: Very good Condition.

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: Still Life with Lemons and Pipe, ca. 1950 Technique: Hand Signed and Numbered Collotype in colours on Arches vellum paper Paper Size: 44 x 55.1 cm / 17.3 x 21.7 in Image Size: 33.5 x 45.6 cm / 13.2 x 18 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin "G.Braque", and hand numbered in pencil at the lower left margin "161/300". The work was printed by Guy Spitzer in Paris in a limited edition of 300 signed and numbered impressions. The work is furthermore signed in the plate "G. Braque" and dated "24" in the lower right of the image. The print was realised in the 1950s after the painting from 1924. The paper bears the publisher's blindstamp . The Johannot watermark is on the left. Note: The Style Life was a theme to which Braque constently returned throughout his long and productive career. In every phase, beginning with the Fauve period and finishing with the majestics interiors of his last years, Braque found the arrangement of a limited number of objects on a table-top or in an interior to be the most appropriate subject for his investigations of the formal and tactile qualities of painting. In the decades following the invention of Cubism, Braque continued to refine and re-examine the expressive possibilities of his still lifes, always creating new ways of representing common objects. Condition: Very good condition. Two tape marks at the verso. A very small tear in the lower right corner.

VICTOR BRAUNER 1903-1966 Piatra-Neamt Romania, 1903-1966 Paris (Romanian/French) Title: Code of Faces III, 1962 Technique: Original Hand Signed, Dated and Numbered Etching on Arches vellum paper. Paper Size: 66 x 50 cm / 26 x 19.7 in Plate Size: 48 x 37 cm / 18.9 x 14.6 in Additional Information: This work is hand signed and dated in pencil by the artist "Victor Brauner 1962" at the lower right margin. The work is also hand numbered in pencil "36/60" at the lower left margin. This work was printed in a limited edition of 60 impressions in 1962. The paper bears the Arches watermark. Condition: Excellent condition.

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: Apples and Leaves / Pommes et Feuilles, 1958 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 50.3 x 65.5 cm / 19.8 x 25.8 in Image Size: 30.5 x 45 cm / 12 x 17.7 in Additional Information: This work is hand signed in pencil by the artist at the lower left margin "G.Braque", and hand numbered in pencil at the lower right margin "15/30". This lithograph was printed in eight colours. It was prepared before 1958 to commemorate the centenary anniversary of the printing house Mourlot, both printed and published by them. The work was printed in a limited edition of 75 signed & numbered impressions and 30 additional HC proofs. Ours is one of this 30 proofs. Literature: "Braque: The Complete Graphics Catalogue Raisonne", by Dora Vallier, published by Alpine Fine Arts collection, NY, 1982. Reference: Vallier 114. (Mourlot 47) Condition: Good condition. Three tiny pin holes. overall even discoloration of the paper.

BERNARD BUFFET 1928-1999 1928 Paris - 1999 Tourtour Title: The Trapeze Artists / Les Trapezistes, 1968 Technique: Original Hand Signed and Numbered Lithograph on vellum paper Paper Size: 72 x 50.5 cm / 28.3 x 19.8 in Image Size: 68 x 47 cm / 26.7 x 18.5 in Additional Information: This original Lithograph is hand signed in black ink at the lower left corner. It is also hand numbered in pencil "116/120" in the lower left corner. It was part of the portfolio "Mon Cirque" printed by Bernard Buffet in 1968. Literature: Charles Sorlier, 1979. Bernard Buffet: Lithographe 1952 à 1977 / Catalogue Raisonné des Lithographies Tome 1. Paris: Michèle Trinckvel et Draeger. Reference: Sorlier 183 Condition: Good condition. Minor crease. At the verso one tape mark on the upper edge of the paper.

EDGAR CHAHINE Venice 1874-1947 France (Armenian / French / Italian) Title: Don Pio, 1906 Technique: Original Hand Signed Colour Etching on Hollande paper Paper Size: 24 x 17 cm / 9.4 x 6.6 in Plate Size: 21.3 x 15.7 cm / 8.3 x 6.1 in Additional Information: This Etching is hand signed in pencil by the artist "Edgar Chahine" at the lower left margin. The work was printed as as part of the series "Impressions d'Italie" consisting of 50 different plates. The series was printed by A.Routy and published by Sagot, Paris in a limited edition of only 75 impressions. However only 50 of them were printed on hollande paper like ours. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli No. 204, illustrated. Condition: Very good condition.

EDGAR CHAHINE Venice 1874-1947 France (Armenian / French / Italian) Title: The Chesnut / Le Marronnier, 1914 Technique: Original Hand Signed Aquatint on paper Paper Size: 33.1 x 50.3 cm / 13 x 19.8 in Plate Size: 22.5 x 32 cm / 8.8 x 12.5 in Additional Information: This Aquaint is hand signed in pencil by the artist "Edgar Chahine" at the lower left margin. The work was printed in a limited edition of 50 signed and numbered impressions. There were also a few hand signed artist proofs printed. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli No. 321, illustrated. Condition: Good condition.

EDGAR CHAHINE Venice 1874-1947 France (Armenian / French / Italian) Title: Portrait of Alfred Stevens, 1900 Technique: Original Plate Signed and Inscribed Etching on paper Paper Size: 20.3 x 28 cm / 7.9 x 11 in Plate Size: 14.4 x 21.2 cm / 5.6 x 8.3 in Additional Information: This etching is signed and dated in the plate by the artist "Edgar Chahine 1900" at the lower left of the image. It is also titled "Alfred Stevens" in the lower centre of the image. It is inscribed in the plate at the lower left of the image "Imp Leroy" and at the lower right of the image "Gazette des Beaux Arts". This print is probably from the 7th state realised by Chahine in 1900. A small edition has been printed for La Gazette des Beaux Arts, Paris. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli No. 54, illustrated. Condition: Good condition.

MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: The Friends / Le Amiche, 1958 Technique: Original Hand Signed and Numbered Lithograph in four colours on Rives paper Paper Size: 56 x 50.2 cm / 22.4 x 19.9 in Plate Size: 54 x 48 cm / 21 x 18.8 in Additional Information: This original lithograph is hand signed in pencil by the artist "Campigli" in the lower right margin and also dated next to the signature "58" (1958). The work is numbered in pencil "62/175" in the lower left margin. It was printed in 1958 by Romero, Rome, in a limited edition of 175 hand signed and numbered impressions aside a few artist's proofs. Published by L'Oeuvre Gravée, Paris. Literature: MELONI, Francesco, TAVOLA, Luigi, 1995. Massimo Campigli. Catalogo ragionato dell'opera grafica (litografie e incisioni) 1930-1969. Graphis Arte, Livorno. Reference: Meloni-Tavola 168 Condition: Very Good condition.

MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: Composition with Two Figures / Composizione con Due Figure, 1965 Technique: Original Hand Signed and Numbered Lithograph on BFK Rives vellum paper Paper Size: 70 x 51.8 cm / 27.5 x 20.3 in Plate Size: 52.5 x 40.5 cm / 20.6 x 15.9 in Additional Information: This original lithograph is hand signed in pencil by the artist "Campigli" in the lower right margin and also dated next to the signature "65" (1965). The work is numbered in pencil "5/210" in the lower left margin. It was printed in 1965 n a limited edition of 210 hand signed and numbered impressions aside a few artist's proofs. Literature: MELONI, Francesco, TAVOLA, Luigi, 1995. Massimo Campigli. Catalogo ragionato dell'opera grafica (litografie e incisioni) 1930-1969. Graphis Arte, Livorno. Reference: Meloni-Tavola 197 Condition: Good condition. Some discolouration due to previous framing. There are strong marks on the left margin in the paper.

ANTONI CLAVÉ 1913-2005 Barcelona 1913 - 2005 Saint Tropez (Spanish) Title: Untitled, 1972 Technique: Original Hand Signed and Numbered Etching on Aluminium with Collage Size: 79 x 65 cm / 31.1 x 25.6 in Additional Information: The work is hand signed in pencil by the artist "Clave" at the lower right magin of the image, and hand numbered in pencil "37/80" at the lower left margin. The work was printed in a limited edition of 80 hand signed and numbered impressions in 1972. Literature: Roger Passeron, 1977, L’Oeuvre Gravé 1939-1976, Ed. Office du Livre, Fribourg, Switzerland. Reference: Passeron 298 Condition: Very Good Condition. Not examined outside the frame.

JORGE CAMACHO b. 1934 (Cuban) Title: Surrealistic Composition with Geometrical Shape, 1971 Technique: Original Hand Signed and Numbered Etching in colours on Arches paper. Paper Size: 66 x 50 cm / 26.2 x 19.7 in Additional Information: This work is hand signed in pencil by the artist at the lower right margins, as well as hand numbered at the lower left corner "66/99". The work was printed in limited edition of 99 hand signed and numbered impressions in 1971 in France. The paper bears the Arches watermark. Condition: discoloration of the back side of the paper (not effecting the front and image), surface dirt, scattered foxing, craeses and soft folds in the corners of the margins.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Arlequin's Family / La Famille d'Arlequin, 1964/1965 Technique: Original Hand Signed and Numbered Lithograph in colours on BFK Rives paper Paper Size: 78 x 57.2 cm / 30.7 x 22.5 in Image Size: 67 x 51 cm / 26.3 x 20 in Additional Information: This original work is hand signed in pencil by the artist "Marc Chagall" in the lower right margin. It is hand numbered in pencil "42/50" in the lower left margin. The work was printed in a limited edition of 50 impressions by Mourlot, Paris in 1964/5. Literature: Mourlot, Fernand & Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 430 Condition: Good Condition. Not examined outside the frame.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Grave of Rachel, 1956 Technique: Original Etching with full margin on vellum paper Paper Size: 33 x 44.5 cm / 13 x 17.5 in Image Size: 24 x 30 cm / 9.5 x 11.8 in Additional Information: This beautiful etching was printed in 1956 as part of the series "Bible" that included 105 different original etchings that described scenes from the Bible. It was printed by edition Verve, Paris. Chagall printed 275 impressions of each etching. The work appears in the catalogure raisonne of Chagall, this book includes all the original works Chagall made. Literature: The Illustrated Books of Marc Chagall by Patrick Cramer , published by Galerie Cramer, Geneva 1995. Reference: Cramer 29 and Vollard Etchings 222. Condition: Very good condition. Very light discoloration from former mating in the margin and some creases in the margins.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Lion and the Midge, 1952 Technique: Original Hand-Coloured Etching on Montval paper Paper Size: 36 x 29 cm / 14.2 x 11.4 in Plate Size: 26 x 24 cm / 10.2 x 9.4 in Additional Information: This etching is hand-coloured by the artist in yellow and red watercolor. It is signed in the plate "Chagall" in the lower right corner. The work is part of a series "Les Fables de la Fontaine" and was printed in 1952 in a limited edition of only 85 hand colored impressions on Montval paper. The total edition included 200 impressions of which only 85 where hand colored. This edition was printed by Raymond Haasen and published by Charles Solie in 1952r. The series was commissioned by Ambroise Vollard in 1927. Chagall executed the plates from 1927 to 1930. Literature: Marc Chagall and Ambroise Vollard: Complete Catalogue of Etchings by Marc Chagall commissioned by Ambroise Vollard, ed. Charles Solier Reference: Vollard 111, illustrated p. 81. Condition: Excellent condition. Light handling creases.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: On the Track / Entrée en Piste, 1965 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches paper Paper Size: 65.2 x 40 cm / 25.6 x 17.7 in Plate Size: 47.3 x 23.8 cm / 18.6 x 9.3 in Additional Information: This lithograph is hand signed in pencil by the artist "Marc Chagall" in the lower right margin. It is also numbered "27/50" in pencil in the lower left margin. The work was printed in 1963 by Mourlot, Paris in a limited edition of only 50 hand signed and numbered impressions and a few artist proofs. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: Mourlot 433 Condition:Very Good Condition. Two tapes marks at the verso on the left edge of the paper. Very light discolouration.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Rooster and the Family / La Famille au Coq, 1969 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches paper Paper Size: 75.5 x 54 cm / 29.7 x 21.2 in Image Size: 60.1 x 40.5 cm / 23.6 x 15.9 in Additional Information: This is an original lithograph hand signed in pencil by the artist "Marc Chagall" in the lower right margin. It is also numbered "18/50" in the lower left margin. It was printed by Mourlot, Paris in 1969 in a limited edition of 50 hand signed and numbered impressions. A further 25 Artist Proofs were made aside the regular edition. The paper bears the Arches watermark on the right margin. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: Mourlot 567 Condition: Very good condition.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Affiche de l'Exposition Chagall a la Fondation Maeght, 1967 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches wove paper Paper Size: 76.2 x 57 cm / 30 x 22.4 in Image Size: 64 x 47.5 cm / 25.2 x 18.7 in Additional Information: This original lithograph is hand signed in pencil by the artist "Marc Chagall" in the lower right margin, and hand numbered "27/150" in the lower left margin. It was printed by Mourlot, Paris in a limited edition of 150 hand signed and numbered impressions and published by Maeght, Paris in 1967. The paper bears the Arches watermark in the right part. Literature: Mourlot, Fernand & Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 476 Condition: Very good condition. Two tape remains on the top margin verso. Very light discoloration of the paper.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Blue Sky / Le Ciel Bleu, 1964 Technique: Original Hand Signed and Numbered Lithograph in Colours on vellum paper Paper Size: 77 x 57 cm / 30.3 x 22.4 in Image Size: 67.5 x 51.2 cm / 26.5 x 20.1 in Additional Information: This original lithograph is hand signed in pencil by the artist "Marc Chagall" in the lower right margin and hand numbered in pencil "59/90" in the lower left margin. It was printed by Mourlot in 1964 in a limited edition of 90 signed and numbered impressions. It was published by Galerie Maeght for the Chagall exhibition of 1964. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M 409 Condition: Good condition. Some discolouration due to a previous frame. Some tape marks at the verso.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Clown with Hoops / Le Clown aux Cerceaux, 1956 Technique: Original Hand Signed and Numbered Lithograph in Black and White on vellum paper Paper Size: 66 x 50 cm / 25.9 x 19.6 in Additional Information: This lithograph is hand signed in pencil by the artist "Marc Chagall" in the lower right of the image. It is also numbered in pencil "12/30" in the lower left part. It was printed in 1956 in a small limited edition of 30 signed and numbered impressions. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M 166 Condition: Very Good Condition. Some discolouration due to a previous frame.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Moses II, 1956 Technique: Original Lithograph in Colours on paper Paper Size: 35 x 26 cm / 13.8 x 10.2 in Additional Information: This is an Original Lithograph in Colours by Marc Chagall titled "Moses". It was printed in 1956 as part of the series "The Bible" in a limited but unsigned edition. The work bears an additional Black and White Lithograph on the reverse. See images. The series was printed by Mourlot, Paris and published by editions Verve. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 125 & M.130. Condition: Excellent condition

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Reverie, 1969 Technique: Original Hand Signed, Dedicated and Dated Lithograph in Colour on vellum paper Paper Size: 40 x 56.5 cm / 15.7 x 22.2 in Image Size: 30.3 x 41 cm / 11.9 x 16.1 in Additional Information: This lithograph in colours is hand signed by the artist "Marc Chagall" in the upper part of the paper. It is also dedicated in black pen "Pour Monsieur et Madame Talpir en bon souvenir. Marc Chagall. 1977 Israel". The work was printed in 1969 by Charles Sorlier, Paris and published in a limited edition of 5,000 impressions by Maeght Editeur. However, our impression is a rare hand signed and dedicated one that was personally signed by Chagall and given to Mr Gabriel Talpir and his wife in Israel in 1977. There was also a deluxe edition of 150 impressions printed on Rives paper. This print was realised for the edition Derriere le Miroir in 1969. Provenance: a gift from the artist to Mr Gabriel Talpir and his wife. Gabriel Talpir (1901-1990), art critic and founder/editor of the first art review in Israel "Gazit". Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: Mourlot 605a. Condition: Good Condition. The paper is folded in the middle of the image. (as it was issued). minor paper discolouration due to a previous frame. Light foxing around the edges of the paper. The paper is attached to a mount.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Mother and Child in front of Notre-Dame / Mere et Enfants devant Notre-Dame, 1952 Technique: Original Hand Signed and Numbered Lithograph on vellum paper Paper Size: 36.2 x 27 cm / 14.2 x 10.6 in Image Size: 36 x 26.8 cm / 14.2 x 10.5 in Additional Information: This original lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. The lithograph is also hand numbered in pencil "51/75" at the lower left margin. This lithograph was one of eight lithographs (3 in colour and 5 in black and white) Chagall made for the publication "Verve no. 27-28" in 1952. Only 75 impressions were printed in the deluxe signed and numbered edition. Our impression is one of them. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 82 Condition: Very good condition. The top margin and the bottom left hand corner have tape verso .

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Sarah with the Angels / Sarah et les Anges, 1960 Technique: Original Hand Signed and Numbered Lithograph on Arches paper Paper Size: 52.5 x 38 cm / 20.6 x 14.9 in Image Size: 35.5 x 27 cm / 13.9 x 10.6 in Additional Information: This original lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. The lithograph is also hand numbered in pencil "6/50" at the lower left margin. It was printed was part of the deluxe edition of Chagall's 1960 Bible. the deluxe edition was published in a limited edition 50 signed and numbered impressions by Charles Sorlier in 1960. There are a further 10 artist proofs. The paper bears the Arches watermark. Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 240 Condition: Very Good Condition. Light foxing throughout.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: The Champs-Elysées, 1954 Technique: Hand Signed and Numbered Lithograph on Arches paper Paper Size: 69.5 x 47 cm / 27.3 x 18.5 in Image Size: 59 x 42 cm / 23.2 x 16.5 in Additional Information: This lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. The lithograph is also hand numbered in pencil "189/200" at the lower left margin. It is signed in the plate "Marc Chagall" at the lower right corner of the image. The work was printed by Charles Sorlier based on Chagall's painting of 1952. It was published in 1954 by Galerie Maeght, Paris in an edition of 200 signed and numbered impressions. The paper bears the Arches watermark. Provenance: The collection of Dr. Gertrude Ticho The collection of the San Francisco Museum of Modern Art (accession no. UCPS04.31) Literature :Sorlier Charles, Chagall: Lithographe 1974-1979, Monte-Carlo: Editions Andre Sauret, 1984. Reference: Sorlier 6. Condition: Very Good Condition.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Creation, 1980 Technique: Original Hand Signed and Inscribed Lithograph on Arches vellum paper Paper Size: 118.5 x 76 cm / 46.7 x 29.9 in Image Size: 95 x 60 cm / 37.4 x 23.6 in Additional Information: This original lithograph is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. The lithograph is also hand inscribed in pencil "E.A." (Epreuve d'Artiste = Artist Proof) at the lower left margin. Only a few artist proofs have been printed in 1980 aside the regular edition of 50 impressions. The work published by Maeght, Paris. Text from the Chagall catalogue raisonne (Vol. 6, page 42): "It was the editor Aime Maeght who had the idea of asking Chagall to realize a few large scale lithographs. There was nothing very precise in this request, neither as far as the dimensions were concerned, nor from the point of view of the common theme. The artist had all the liberty to choose the subject at will. At first Chagall was a little reticent. But he wanted to please Aime Maeght and so he began to work. Almost at once he became completely absorded in the project and went well beyong the editors request, since he was soon working on fourteen plates. Charles Sorlier specified the maximum dimensions of the presses (116 X 75 cm) and Chagall got on with the fourteen lithographs wihout interruption. He decided to leave "Creation" in black, finding its graphics sufficient. This very fine plate with its effervescent line is in fact a masterpiece. When they were completed, Aime Maeght presented them in an exhibition. Chagall, very ill, was taken to see them on his walls. These were the last works which the artist edited." Literature: Mourlot, Fernand, and Sorlier, Charles, 1998. Chagall: The Lithographs (Catalogue Raisonne). D.A.P./Distributed Art Publishers, Inc. Reference: M. 971. Condition: Very good condition. Unexamined out of the frame. Note: the work wil be sold unframed.

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Still Life with Big Rooster / Nature Morte au Grand Coq, 1968 Technique: Original Hand Signed and Numbered Etching in colours on vellum paper Paper Size: 37.5 x 28 cm / 14.7 x 11 in Image Size: 22 x 16.5 cm / 8.6 x 6.4 in Additional Information: This original etching is hand signed in pencil by the artist "Marc Chagall" in the lower right margin. It is also numbered "38/50" in the lower left margin. It was printed in 1968 in a limited edition of 50 hand signed and numbered impressions. A further 50 impressions were printed in black and white. The paper bears the artist watermark on the bottom margin. Literature: Patrick Cramer, Marc Chagall–Gerald Cramer, Trente ans de travail et d'amitie , Geneve: Galerie Patrick Cramer, 1994. Reference: Cramer 38 Condition: Very good condition.

JEAN COCTEAU 1889-1963 Maison Lafitte1889-1963 Paris (French) Title: The Halbardier, 1958 Technique: Original Hand Signed and Numbered Ceramic Plate. Size: Diameter 31 cm / 12.2 in Additional information: This ceramic is signed by the artist "Jean Cocteau" in the lower left part and dated "1958" in the lower right. It is numbered at the verso "7/30" and inscribed in pen "Edition Originale de Jean Cocteau. Atelier Madeline-Jolly". It was made in 1958 in Atelier Madeline-Jolly in Villefrance-Sur-Mer in an edition of 30. At the age of 68, Cocteau decided to express himself in clay and so began a series of ceramics with the help of Madeline, a very skilled potter in Villefranche-Sur-Mer where Cocteau had a house. Literature: Annie Guédras, 1989. Cocteau: Les Ceramiques, Galerie L. Teillet et Edouard Dermit, Paris Reference: Guédras 72 Condition: Good Condition. One tape mark at the bottom (recto).

CHRISTO, JAVACHEFF b. 1935 (German) Title: Wrapped Coast: Little Bay, Australia, 1969 Technique: Hand Signed and Numbered Offset Photograph in colors on stiff wove paper Paper Size: 47 x 69 cm / 18.5 x 27.2 in Additional Information: This work by Christo is hand signed in blue felt-tip pen at the lower right corner as well as hand numbered. The work was printed in a limited edition of 100 hand signed and numbered impressions for The Israeli Museum in Jerusalem. Condition: Very good condition.

LOVIS CORINTH 1858-1925 Tapiau 1858-1925 Zandvoort Title: Berg-See/ Mountain-Lake, 1920/21 Technique: Original Hand Signed Lithograph on wove paper Paper Size: 40 x 50 cm / 15.8 x 19.7 in Image Size: 32 x 43 cm / 12.6 x 16.9 in Additional Information: This original lithograph is hand signed in pencil by the artist "Lovis Corinth" at the lower right corner. It was printed in 1920/21 in a limited edition of 125 examplares/proofs. This is the 3rd plate the portfolio "Vorfruehling im Gebirge"/ "Pre-Spring in the Mountains". The work was published in 1922 by Euphorion Verlag, Berlin. Literature: Müller, Heinrich; Die späte Graphik von Lovis Corinth. Reference: Muller 570. Condition: Very good condition. Light handling creases. Thow light foxing stains. The margins of the paper have been cut.

ENRIC CORMENZANA b. 1948 (Spanish) Title: Composition, ca. 1970's Technique: Original Hand Signed and Numbered Lithograph in colours on wove paper Paper Size: 76 x 55.5 cm / 29.9 x 21.9 in Additional Information: This work is hand signed in white crayon by the artist at the lower right corner. The work is also hand numbered in white crayon att he lower left corner 21/75. Condition: Good condition. Discoloration of the paper (verso) , Some tape remains verso.

GIORGIO DE CHIRICO 1888-1978 Title: Horses on the shores of the Aegean Sea / Cavalli in riva all'Egeo, 1970 Technique: Original Hand Signed and Numbered Lithograph in colours on wove paper Paper Size: 50 x 69.6 cm / 19.6 x 27.6 in Image Size: 41 x 60.3 cm / 16.1 x 23.7 in Additional information: The work is hand signed in pencil by the artist at the lower right margin "De Chirico" as well as Hand Numbered "11/95" in pencil at the lower left margin. It was printed in 1972 and published by Alberto Caprini, Roma in a limited signed edition of 95 impressions. Literature: Brandani Edoardo. 1999. Giorgio De Chirico - Catalogo dell'opera Grafica 1969-1977. Bora, Bologna. Reference: Brandani 101 Condition: Excellent Condition.

JEAN COCTEAU 1889-1963 Maison Lafitte1889-1963 Paris (French) Title: The Mysterious Grey Lady, 1963 Technique: Original Hand Signed and Numbered Ceramic Plate Size: Diameter 37 cm / 14.5 in Additional information: This ceramic is signed by the artist "Jean Cocteau" in the lower right part. It is also inscribed at the reverse in pen "Edition Originale de Jean Cocteau. Atelier Madeline-Jolly" It was made in 1963 in Atelier Madeline-Jolly in Villefrance-Sur-Mer in an edition of 30. At the age of 68, Cocteau decided to express himself in clay and so began a series of ceramics with the help of Madeline, a very skilled potter in Villefranche-Sur-Mer where Cocteau had a house. Condition: Good condition. Light surface dirt (due to previous storage / humidity). Literature: Annie Guédras, 1989. Cocteau: Les Ceramiques, Galerie L. Teillet et Edouard Dermit, Paris Reference: Guédras 160

(Attr) SALVADOR DALI 1904-1989 1904 - Figueras-1989 Title: Helene et le Cheval de Troie / Helena and the Trojan Horse, 1974 Technique: Signed and Numbered Color (dry point) Etching with Aquatint on Arches vellum paper Paper Size: 57 x 76.5 cm / 22.4 x 30.1 in Plate Size: 40.8 x 50,4 cm / 16.6 x 19.8 in Additional Information: This etching bears a signature in pencil "Dali" at the lower right margin. It is also numbered in pencil "178/250" at the lower left margin. The work was published by Euka in 1974. Literature: Dali Salvador, Catalogue Raisonne of Etchings tome I, 1924-1980, By Ralf Michler and Lutz Lupsinger. Reference: Lupsinger, No. 714, illustrated on page no. 231. Condition: Exellent condition. Light handling creases in the margins.

SALVADOR DALI 1904-1989 1904 - Figueras-1989 (Spanish) Title: The Dalinistic Bestiary of La Fontaine / Le Bestiaire de La Fontaine Dalinisé, 1974 Technique: Portfolio with 12 Hand Signed and Numbered Original Etchings and Pochoirs in colours on Richard de Bas Auvergne paper Portfolio size: 83.5 x 61 cm / 33 x 24 in Paper Size: 78.5 x 59 cm / 31 x 23.2 in Additional Information: This work by Salvador Dali includes 12 different etchings coloured in pochoir. Each one is titled separately as following: - Portrait of La Fontaine / Le portrait de La Fontaine - Elephant and the Monkey / L'Elephant et le Singe de Jupiter - The Raven and the Fox / Le Corbeau et le Renard - The Animals Sick of The Plague / Les Animaux Malades de la Peste - The Rider and the Deer / Le Cavalier et le Cerf (original title was Le Cheval s'étant voulu venger du cerf) - The Sick Deer / Le Cerf Malade - The Deer that Show itself in the Water / Le Cerf se voyant dans l'eau - The Monkey and the Leopard / Le Singe et le Léopard (size: 59 x 41 cm) - The Coach and the Fly / Le Coche et la Mouche - The Lion's Court / La Cour du Lion - The Oak and the Reed / Le Chene et le Roseau - The Horse and the Wolf / Le Cheval et le Loup Each one of the etchings is printed on a full separate sheet of Auvergne paper and each one of them is hand signed in pencil by the artist at the lower right margins as well as hand numbered in pencil "II/CXX" (2/120) at the lower left margins. The portfolio also includes a list of all the titles of the works and the front page which is hand numbered, and signed by both the Editor and also by Maitre Bilger who was the offical legal approval for this publication in France. The work also includes an original certificate of authenticity for each one of the etchings by the editor and the offical legal approval from 1978. The work was printed by Atelier Rigal in France and publsihed by Editions des Maitres Contemporains (Robert Mouret). Each print comes with a certificate of authencity issued by Editions des Maitres Contemporains and Maitre Bilger on the 22nd of April 1976. Provenance: Galerie Mozart, Metz, France. Literature: 1. "Dali Salvador, Catalogue Raisonne of Etchings Tome I, 1924-1980", by Ralf Michler and Lutz Lupsinger Reference: Lupsinger, No. 653-664 (a), Illustrated on page sno. 222-223. 2. Field, Albert, 1996. The Official Catalog of the Graphic Works of Salvador Dali. The Salvador Dali Archives, New York. Reference: Field 74-1 Condition: Excellent condition.

(Attr) SALVADOR DALI 1904-1989 Title: The Sick Deer from "Le Bestiaire de la Fontaine Dalinise", 1974 Technique: Signed and Numbered Color Drypoint Etching colored with Pochoir on Arches paper Paper Size: 76 x 56 cm / 29.9 x 22 in Image Size: 57.1 x 49.5 cm / 22.4 x 19.4 in Additional Information: This Etching bears the pencil signature "Dali" in the lower right margin. It is also hand numbered in pencil "136/250" in the lower left margin. It is attributed to the surrealist artist Salavador Dali. It was printed in 1974 in an edition of 250 signed and numbered impressions. Condition: Very Good Condition.

SALVADOR DALI 1904-1989 1904 - Figueras-1989 (Spanish) Title: The Tempest, 1968 Technique: Original Hand Signed and Numbered Etching on Japan nacre paper Paper Size: 44.4 x 31 cm / 17.4 x 12.2 in Image Size: 17 x 12.3 cm / 6.7 x 4.8 in Additional Information: This Etching is hand signed in pencil by the artist "Dali" in the lower right margin. It is also hand numbered in roman numerals in pencil "XLV/XCV" (45/95) in the lower left margin. The work was printed in a limited edition of 95 impressions in colours (there were a further 150 printed in without colours) in 1968 by Atelier Rigal and it was published by WUCUA. This etching was part of the portfolio "Shakespeare I" illustrating some of the most famous plays by William Shakespeare. This etching is the fourth plate of the 15 etchings series. Literature: 1. Michler, Ralf and Lupsinger Lutz. 1994. Dali Salvador,Catalogue Raisonne of Etchings Tome I, 1924-1980". Munich: Prestel-Verlag Reference: Lupsinger, No. 270 2. Field, Albert, 1996. The Official Catalog of the Graphic Works of Salvador Dali. The Salvador Dali Archives, New York. Reference: Field 68-7 D. Condition: Very Good Condition. A slight discolouration of the paper due to a previous frame.

DOROTHY DEHNER 1901-1994 1901 - Cleveland-1994 New York (American) Title: Wing Sharp, 1955 Technique: Original Hand Signed and Numbered Etching on vellum paper Paper Size: 22.5 x 31 cm / 8.9 x 12.2 in Plate Size: 15 x 22.7 cm / 5.9 x 8.9 in Additional Information: This rare etching is hand signed and dated in pencil by the artist "Dorothy Dehner '55" (1955) at the lower right. The work is also hand numbered and titled in pencil "Wing Sharp 2/25" at the lower left. The rare etching is one of ony 25 printed in a limited edition in 1955. The etching has been executed by the artists in the mid-50's when her fame as an artist raise to a celebrated recognition. Condition: Very good condition. Minor discoloration of the margins through former matting. Tape remains on the reverse at the outer margins.

SONIA DELAUNAY 1885-1979 Gradizhske 1885 - 1979 Paris (Russian/French) Title: Composition with Triangles and Squares, circa 1970s Technique: Original Hand Signed and Numbered Lithograph in colours on vellum paper Paper Size: 75.6 x 55.5 cm / 29.7 x 21.8 in Image Size: 55 x 43 cm / 21.6 x 16.9 in Additional Information: This lithograph in colours is hand signed in pencil by the artist "Sonia Delaunay" in the lower right margin. It is numbered in pencil "73/75" in the lower left margin. The work was printed in the 1970s in a limited edtion of 75 hand numbered and signed impressions. There were a further 15 HC proofs made. Condition: Very Good condition. Some discolouration due to a previous frame. Two ape marks at the verso.

SALVADOR DALI 1904-1989 1904 - Figueras-1989 (Spanish) Title: A Midsummer Night's dream from Shakespeare I, 1968 Technique: Original Hand Signed and Numbered Etching on Japan nacre paper Paper Size: 44.4 x 31 cm / 17.4 x 12.2 in Image Size: 17 x 12.3 cm / 6.7 x 4.8 in Additional Information: This Etching is hand signed in pencil by the artist "Dali" in the lower right margin. It is also hand numbered in roman numerals in pencil "XXXII/XCV" (32/95) in the lower left margin. The work was printed in a limited edition of 95 impressions in colours (there were a further 150 printed in without colours) in 1968 by Atelier Rigal and it was published by WUCUA. This etching was part of the portfolio "Shakespeare I" illustrating some of the most famous plays by William Shakespeare. This etching is the fourtheenth plate of the 15 etchings series. A Midsummer Night's Dream is a comedy play that was written by William Shakespeare. It is believed to have been written between 1590 to 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of amateur actors, who are manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world. Literature: 1. Michler, Ralf and Lupsinger Lutz. 1994. Dali Salvador,Catalogue Raisonne of Etchings Tome I, 1924-1980". Munich: Prestel-Verlag Reference: Lupsinger, No. 280 2. Field, Albert, 1996. The Official Catalog of the Graphic Works of Salvador Dali. The Salvador Dali Archives, New York. Reference: Field 68-7 N. Condition: Very Good Condition

ANDRE DIGNIMONT 1891-1965 (French) Title: Nostalgie de Paris, 1946 Technique: Book with 14 Etchings in colours and 28 Pochoir Illustrations on vellum (Lana) paper Paper Size: 28 x 22 cm / 11 x 8.7 in Additional Information: This book was written by Francis Carco and illustrated by Andre Dignimont. The book includes more then 222 pages of text that are illustarted by 38 pochoirs in colours by Andre Dignimont. It also includes a separate suite of 14 original color etchings, each one printed on a full sheet without text. The book was printed in 1946, in a limited edition ov 500 but there were only 100 copies (numbered 151 to 250) on Lana paper with the separate suite. This book is numbered "243". It was published by "Au Moulin de Pen-Mur", in Paris in 1946. Condition: Good condition. Some minor wear and stains to the covers

PIERRE DMITRIENKO 1924-1974 (Russian / French) Title: L'Homme, 1971 Technique: Original Hand Signed and Inscribed Lithograph in Colours on Vellum paper Paper Size: 64,5 x 50 cm / 25.4 x 19.7 in Additional Information: This Color Lithograph is hand signed in pencil by the artist "P.Dmitrienko" at the lower right corner. It is also Hand Inscribed in pencil "E.A." (Epreuve d'Artist = Artist Proof) in the lower left corner. Condition: Excellent condition.

DILLEY RAMON B. 1933 (French) Title: Avenue Montaigne / Montaigne Avenue Technique: Original Hand Signed and Inscribed Lithograph in Colour on Arches paper. Paper Size: 75 x 53 cm / 29.5 x 20 in Image Size: 58 x 47 cm / 22.8 x 18.5 in Additional Information: This work is hand signed in pencil by the artist "Dilley" in the lower right margin. It is also hand numbered "25/290" in the lower left margin. Condition: Very good condition. Few creases on the left edge of the paper.

JIM DINE (b. 1935) (American) Title: The Pictures of Dorian Gray Portolio, 1968 Technique; Hand signed Book containing six Lithographs and four Hand Signed Original Etchings on Arches Vellum paper Paper Size: Lithographs: 44 x 31 cm / 17.3 x 12.2 in Etchings: 44.7 x 31 cm / 17.5 x 12.2 in Image Size: Lithographs: 44 x 31 cm / 17.3 x 12.2 in Etchings: Dorian Gray at the Opium Den: 42.7 x 28.5 cm / 16.8 x 11.2 in Design for Satin Hearth: 41.5 x 22 cm / 16.3 x 8.6 in Imprint from Dorian Gray's Stomach: 42.5 x 28.5 cm / 16.7 x 11.2 in Study for the Rings on Dorian Gray's Hand: 39.2 x 23.5 cm / 15.4 x 9.2 in Additional Information: This original book includes six original unsigned and unumbered lithographs included in the book as follows: - Lord Henry in a Yellow Suit - Sybil Vane as Juliet - Tree Lamp - Lord Henry at Home - Saddle bench - The Costume Dorian Gray dies in The book itself is hand signed in green ink by the artist "Jim Dine" on the last page and hand numbered "40/200". There were three different editions A, B and C. Edition A is bound in red velvet with the title blocked in silver on the cover. There are six additional loose lithographs signed and duplicates of those bound in the book. Edition B, which is ours, is bound in green velvet with the title blocked in silver on the cover. There are four additional etchings, loose. The edition was 200 with 25 artists proofs. Edition C is bound in leather, with a heart built on the cover. There are six additional lithographs signed duplicates of those bound in the book, and four signed etchings. The edition was 100 with 15 artists proofs. The four separate etchings in our work are each hand signed by the artist "Jim Dine" at the lower right margin and numbered in black pen at the verso "40/200". The whole book and the etchings were printed in 1968 by Atelier Desjobert and Atelier Leblanc, Paris. Literature: Jim Dine. Complete Graphics. 1970. Berlin: Galerie Mikro. Reference: Galerie Mikro 47. Condition: Very Good Condition. At the verso of each etching two tape marks.

CESAR DOMELA 1900-1993 (Dutch) Title: Planet Composition, 1936-73 Technique: Original Hand Signed SilkScreen/Serigraph in Colours on thick paper Paper Size: 84 x 66 cm / 33.1 x 26 in Additional Information: This Color Silkscreen is hand signed and dated in pencil by the artist "Domela 1936-1973" at the lower right margin. This work was printed in 1973 based on an earlier work from 1936. Condition: Tears at the margins. Handling creases and surface dirt on the reverse. The image itself is in good condition.

JUN DOBASHI 1910-1975 1910 - Tokyo-1975 (Japanese) Title: Abstract Figure in Colours, 1961 Technique: Original Hand Signed, Inscribed and Dated Lithograph in Colours with Hand Colouring on BFK Rives vellum paper Paper Size: 67 x 51 cm / 26.4 x 20 in Image Size: 50 x 40 cm / 19.7 x 15.7 in Additional Information: This original lithograph is hand signed in pencil by the artist "Jun Dobashi" in the lower right corner, and dated "1961" next to the signature. It is inscribed in pencil "E.A" (Epreuve d' Artiste = Artist Proof) in the lower left corner. Additionally, it is inscribed "Pour M Arnold Simon". This is an artist proof with additional hand colouring by the artist in watercolour, and probably one of few trial prints created as early states aside the regular edition. Condition: Very good condition.

JUN DOBASHI 1910-1975 1910 - Tokyo-1975 (Japanese) Title: The Composition, 1962 Technique: Original Hand Signed, Inscribed and Dated Lithograph on BFK Rives vellum paper Paper Size: 67 x 51 cm / 26.4 x 20 in Image Size: 50 x 40 cm / 19.7 x 15.7 in Additional Information: This original lithograph is hand signed in pencil by the artist "Jun Dobashi" in the lower right margin, and dated "1962" next to the signature. The work is furthermore inscribed "Pour Madame Bergman EdA" as this work was probably a gift (an artist proof) from the artist for Mrs Bergman, who was a major art collector. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Good condition. One fold and a blue pen mark in lower right corner. Short tear in bottom margin (1cm). Very light handling creases and light scratches in top edge of the image.Stains and surface dirt verso.

JEAN DUBUFFET 1901-1985 (Philippe-Arthur) 1901 Le Havre - Paris 1985 (French) Title: Délégation, 1974 Technique: Original Hand Signed, Dated and Numbered Screenprint (Serigraphie) in colours on Siren Arjomari paper Paper Size: 77 x 55.7 cm / 30.3 x 21.9 in Additional Information: This screenprint is hand signed in pencil by the artist with his initials "JD" in the lower right corner (Jean Dubuffet). It is also dated "74" (1974) next to the signature. The work is also numbered "Epreuve HC II/V" in pencil. (Hors Commerce 2/5) in the lower left corner. It was printed in an edition of 50 hand signed and numbered impressions with 5 hors commerce proofs (Ours is one of them) and 7 Artists Proofs. It was published by Editions Beyeler, BaselProvenance: The Fondation Beyeler, Basel, Switzerland. As one of the most important European art dealers of his time, Ernst Beyeler was an inspiration for the international art world for over sixty years. In his gallery in Basel he organized some 300 exhibitions, published catalogues, co-founded Art Basel and sold thousands of art works to private collections and museums worldwide. Ernst and his wife Hildy put together a world class collection of modern art for themselves. In 1982, they donated their collection to the public by creating the Beyeler Foundation, a not-for-profit organization under Swiss law. They commissioned the Pritzker Prize-winning architect Renzo Piano to design a museum building in their hometown of Riehen/Basel, close to the border of Switzerland, Germany, and France. It is the perfect home for the Beyeler Collection, comprising around 230 masterpieces of Post-Impressionist, modern, contemporary, and tribal art. Works from its collection are loaned for temporary exhibitions in prestigious museums around the globe. Literature: Webel, Sophie, 1991, JEAN DUBUFFET: L'Oeuvre Grave et les livres illustres. Catalogue raisonne, editor Baudoin Lebon, Paris. Reference: Webel 1167 (fully illustrated p 114) Condition: Excellent Condition.

MAX ERNST 1891-1976 Cologne 1891-1976 Paris (German) Title: Au Liege rendu par la mer from Rene Char and Max Ernst: Dent prompte Technique: Original Hand Signed and Numbered Lithograph in colours on japan paper Paper Size: 52.8 x 44.7 cm / 20.7 x 17.5 in Plate Size:47 x 39 cm / 18.5 x 15.3 in Additional Information: This work is hand signed in pencil by the artist "max ernst" at the lower right margin. The Lithograph is also and hand numbered in pencil "58/70" at the lower left margin. It was printed in a limited edition of only 70 impressions on vellum paper. Condition: Very Good Condition.

MAX ERNST 1891-1976 Cologne 1891-1976 Paris (German) Title: Two Birds (Ochre background), ca. 1975 Technique: Hand Signed and Inscribed Lithograph in colours on Japan Nacre paper Paper Size: 57 x 76.5 cm / 22.4 x 30.1 in Image Size: 34.5 x 62.5 cm / 13.6 x 24.6 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin "max ernst". It is also hand inscribed in pencil "e.a" (Epreuve d'Artiste/Artist Proof) at the lower left margin. This is a rare artist proof that was printed aside the regular signed edition of 99 impressions. The work was printed by Pierre Chave, Venice and published by Ediciones Polígrafa, Barcelona. Provenance: Purchased directly from Ediciones Polígrafa, Barcelona by the current owner Literature: Pech, Jurgen, 2003. Max Ernst - Graphische Welten. Dumont. pages 438 & 439. Condition: Excellent condition

JIMMY (ULRICH) ERNST 1920-1984 Brühl, Cologne 1920-1984 New York (American/German) Title: Terra Incognita 1, ca. 1970's Technique: Original Hand Signed and Numbered Lithograph in colours wove on paper. Paper Size: 71 x 56 cm / 28 x 22 in Image Size: 61 x 45.5 cm / 24 x 17.9 in Additional Information: This work is hand signed by the artist in pencil at the lower right margin "Jimmy Ernst", and hand numbered in pencil "20/75" at the lower left margins. It was printed in the 1970's in a limited edition of only 75 hand signed and hand numbered impressions. Condition: Good condition apart from discoloration of the paper and some foxing in the margins.

ERTE (Romain de Tirtoff) 1892-1990 St. Petersburg 1892-1990 (Russian/French) Title: Ficelle, 1976 Technique: Original Original Hand Signed Lithograph on paper Paper Size: 38 x 28 cm / 15 x 11 in Additional Information: This work is hand signed by the artist in pencil at the lower right margin. It was printed in 1976 in a limited edition of only 300 hand signed impressions and a few artist's proofs. This is one of the few hand signed artist's proofs. Provenance: The Artist's estate, 1990 Literature: "Erte at Ninty: The Complete Graphics", by M.Lee, London: Weidenfield and Nicholson, 1982. Condition: Very good condition. Some minor bands in the corners.

MAURICE ESTEVE 1904-2001 Culan, Cher 1904-2001(French) Title: Bougri, 1974 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches vellum paper Paper Size: 52 x 45 cm / 20.5 x 17.7 in Image Size: 31.5 x 24.5 cm / 12.4 x 9.6 Additional Information: This original lithograph is hand signed in pencil by the artist "Esteve" in the lower right margin. It is hand numbered in pencil "37/50" in the lower left margin. The work was printed in 1974 in a limited edition of 50 signed and numbered impressions. There were a further 25 artist proofs. This lithograph was later chosen to be one of the 4 prints in G. di San Lazzaro "Hommage à Maurice Esteve". Literature: Prudhomme-Estève, Monique & Moestrup, Hans. 1986. Maurice Estève. L’Ouvre Gravé. Catalogue raisonné. Copenhague. Reference: Prudhomme & Moestrup No. 76. Condition: Excellent condition. Very minor small fold in the lower left corner.

MAURICE ESTEVE 1904-2001 Culan, Cher 1904-2001(French) Title: Bank Street, 1967 Technique: Original Hand Signed and Numbered Lithograph in Colours on BFK vellum paper Paper Size: 73.5 x 55 cm / 28.9 x 21.6 in Image Size: 65.5 x 46 cm / 25.8 x 18.1 in Additional Information: This original lithograph is hand signed in pencil by the artist "Esteve" in the lower right margin. It is hand numbered in pencil "109/125" in the lower left margin. The work was printed in 1967 in a limited edition of 125 signed and numbered impressions. There were a further 15 artist proofs. Literature: Prudhomme-Estève, Monique & Moestrup, Hans. 1986. Maurice Estève. L’Ouvre Gravé. Catalogue raisonné. Copenhague. Reference: Prudhomme & Moestrup No. 44. Condition: Excellent condition. Tape remains verso.

JEAN FAUTRIER 1898-1964 Paris 1898-1964 Châtenay-Malabry, Seine-et-Oise (French) Title: Baby Mine, 1947 Technique: Original Hand Signed and Numbered Etching in Colours on vellum dArche paper Paper Size: 38.5 x 56 cm / 15.2 x 22 in Image Size: 27.5 x 33.5 cm / 10.8 x 13.2 in Additional Information: This work is hand signed in pencil at the lower right margin by the artist "Fautrier". It is also hand numbered in pencil at the lower left margin (3/50). It was printed in this small limited edition of only 50 impressions on vellum d'Arches paper. The paper bears the watermark of "Arches" France paper. Literature: Jean Fautrier: Catalogue raissone by Dr. Hans Gerd Tuchel, Kunstverein in Hamburg, 1973. Reference: Tuchel 207. Condition: Good condition. Discoloration from former matting and foxing spots on the backside of the paper

ADOLPHE FEDER 1886-1943 Odessa, Ukraine 1886-1943 Auschwitz-Birkenau (Ukraine/Russian) Title: Woman Looking at the Mirror Technique: Original Hand Signed Etching on "Paul Massey" paper Paper Size: 38 x 28 cm / 15 x 11 in Plate Size: 24 x 16.5 cm / 9.5 x 6.5 in Additional Information: This work is hand signed in pencil in the lower right margin "Feder". And also signed in the plate with the artist initials "AF"at the lower right corner of the plate. The paper bears the watermark of "Paul Massey" paper. Condition: Good condition, time staining and foxing spots mainly in the margins of the paper

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Les Femmes de la Mer, 1976 Technique: Original Hand Signed and Inscribed Double Sided Serigraph/Silkscreen in Colours on BFK Rives paper Paper Size: 68 x 51.5 cm / 26.8 x 20.3 in Image Size: 40.5 x 40.5 cm / 15.9 x 15.9 in Additional Information: This work is hand signed in pencil by the artist "Leonor Fini" at the lower right corner. It is hand inscribed in pencil "HC" (Hors Commerce= before trade) at the lower left corner. On the front side of the paper there is a detailed Serigraph/Silkscreen and on the back side there is a second composition, probably a lithograph of two standing women. The paper bears the watermark of BFK Rives paper. Condition: Very good condition. Handling creases in the upper right corner. Light surface dirt.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Girl's Face Technique: Original Hand Signed and Numbered Lithograph in Colours on vellum paper Paper Size: 65 x 48,5 cm / 25.6 x 19.1 in Additional Information: This work is hand signed in pencil by the artist "Leonor Fini" in the lower right, and hand numbered in pencil "46/180". The color lithograph was printed in a limited edition of 180 impressions. Condition: Foxing stains all over the paper, except of the lower part. Discoloration of the margins and upper part of the image. See the images.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: The Tragedy of Orpheus / Die Tragodie Des Orpheus, 1982 Technique: Hand Signed and Numbered Portfolio with 10 Original Etchings in colours on vellum paper Paper Size: 53 x 37.5 cm / 20.8 x 14.8 in Plate Size: 34.5 x 26 cm / 13.1 x 10.2 in (The first etching of the 10 has a different plate size: 14 x 10 cm / 5.5 x 4 in) Additional Information: This portfolio includes 10 original etchings by Leonor Fini and text and poems by Rudolf Hagelstange. It was printed in 1982 in a limited edition of 250 examplares by Daneil Moret, Paris. The portfolio is covered with a brown fabric cover. It includes except of the 47 pages of text and poems by Rudolf Hagelstange 10 Original hand signed color Etchings by Leonor Fini. All the Etchings are Hand Signed and Numbered on a full separate pages without any text. The Etchings are Hand Signed in pencil by the artist at the lower right margin "Leoner Fini" and Numbered in pencil "123/250". The justification page of the portfolio is hand signed in pencil by Leoner Fini and by Rudolf Hagelstange. The Etchings are printed on loose pages separate from the book so they can be individaully framed. Published by edition List, Munchen in 1982. Condition: Excellent condition.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Le Toung-Sok, 1976 Technique: Original Hand Signed and Numbered Etching in Colours on Japon paper Paper Size: 39.5 x 30 cm / 15.6 x 11.8 in Image Size: 11 x 18 cm / 4.3 x 7.1 in Additional Information: This work is hand signed in pencil by the artist "Leonor Fini" in the lower right corner. It is also hand numbered in pencil "100/136" at the lower left margin. The etching was printed in 1976 as part of the publication "Les Etrangers" in a limited edition of 136 hand signed and numbered impressions on Japan paper. It was printed in the printing house of Atelier Rigal in France. The paper bears the publisher blind stamp at the lower left. Condition: Good condition. Some peal off sourrounding the image. Otherwise in very good condition.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Man at Window, 1973 Technique: Original Hand Signed and Inscribed Etching in Colours on vellum paper Paper Size: 32 x 25 cm / 12.6 x 9.8 in Image Size: 19 x 13 cm / 7.5 x 5.1 in Additional Information: This work is hand signed in pencil by the artist "Leonor Fini" in the lower right margin, It is also hand inscribed in pencil "E.A." (epreuve d'artiste - artist Proof) at the lower left margin. This is one of the 10 original etchings that were specially creaeted by Leonor Fini in 1973 for the publication "Les Descriptions Merveilleuses". It was printed in a limited edition of 220 impressions and only 35 artist proofs. This is one of the 35 artist proofs that were reserved for Leonor Fini and her friends. The etching was printed by Dominique Viglino, printer d'Art a Bourg-la-Reine. Condition: Very good condition. Tape remains verso. Light discoloration at the margins.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Two Cats Playing Hide and Seek, 1973 Technique: Original Hand Signed and Numbered Lithograph in colours on Japon paper Paper Size: 32 x 24 cm / 12.6 x 9.4 in Additional Information: This work is hand signed in pencil by the artist "Leonor Fini" in the lower right corner. It is also hand numbered in pencil "I/XX" (1/20) in the lower left corner. This is one of only 20 impressions that were printed aside from the regular edition. Condition: Very good condition.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: Owl, 1976 Technique: Original Hand Signed Etching on Japan paper Paper Size: 40 x 29.5 cm / 15.7 x 11.6 in Image Size: 10 x 18 cm / 3.9 x 7.1 in Additional Information: This original print is hand signed in pencil by the artist "Leonor Fini" in the lower right margin. It is hand numbered in pencil "100/136" at the lower left margin. The etching was printed in 1976 as part of the publication "Les Etrangers" in a limited edition of 136 hand signed and numbered impressions on Japan paper. There were 18 different etchings in this series, each one is hand signed in pencil by the artist and with Leonor Fini's dry stamp. It was printed by Atelier Rigal in France. The paper bears the dry stamp of Leonor Fini (face of a cat) in the lower left margin. Condition: Good condition. Some light paper peeling surrounding the image. One crease in the middle. Small paper loss in the upper part of the image.

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: La Mésangère (Girl and Woman) Technique: Original Hand Signed and Inscribed Lithograph on vellum paper Paper Size: 37 x 28 cm / 14.6 x 11 in Additional Information: The work is hand signed in pencil "L. Foujita" in the lower right margin and hand inscribed in pencil "EA" (Epreuve d'Artiste = Artist Proof ) in the lower left margin. It was printed in a limited edition of 80 impressions. Foujita was commissioned by Jean Cocteau to illustarate his publication titled 'La Mésangere'. The publication incorporates 22 works by Foujita and was published by Pierre de Tartas. Exhibition: "Leonard Foujita, Image et Parole", Meguro Museum of Art, Tokyo, 1988-1989, no 46. Literature: BUISSON, Sylvie and Dominique, 1987. Leonard Tsuguharu Foujita, sa Vie, son Oeuvre. Paris: ACR Editions. Reference: Buisson 63.40. Condition: Good condition. Light paper discoloration from former matting. Paper peel in the corners. Tape remains verso.

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled, 1985 Technique: Original Hand Signed and Numbered Aquatint in colours on vellum paper Paper Size: 43 x 36 cm / 16.9 x 14.1 in Image Size: 25 x 20 cm / 9.8 x 7.8 in Additionnal Information: This is an original aquatin in colours by the artist Sam Francis. It is hand signed in pencil "Sam Francis" in the lower right margin and hand numbered in pencil "10/25" in the lower left margin. The work was published in a small limited edition of 25 signed and numbered impressions in 1985. Literature: Lembark, W. Connie. 1992. The Prints of Sam Francis: A Catalogue Raisonne, 1960-1990. New York: Hudson Hills Press Reference: SFE 30 Condition: Excellent Condition.

TSUGOUHARU (LEONARD) FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: Two Children Carrying Bread and Milk, circa 1954. Technique: Original Hand Signed and Inscribed Lithograph on vellum paper Size: 38.5 x 30.3 cm / 15.2 x 11.9 in Additional Information: This Lithograph is hand signed in pencil "Foujita" in the lower right corner and also Hand Inscribed in pencil "E.A." (Epreuve d'Artiste, Artist's Proof) in the lower left corner. It was printed in circa 1954 aside the regular signed and numbered edition of 220 impressions. Condition: Excellent condition. Unexamined out of the frame.

JOHNNY FRIEDLAENDER 1912-1992 Pless, Silesia 1912-1992 Title: Homeros - The Swimme, 1953 Technique: Original Hand Signed Etching on old laid "Marais"paper. Paper Size: 24 x 16.5 cm / 9.5 x 6.5 in Additional Information: This original etching is hand signed in pencil by the artist att he lower right margin. It was printed in 1953 in the "Homeros: Nausikaa - Episoden". The edition was of only 125 impressions plus a few artist proofs that this is one of them. This early and rare etching represents the early part of Friedlaender career, before his compositios became more abstract. It's a fine example of the period just before the abstraction but still not a complete figurative composition. Literature:Johnny Friedlaender: Radierungen 1930-1972, by Rolf Schmucking, Verlag Galerie Schmucking Braunschweig 1973. Reference: Schmucking no. 112. Condition: Excellent condition. Tape remains on the reverse.

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled, 1993 Technique: Original Hand Signed and Numbered Etching with Aquatint in colours on vellum paper Paper Size: 61 x 51 cm / 24 x 20 in Image Size: 38.2 x 30 cm / 15 x 11.8 in Additionnal Information: This original etching with aquatint in colours is hand signed in pencil "Sam Francis" in the lower right margin and also hand numbered in pencil "7/25" next to the signature. The work was published in a small limited edition of 25 signed and numbered impressions in 1993. Literature: Lembark, W. Connie. 1992. The Prints of Sam Francis: A Catalogue Raisonne, 1960-1990. New York: Hudson Hills Press Reference: SFE 92 Condition: Excellent Condition. Not examined outside the frame.

JEAN AUGUSTE GAUDIN b. 1914 born 1914 (French) Title: La Ducasse de Gayant a Donai, 1968-70 Technique: Original Hand Signed and Numbered Etching on Arches vellum paper Paper Size: 38 x 57 cm / 15 x 22.4 in Image Size: 23 x 40 cm / 9.1 x 15.7 in Additional Information: This etching is hand signed in pencil by the artist at the lower right margin. It is also hand numbered "23/120" and titled at the lower left margin. The etching was pinted in 1970 in a limited edition of 120 impressions. The work bears the publisher blindstamp at the lower right. It was published by Societe des Peintres Graveurs. Condition: Excellent condition. Some minor handling creases.

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: The Artist's Mother Seating II / La Mere de l'artiste assise II, ca 1965 Technique: Original Hand Signed and Numbered Lithograph on BFK Rives vellum paper Paper Size: 65.6 x 48 cm / 25.7 x 18.8 in Image Size: 48 x 34 cm / 18.8 x 13.3 in Additional Information: This original lithograph is hand signed in pencil by the artist "Alberto Giacometti" in the lower right margin, and it is hand numbered in pencil "53/75" in the lower left It was published by Meaght editeur, Paris in a limited edition of 75 signed and numbered impressions. The paper bears the "BFK Rives" watermark Literature: LUST, Herbert, 1991. Giacometti. The complete graphics and 15 drawings. Catalogue Raisonne revised. San Francisco: Alan Wofsy. Reference: Lust 51 Condition: Good condition. Light discolouration due to a previous matt. Four tape marks at the verso.

ALBERT GLEIZES 1881-1953 Paris 1881-1953 Avignon (French) Title: The Passion / La Passion, 1949-50 Technique: Original Hand Signed and Inscribed Etching on verge de Montval paper. Paper Size: 33 x 24 cm / 13 x 9.6 in Image Size: 18 x 13 cm / 7 x 5.1 in Additional Information: This etching is hand signed by the artist "Albert Gleizes" in the lower right margin. It is also hand inscribed "Epreuve d'Artiste" (Artist Proof) in the lower left. This etching was part of a portfolio illustrating the book "Les Pensees" par Blaise Pascal. However this is a rare and possibily unique hand signed proof that was probably printed aside the book edition as the etchings in the book edition were not signed. Literature: Varichon, Anne, 1998. Albert Gleizes, Catalogue Raisonné: Vol II, Somogy, Paris. Reference: Varichon 2390, page 760 Condition: Good Condition. Some discolouration in the margins. One stain in the margins as well as pencil inscription. A blue ink stain a the lower right hand corner. Note: Blaise Pascal was a French mathematician, physicist, inventor, writer and Catholic philosopher. Pascal's most influential theological work is Pensees where he depicts the relationships between God and Man. Pascal's Pensées is widely considered to be a masterpiece, and a landmark in French prose.

ARMAND (Jean-Baptiste-) GUILLAUMIN 1841- 1927 Paris 1841- 1927 (French) Title: Sight of Zaandam / Vue de Zaandam, 1906 Technique: Original Etching in colours on old laid paper. Paper Size: 19.5 x 25.5 cm / 13.5 x 10 in Image Size: 14 x 19.5 cm / 5.5 x 13.5 in Additional Information: This etching in colours is signed in the plate in the lower right part. Literature: Essai de Catalogue Raisone´ de l'œuvre grave´ et lithographie´ de Jean-Baptiste Armand Guillaumin 1841-1927, Gilles Kraemer, Musee d'art et d'histoire, Paris, 1997. Reference: Kraemer: 23-III et /III. Condition: Excellent condition.

GEN PAUL Eugene 1895-1975 (French) Title: Woman Smoking a Cigarette on Black Bacground Technique: Original Hand Signed Lithograph on Japan paper Size: 52 x 33 cm / 20.5 x 12.9 in Additional Information: This lithograph is hand signed in pencil by the artist "Gen Paul" at the lower right margin, as well as signed in the plate "Gen Paul" in the upper right corner. Condition: Very good condition apart from a few minor folds in the margins.

JOSEPH HECHT (1891-1951) (French) Title: Seagulls, circa 1948-1951 Technique: Original Hand Signed and Numbered Etching with Aquatint and Hand Painted in Watercolour on Arches paper Paper Size: 40 x 19 cm / 15.7 x 7.4 in Image Size: 22 x 11.5 cm / 8.6 x 4.5 in Additional Information: This original work is hand signed in pencil by the artist "Joseph Hecht" in the lower right margin. It is hand numbered in Roman numerals in pencil "XXXVII/LX (137/60)" in the lower left margin. The work was printed in a limited edition of 60 impressions and published by Guilde de la Gravure, Geneva in circa 1948-1951. This impression is exceptionally hand painted in watercolor by the artist making it an unique one off work of art. Condition: Very Good Condition. Two tape marks at the verso.

JANE GRAVEROL 1905-1984 Ixelles 1905-1984 Fontainebleau (Belgian) Title: Surrealistic Composition with Flames, 1973 Technique: Original Hand Signed, Dated and Numbered Etching in colours on Vellum paper Paper Size: 45 x 33 cm / 17.7 x 13 in Plate Size: 20 x 15 cm / 7.9 x 5.9 in Additional Information: This work is hand signed and dated in pencil at the lower right margin "Jane Graverol 73". Is also hand numbered in pencil "39/75" at the lower left margin. It was printed in 1973 in a limited edition of 75 hand signed and numbered impressions. Condition: Good condition. Light discoloration of the paper. Mattburning. One tiny pinhole in the upper right corner of the image.

RUDOLF GROSSMANN 1882-1941 1882 - Freiburg-1941(German) Title: Two Standing Nudes, 1920 Technique: Original Lithograph with Hand Colouring in Watercolour on "Perfecta" watermarked vellum paper. Paper Size: 47 x 36 cm / 18.5 x 14.2 in Additional Information: This is an original lithograph which is hand coloured in watercolour by the artist. The work is hand signed in pencil by the artist "R. Grossmann" at the lower left. It was published in 1920 in a limited edition of 50 impressions as part of the series "Frauen". Condition: Good condition apart from handling creases. One larger tear at the left middle margin. Smaler tears at the margins of the paper. One diagonal light fold at the upper right corner.

JOSEPH HECHT (1891-1951) (French) Title: Leda and the Swan , circa 1930's Technique: Original Hand Signed and Numbered Etching on laid paper Paper Size: 39 x 28.5 cm / 15.3 x 11.2 in Image Size: 23.7 x 17 cm / 9.3 x 6.6 in Additional Information: This original work is hand signed in pencil by the artist "Joseph Hecht" in the lower right margin. It is hand numbered in pencil "25/30" in the lower left margin. The work was printed in a limited edition of 30 impressions in the 1930's in France. Condition: Very Good Condition. Four tape marks at the verso. A tiny hole next to the signature.

MARCEL GROMAIRE 1892-1971 Noyelles-sur-Sambre 1892-1971 Paris (French) Title: The Painter / Le Peintre, 1943 Technique: Original Hand Signed and Numbered Color Photo-Lithograph on Arches paper. Paper Size:76 X 57 cm / 29.9 X 22.4 inch. Image Size:56.5 X 47 cm / 22.2 X 18.5 inch. Additional Information: This work was printed by printer and editor Guy Spitzer after the painting of Marcel gromaire from 1943. It was printed in Paris in a limited edition of 250 signed and numbered examplares and 30 signed and numbered "Hors Commerce" proofs. This is one of the "Hors Commerce" (not for trade) proofs. It is Hand numered in pen at the lower left margin "27/30 H.C", And Also approved and HAND SIGNED by MArcel Gromaire in pen at the lower right margin. "Tirage Cerifie - Marcel Gromaire" (Certifide edition - Marcel Gromaire). The work also bears the dry stamp of Guy Spitzer (SG) and is stamped on the back side the edition ink stamp stating that this is an original work printed by Guy spitzer after Marcel Gromaire in a limited, Hand signed and Numbered edition. The stamp is also numbered in pen 27/30 HC like the front side. The work is also signed and dated in the plate. The paper bears the watermark of Arches paper. Condition: Very good condition. Minor waves in the paper in the upper margin.

FRIEDENSREICH HUNDERTWASSER 1928-2000 Wien 1928-2000 Title: Regentag on Waves of Love, 1971/1972 Technique: Stamp Signed, Dated and Numbered Silkscreen in 23 ink and metal colours on paper Paper Size: 49,3 x 67 cm / 19.4 x 26.3 in Image Size: 40.2 x 57.3 cm / 15.8 x 22.3 in Additional information: The work is signed with the artist stamp in the lower right margin. It is also numbered "02279/3000" in the lower right margin. This work is one of the ten original prints that were created by Hunderrtwasser for his famous series "Look at it on a rainy day" in 1971. Ours in the eight plate in the series. The work bears several of Hundertwasser traditional Japanese stamps at the lower margins. It was printed in 23 colours by Dietz Officin in Bayern and published by Verleg von Ars Viva, Zurich in 1971. Literature: Koschatzky, Walter, 1996. Friedensreich Hundertwasser Catalogue Raisonné. Orell Fussli Edition, Zurich. Reference: Koschatzky 51 Condition: Excellent condition. two tape remains verso Condition second impression: Excellent condition. two tape remains verso . Minor handling creases on the left side.

FRIEDENSREICH HUNDERTWASSER 1928-2000 Wien 1928-2000 (Austrian) Title: A Rainy Day on the Regentag, 1971/1972 Technique: Stamp Signed, Dated and Numbered Silkscreen in 16 ink and metal colours on paper Paper Size: 47.5 x 67 cm / 18.7 x 22.4 in Image Size: 44 x 58 cm / 17.3 x 22.8 in Additional information: The work is signed with the artist stamp in the lower right margin. It is also numbered "02179/3000" in the lower right margin. This work is one of the ten original prints that were created by Hundertwasser for his famous series "Look at it on a rainy day" in 1971. Ours in the fifth plate in the series. The work bears several of Hundertwasser traditional Japanese stamps at the lower margins. It was printed in 16 colours by Dietz Officin in Bayern and published by Verleg von Ars Viva, Zurich in 1971. Literature: Koschatzky, Walter, 1996. Friedensreich Hundertwasser Catalogue Raisonné. Orell Fussli Edition, Zurich. Reference: Koschatzky 48 Condition: Very good condition. Two tape remains verso. Two minor scratches on the lower right part.

AUGUSTE HERBIN 1882-1960 (French) Title: The End / La Fin, ca. 1960 Technique: Original Stamp Signed and Numbered Silkscreen on vellum paper Paper Size: 82 x 66 cm / 32.3 x 26 in Image Size: 53 x 40 cm / 20.9 x 15.8 in Additional Information: This black and white silkscreen is stamp signed with the signature stamp of the artist "Herbin" at the lower right margin, and numbered in pencil "028/200" at the lower left margin. The reverse bears the Atelier stamp stating the limited edition of 200 impressions. This is Herbin's last print before his death, which is the reason that the work had to be stamp signed. Condition: Excellent condition.

DAVID HOCKNEY b.1937 (British) Title: Still Life, 1965 Technique: Original Hand Signed, Inscribed and Dated Lithograph on Arches Vellum paper Paper Size: 76 x 56.2 cm / 29.9 x 22.1 in Image Size: 56 x 41 cm / 22 x 16.1 in Additional Information: This original lithograph is hand signed in pencil by the artist "Hockney" in the lower right margin. It is hand dated in pencil "65" (1965) next to the signature. It is also inscribed d in pencil "trial proof I" left to the signature. Our impression is the rare and first trial prrof that was printed by Hockney before the regular edition of 50 signed and numbered impressions. They were a further 13 artist's proofs. It was printed and published by Gemini Ldt, Los Angeles. The paper bears the publisher's drystamp at the lower right corner. Literature: 1. David Hockney prints 1954-77, Petersburg Press for the Midland Art Group And the Scottish Arts Council, 1979 Reference: Scottish Art Council 40 2. David Hockney: Catalogue Raisonne of the Prints, Museum of Contemporary Art, Tokyo, Japan, 1996 Reference: Tokyo 40 Condition: Very Good Condition. Minor Creases throughout.

DAVID HOCKNEY b.1937 (British) Title: Still Life, 1969 Technique: Original Hand Signed and Dated Etching with Aquatint on J.Green mould-made paper Paper Size: 70.5 x 92.5 cm / 27.8 x 36.4 in Image Size: 54.5 x 68.5 cm / 21.5 x 27 in Additional Information: This original etching with aquatint is hand signed in pencil by the artist "Hockney" in the lower right margin. It is hand dated in pencil "69" (1969) next to the signature. This etching is one of the 16 proofs realised aside the regular edition of 75 signed and numbered impressions. It was published by Petersburg Press, London in 1969. Literature: 1. David Hockney prints 1954-77, Petersburg Press for the Midland Art Group And the Scottish Arts Council, 1979 Reference: Scottish Art Council 111 2. David Hockney: Catalogue Raisonne of the Prints, Museum of Contemporary Art, Tokyo, Japan, 1996 Reference: Tokyo 108 Condition: Some surface dirt at the sheet edges, otherwise in good condition.

SONJA HOPF b. 1940 born 1940 (German / active in France) Title: Bleeding Lip and Rose (Catherine Bernheim), ca. 1970's Technique: Original Hand Signed, Titled and Numbered Etching in colors on vellum paper Paper Size: 39 x 31.5 cm / 15.4 x 12.4 in . Additional Information: This work is hand signed in pencil at the lower right margin "Hopf". It is also hand numbered in pencil "19/50" at the lower left margin. It was printed in the 1970's in France in a limited edition of 50 hand signed and numbered impressions. Condition: Very good condition. Some tape remains verso.

LOUIS ICART 1888-1950 Toulouse 1888-1950 Paris (French) Title: Marianne / La Marseillaise, ca. 1918 Technique: Original Hand Signed and Inscribed Etching and Drypoint in colours on Japan paper Paper Size: 52 x 33.6 cm / 20.4 x 13.2 in Image Size: 49 x 30 cm / 19.3 x 11.8 in Additional Information: This original etching is hand signed in pencil by the artist "Louis Icart" in the lower right margin. It is inscribed in pencil 'Epreuve d'artiste' (Artist Proof) in the lower left margin. This is one of the rare artist proofs that were printed aside the regular edition of approx. 75 impressions. Literature: Holland, William; Catania, Clifford; Isen, Nathan.1990. Louis Icart, the Complete Etchings. West Chester, PA,: Schiffer Pub. Reference: Fig 88. Condition: Generally in good Condition apart from creases and handling marks. Not examined out of the frame. Note: The work will be shipped unframed.

LOUIS ICART 1888-1950 Toulouse 1888-1950 Paris (French) Title: Meadow Maiden from "La Nuit et le Moment", 1946 Technique: Original Hand Signed Etching in colours on vellum paper Paper size: 28 x 22 cm / 11 x 8.6 in Image Size: 19 x 14 cm / 7.5 x 5.5 in Additional Information: This original etching is hand signed in pencil by the artist "Louis Icart" in the lower right margin. The work was made as part of the series 'La Nuit et le Moment' which consisted of 25 different etchings in colours. It was produced for the book of the same name, with an edition size of 525 plus artist's proofs. Our impression is probably one of the artist proofs that were hand signed by the artist while the regular edition was not signed. It was published by Claude Prosper de Crebillon. Literature: Holland, William. 1998. Louis Icart Erotica. Atglen, PA: Schiffer Publishing. Reference 230. Condition: Unexamined out of the frame. Note: This work will be shipped unframed.

LOUIS ICART 1888-1950 Toulouse 1888-1950 Paris (French) Title: Carriage Fun from "Felecia ou Mes Fredaines", 1947 Technique: Original Hand Signed Etching in colours on vellum paper Paper size: 28 x 22 cm / 11 x 8.6 in Image Size: 19 x 14 cm / 7.5 x 5.5 in Additional Information: This original etching is hand signed in pencil by the artist "Louis Icart" in the lower right margin. The work was made as part of the series 'Felecia ou Mes Fredaines' which consisted of 20 different etchings in colours. It was produced for the book of the same name, with an edition size of 530 plus artist's proofs. Our impression is probably one of the artist proofs that were hand signed by the artist while the regular edition was not signed. Literature: Holland, William. 1998. Louis Icart Erotica. Atglen, PA: Schiffer Publishing. Reference 264. Condition: Excellent condition. Note: This work will be shipped unframed.

TORU IWAYA b. 1936 born 1936 (Japanese) Title: Clams / Coquillages, 1976 Technique: Original Hand Signed and Numbered Mezzotint on BFK Rives Vellum paper. Paper Size: 33 x 25 cm / 13 x 9.8 in Plate Size: 14,5 x 12 cm / 5.7 x 4.7 in Additional Information: This mezzotint is hand signed in pencil with by the artist at the lower right margin. The work is hand numbered "33/80" at the lower left margin, as well as titled in pencil at the lower centre. This work was printed in 1976 in a limited edition of 80 hand signed and numbered impressions. Condition: Good condition. Glue remainings at the front margins. Scattered foxing in the margins. Light discoloration of the paper.

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Lock Dada / Serrure Dada, 1918/1960's Technique: Original Hand Signed and Inscribed Silkscreen on vellum paper Paper Size: 94 x 59 cm / 37 x 23.3 in Image Size: 79.5 x 47 cm / 31.2 x 18.5 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin "Marcel Janco". It is also hand titled in pencil "Serrure Dada" at the lower left margin and inscribed "Epreuve d'Artiste" in pencil at the middle lower margins. This large print was printed in the 1960's based on Janco's important relief "The Lock" from 1918. Condition: Good condition. Some minor handling marks in the margins, some cracks in the ink surface.

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Porfolio Stempeniou, 1966 1. Portrait of the Author 2. The Young Stempeniou 3. Stempeniou's Ancestors 4. Stempeniou's Orchestra in the Village 5. The Drumb 6. The Wedding: The Bedeken 7. The Wedding: Bezetsen 8. The Dance 9. Rachel between theTwo Men 10. Freidl and His Mother 11. Under the Walls of the Monastery 12. The Disappearing Dream of Stempeniou Technique:Twelve Original Colour Lithographs on Arches vellum paper Portfolio Size: 71 x 56 cm / 27.9 x 22 in Paper Size: 69.6 x 54 cm / 27.4 x 21.2 in Additional Information:This is a portfolio of twelve lithographs, all signed in the plate "Mane Katz", all realised by the artist Mane Katz to illustrate book "Stempeniou" written by Cholem Aleikhem. Each lithograph is inscribed in the Plate "Mourlot Lith and Manaranche Grav". It was printed in a limited edition of 300 impressions by Andre Sauret for Mourlot Freres, Paris, in France in January 1966. It was published by Boston Book and Art Shop, Boston Massachussets, USA. The portfolio contains twelve colour lithographs, and a preface written by Pierre Mazars. Mane Katz started a series of gouaches in 1958 in Geneva to illustrate the story Stempeniou. He completed them all in New-York later on and asked the famous printer Fernand Mourlot help for printing a limited edition of a portolio of original prints all based on the gouaches he made. Mane Katz started designing the 12 plates in 1960 but died before completing them, leaving this project to his friend Alexis Manaranche who completed it in 1966. Condition: Very Good Condition. Some light discolouration on the margins due to lighting.

JEAN PAUL KAYSER 1869-1942 1869-1942 (German) Title: Going Bathing / Gehoft am Badden Technique: Original Hand Signed and Numbered Lithograph in colours on paper Paper Size: 35 x 47 cm / 13.8 x 18.5 in Image Size: 30 x 43 cm / 11.8 x 17 in Additional Information: This work is hand signed in pencil by the artist "P Kayser" at the lower right margin. It is also hand titled in pencil "Gehoft am Badden" (Going Bathing) at the lower left margin. Condition: One tear (4 cm.) in the upper right edge. Minor discoloration. Creases in the paper. Some tape remains in the backside upper edge.

WASSILY KANDINSKY 1866-1944 Moscow 1866-1944 Neuilly sur Seine (Russian) Title: Lithograph no. 1, 1925 Technique: Original Hand Signed, Dated and Numbered Lithograph on simili Japan paper Paper Size: 52 x 39.5 cm / 20.4 x 15.3 in Image Size: 35 x 22 cm / 13.7 x 8.6 in Additional Information: This original lithograph is hand signed in pencil by the artist "Kandinsky" in the lower right margin. It is hand numbered in pencil "24/50" in the lower left margin. It is also titled in pencil "No.1" next to the number. The work is also signed and dated in the plate "K 25" in the lower left of the image. (Kandinsky 1925). It was published by Graphischen Druckerei des Staatlichen Bauhauses, Weimar in a limited edition of 50 signed and numbered impressions. Provenance: Purchased by the previous owner at Park Bernet Auction, 30th of March 1966, lot 262. Literature: Roethel, Hans Konrad. Kandinsky: Das Graphische Werk / the Graphic Works. New Hampton, NY, U.S.A, Verlag M. DuMont Schauberg, 1970 Reference: Roethel 185 Condition: Very Good Condition. Some discolouration and creases on the margins. Image in very good condition.

MOISE KISLING 1891-1958 Krakow, Poland 1891- 1953 Sanary, France (Polish/French) Title: Blonde Nude Technique: Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 71.8 x 55 cm / 28.3 x 21.7 in Image Size: 54 x 46.6 cm / 21.3 x 18.3 in Additional Information: The lithograph is hand signed in pencil by the artist's son "Jean Kisling" at the lower right margin and bears the dry stamp of "Atelier Kisling" at the lower right margin below the signature. The work is hand numbered in pencil 19/150" in the lower left margin. Furthermore, it is signed in the plate "Kisling" at the lower left corner of the image. The paper bears the Arches watermark on the right margin. This beautiful lithograph is based on an original painting by Moise Kisling, and was printed in collaboration with his son in a limited edition of 150 impressions. Condition: Very good condition. Two minor handling creases on the lower right margin. One tiny tear on the lower right margin.

MOISE KISLING 1891-1953 Krakow, Poland 1891-1953 Sanary, France (Polish/French) Title: White Lilies Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 76 x 54 cm / 29.9 x 21.3 in Image Size: 57 x 44 cm / 22.4 x 17.3 in Additional Information: The lithograph is hand signed in pencil by the artist's son "Jean Kisling" at the lower right margin, and bears the dry stamp of "Atelier Kisling" at the lower right margin below the signature. The work is hand numbered in pencil "36/150" in the lower left margin. Furthermore, it is signed in the plate "Kisling" at the lower left corner of the image. This beautiful lithograph is based on an original painting by Moise Kisling, and was printed in collaboration with his son in a limited edition of 150 impressions. Condition: Excellent condition. Minor handling creases in the margins.

KATHE KOLLWITZ 1867-1945 Konigsburg 1867-1945 Moritzburg Title: Debate / Beratung , 1897 Technique: Original Lithograph on vellum paper Paper Size: 46 x 32 cm / 18.1 x 12.6 in Plate Size: 27 x 17 cm / 10.6 x 6.7 in Additional Information: This is an original lithograph by Kathe Kollwitz. This is the third plate from the series 'Ein Weberaufstand' (Weaver's Revolt) which was Kollwitz's first major print series and was printed in 1898. This work was later published by Von Der Becke. This lithograph was part of the famous and important Beck Collection of 20th Century German Art. Provenance: The Beck Collection of 20th Century German Prints. Sotheby's London, The Beck Collection, Volume IV, October 2002. Literature: KLIPSTEIN, August, 1955. The Graphic Work of Kathe Kollwitz: Complete Illustrated Catalogue. New York: Galerie St. Etienne. Reference: Klipstein 36 d Condition: Very good condition. One very light crease in the lower right corner and two tape remains in the upper corners, as well as verso. Light surface dirt verso.

KATHE KOLLWITZ 1867-1945 Konigsburg 1867-1945 Moritzburg Title: Peening / Beim Dengeln, 1905/1921 Technique: Original Hand Signed Etching on copper print paper Paper Size: 72.5 x 55.5 cm / 28.5 x 21.9 in Plate Size: 29.8 x 28.8 cm / 11.7 x 11.3 in Additional Information: This etching is hand signed in pencil by the artist "Kathe Kollwitz" at the lower right. Käthe Kollwitz worked on this plate since 1905. This impression was printed in 1921 as the XI (11th) state of the plate by Richter. The etching is inscribed in the plate with the printer's details and date at the lower right margin "1921", "Druck von O. Felsing S.W" This edition of the etching was published in 1921 in a limited edition of 200 signed impressions but not all of them were printed on copper paper. This is the third plate in the series "Bauernkrieg". Literature: 1. Klipstein, August. 1955. Graphic Work of Kathe Kollwitz, Complete Illustrated Catalogue, New York: Galerie St. Etienne. Reference: Klipstein 90 X, illustrated on page 116. 2. Von dem Knesebeck, Alexandra. 2002. Kathe Kollwitz: Werkverzeichnis der Graphik, Band I, 1890-1913. Bern: Verlag Kornfeld. Reference: Knesebeck 88 XI b. Condition: The paper has been folded on four sides. Some creases throughout. A tear in the upper edge on the left part. A tear on the right side. A scratch on the bottom side.

JEAN EMILE LABOUREUR 1877-1943 1877-1943 (French) Title: View of the Castle of Villaines / Vue du Chateau de Villaines (1st state), 1922/23 Technique: Original Hand Signed, Numbered and Inscribed Etching on vellum paper Paper Size: 27.5 x 44 cm / 10.8 x 17.3 in Image Size: 19 x 41 cm / 7.5 x 16.1 in Additional Information: The etching is hand signed in pencil by the artist "Laboureur" in the lower left margin and hand numbered in pencil at the lower right margin "6/10 epr" (= artist proof). The print is inscribed "premier etat" (= first state) in the lower right corner. This impression is the rare first state (out of four) that was printed in 1922/23 in a limited edition of 10 artist proofs. The final fourth state was printed in a limited edition of 60 impressions and published by Petiet. Stamped verso with the Henri M. Petiet collection stamp (the initials 'H.M.P.' in an oval) in black ink. Provenance: Henri Marie Petiet Collection. Henri M. Petiet (1894-1980) was an important Parisian collector, publisher and dealer in prints and drawings of such artists as Bonnard, Vuillard, Luce, Signac, Matisse, Rouault, Villon, Vlaminck, Dufy, Picasso, Laurencin as well as Laboureur. Literature: LOYER, Jacqueline, 1962. Laboureur, Oeuvre Grave et Lithographie. Paris: Tournon. Reference: L. 248 Condition: Excellent condition. A few very small spots on the front and back side. Tape remains verso.

HANK LAVENTHOL 1927 - 2001 Philadelphia 1927 - 2001 (American) Title: Surrealistic Composition with Woman's Breast and Stop sign, 1973 Technique: Original Hand Signed and Numbered Etching and Aquatint in colors on Japan paper Paper Size: 49.5 x 37 cm / 19.5 x 14.6 in Plate Size: 32.5 x 23.5 cm / 12.8 x 9.3 in Additional Information: This work is hand signed in pencil at the lower right margin "Hank Laventhol". It is also hand numbered in pencil at the lower left margin "13/25. The work was printed in France in 1973 in a limited edition of only 25 hand signed and numbered impressions. . Condition: Good condition. Minor creases in the margins.

JACQUES LIPCHITZ 1891-1973 Druskieniki, Lituania 1891-1976 Capri (Lithuanian/French/American) Title: The Horse, 1967/1971 Technique: Original Hand Signed and Numbered Lithograph on II Bisonte vellum paper Paper Size: 57.5 x 65 cm / 22.6 x 25.6 in Additional Information: The lithograph is hand signed in pencil by the artist "Lipchitz" in the lower right margin and numbered in pencil "43/100" in the lower left margin. This work was probably printed by Il Bisonte, Firenze in the 1967 or 1971. It was printed in a limited edition of 100 impressions. The paper bears the II Bisonte watermark. Condition: Excellent condition.

MARIE LAURENCIN 1883-1956 Paris 1883-1956 (French) Title: Portrait of a Woman in Red / Portrait d'une Femme en Rouge, 1942 Technique: Plate Signed Wood Engraving in Colours on Van Gelder Zonen Paper Paper Size: 46.5 x 37 cm / 18.5 x 14.5 in Image Size: 29.5 x 23.5 cm / 11.6 x 9.2 in Additional Information: This work is signed in the plate M.Laurencin in the upper right part and also dated in the plate "1941" It is also titled "Nature morte aux huitres" (Still Life with Oysters) in the margins, with also the artist name and the technique. It was one of the 12 plates in the portfolio "Estampes" by Robery Rey. It was publsihed in 1950 by "L´image Litteraire" from Paris and Nice and by "Rafael Finelli-Feugere" from New York in an edition of 250 impressions, however ours is probably an unsigned proof aside this edition. Condition: Good condition. Some foxing throughout in the margins. Some creases in the margins.

MARIE LAURENCIN 1883-1956 Paris 1883-1956 (French) Title: Jeanne, 1930 Technique: Original Hand Signed and Numbered Etching on paper Paper Size: 32.3 x 25 cm / 12.7 x 9.8 in Image Size: 24 x 17.6 cm / 9.5 x 6.9 in Additional Information: This etching is hand signed in pencil by the artist "Marie Laurencin" at the lower middle margin. It is also hand numbered in pencil "51/100" at the lower left margin. The etching was printed in 1930 in a limited edition of 100 hand signed and numbered impressions. The paper bears the dry stamp of the editor A. Petiet, Paris, in the lower right corner. Literature: Marchesseau, Daniel, 1981. Marie Laurencin: Catalogue Raisonné de l'Oeuvre Gravé. Tokyo: Kyuryudo. Reference: Marchesseau 165 Condition: Good condition. Glued to card, some light discoloration of the paper from former matting. Small crease in the upper part of the work.

HENRI LAURENS 1885-1954 Paris 1885-1954 (French) Title: Untitled, 1945 Technique: Original Hand Signed Etching on old laid paper Paper Size: 22.5 x 17 cm / 8.9 x 6.7 in Image Size: 18 x 13 cm / 7.1 x 5.2 in Additional Information: This work is hand signed in pencil " H. Laurens " at the lower left margin It is also signed in the plate with the artists initials "H.L" in the lower left. This etching was printed in 1945. It is one of the few etchings made on old laid paper. It was printed in a limited edition of only 65 impressions. Literature: Henri Laurens. Werkverzeichnis der Druckgraphik by Brigitte Volker , Published by . Edition Brusberg. 1985 . Reference: Volker No. 14.1, illustrated. (Copies of the literature will be available to the high bidder). Condition: Good Conditio. One fold in the left lower side of the paper. Some small creases. Minor foxing stains mainly in the margins. One small piece missing of paper (0.4 cm deep and 0.5cm wide) in the lower right edge (not affecting the image or signature).

OSKAR LASKE 1874-1951 1874-1951 (Austrian) Title: Farmers Technique: Original Hand Watercolored and Hand Signed Etching on paper Paper Size: 25 x 27,5 cm / 9.8 x10.8 in Image Size: 10 x 18 cm /3.9 x 7.1 in Additional Information: The original hand colored etching is hand signed in pencil by the artist "O. Laske" at the lower right margin, as well as signed in the plate in the lower right corner. Condition: Good condition. Waterstains at the right margin, which do not affect the image. One fold in the left part of the paper. Otherwise in very good condition.

LOUTTRE B. (Marc-Ant. Bissière) b. 1926 (French) Title: Meeting of Gossipy Mushrooms / Réunions d'Entolomes Bavards, 1972 Technique: Original Hand Signed and Numbered Lithograph on Arches paper Paper Size: 76 x 56 cm / 29.9 x 22 in Image Size: 59 x 43 cm / 23.2 x 16.9 in Additional Information: This lithograph is hand signed in pencil by the artist "Louttre B" in the lower right margin. It is also Hand Numbered "8/60" in the lower left margin. The paper bears the watermark of "Arches France" paper. This lithograph was printed in four colours on a wood plate. It was published by Edition Empreinte in Paris in 1972 in limited edition of 60 impressions, plus a few artist proofs. Literature: Hazan, F, 1985. 1960 - 1983 L'Oeuvre Gravé Louttre B. Paris Edition Hazan. Reference: Hazan 198 Condition: Very good condition.

MAX LIEBERMANN 1847-1935 Berlin 1847-1935 (German) Title: The Dining Room Technique: Original Hand Signed Wood Engraving on China paper. Paper Size: 17 x 18 cm / 6.7 x 7.1 in Additional Information: This work is hand signed by the artist the lower left corner "M Liebermann" Condition: Very good condition

MAX LIEBERMANN 1847-1935 Berlin 1847-1935 (German) Title: Grazing Goats / Grasende Ziegen, 1887 Technique: Original Hand Signed (dry point) Etching with full margins on vellum paper. Paper Size: 39 x 53 cm / 14.5 x 20.9 in Plate Size: 18 x 24 cm / 7 x 9.5 in Additional Information: This work is hand signed by the artist in pencil "M.Liebermann" at the lower right margin. It is an original etching printed by Liebermann in 1887. The paper bears the inventory stamp of the “Kunsthistorische Museum, Rostock. Inv. No. K 1592 g” verso. Provenance: 1. Property of the Burkamp Collection, Rostock. Stored at the Kunsthistorische Museum, Rostock, later appropriated by the German Democratic Republic and restituted to heir of the Burkamp Collection. 2. Christie’s London. Literature: Max Liebermann. Sein graphisches Werk. The graphic work 1876-1923, by Gustav Schiefler Reference: Schiefler 4. Condition: Good condition. Minor spots in the lower margin. A soft horizontal crease at the right margin. Minor folds in the lower right corner of the paper.

DANG LEBADANG (LE BA DANG , HOI) born in 1921 (Vietnamese) Title: Birds on a Branch Technique: Original Hand Signed and Numbered Lithograph on Vellum paper Paper Size: 34 x 21,5 cm / 13.4 x 8.5 in Additional Information: This work is hand signed in pencil at the lower right margin "LebaDang", as well as hand numbered in pencil at the lower left margin "179/180. The Lithograph was printed in a limited edition of 180 hand signed and numbered impressions. The paper bears a blind stamp of a person in a landscape at the lower margin. Condition: Good condition. Discoloration of the paper. Brown foxing on the reverse. Also partly visible on the front at the edges.

ROBERTO MATTA 1911-2002 (Sebastian Matt Echauren) 1911 - Santiago - 2002 (Chilean) Title: Contropbasse (Green), 1973 Technique: Original Hand Signed and Inscribed Etching and Aquatint in Green on Gold paper attached to Vellum paper Paper Size: 32 x 45 cm / 12.5 x 17.7 in Image Size: 20.5 x 27 cm / 8 x 10.6 in Additional Information: This original etching is hand signed in pencil by the artist "Matta" in the lower right margin, and hand inscribed "Essai" (trial) in the lower left margin. This is one of the rare few trial proof that were printed before the regular edition. the final edition was of 40 impressions in green and 20 in brown. It was published by Editions Sonnet, Stockholm in 1973 and printed by Atelier Georges Visat, Paris. Literature: SABATIER, Roland, 1975. Matta: Catalogue Raisonne de 'lÓeuvre Grave 1943-1974. Stockholm & Paris: Editions Sonet-Visat. Reference: Sabatier 337. Condition: Very good condition. faint tape marks on the paper.

ENRIQUE MARIN b. 1935 born 1935 Seville (Spanish) Title: Still Life with a Mug, 1972 Technique: Original Hand Signed and Numbered Etching on Richard De Bas paper. Paper Size: 33 x 25.5 cm / 13 x 10 in Plate Size: 16.5 x 15.5 cm / 6.5 x 6.1 in Additional Information: This work is hand signed and dated in pencil by the artist "Enrique Marin 72" (1972) at the lower right margin. The etchings is also Hand Numbered in pencil "2/75" at the lower left margin. The work is also inscribed with a title in Spanish next to the numbering. The paper bears the watermark of "Richard De Bas" paper. Condition: Good condition of the image. Outer margin - foxing stains, glue remains on the front. discoloration through former matting.

HENRI MARTIN 1860-1943 Toulouse 1860-1943 La Bastide-du-Vert (French) Title: Park / Landschaft Technique: Original Hand Signed Etching on "Arches" Special hand made paper Paper Size: 50 x 65 cm / 19.8 x 25.6 in Image Size: 39 x 46 cm / 15.4 x 18.1 in Additional Information: This work is hand signed in pencil " Henri Martin" at the lower right margin. The work bears the watermark of "Arches" paper. Condition: One vertical fold in the center, glue tape remains in the upper backside corners and some discoloration and folds in the margins.

MARTIN 20th Century (French) Title: Le Bas Bouvier, 1925-30 Technique: Original Lithograph on vellum paper Paper Size: 31 x 24 cm / 12.2 x 9.5 in Additional Information: The lithograph is signed in the plate by the artist "Martin" at the lower right. Condition: Very good condition. Tape remainings on the reverse.

HENRI MICHAUX 1899-1984 Namur, Belgium 1899-1984 Paris (Belgian/French) Title: Abstract Composition VI, 1984 Technique: Original Hand Signed and Numbered Lithograph on wove paper Paper Size: 56 x 36 cm / 22.1 x 14.2 in Additional Information: This work is hand signed in pencil by the artist "H.Michaux" at the lower right. It is also hand numbered "21/70" in the lower left. This lithograph was printed in a limited edition of only 70 impressions in 1984. It was printed by Bramsen, Paris and published by Le Point Cardinal, Paris. Literature: Mason, R.M & Cherix C. 1997. "Henri Michaux. Les Estampes 1948-1984. Catalogue Raisonné". Genève, Cabinet des Estampes du Muséö d`art et d`hisoire - Patrick Cramer Éditeur Reference: Mason 201. Condition: Excellent condition.

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice Title: The Yellow Dress with Black Ribbon / La Robe Jaune au Ruban Noir, 1922 Technique: Original Hand Signed and Numbered Lithograph on Chine paper Paper Size: 49.5 x 35 cm / 19.5 x 13.8 in Additional Information: This is an original lithograph by Henri Matisse. It is hand signed in ink by the artist "Henri Matisse" at the lower right margin. It is also hand numbered in ink at the lower right margins "15/50". This early work was printed in 1922 in a small edition of only 50 impressions. Literature: Henri Matisse: Catalogue Raisone de L'oeuvre grav'e, Claude Duthuit, Paris,1983. Reference: Duthuit 424 Condition: Good condition. The corners have been restored. Overall handling creases and two paper creases in the right edge. Paper smudge on the left side of the table.

PETER MATTHEWS b. 1942 (British) Title: Deja Vu Landscape, 1974 Technique: Original Hand Signed and Numbered Colour Silkscreen on vellum paper Paper Size: 63 x 47 cm / 24.8 x 18.5 in Additional Information: This work is hand signed and dated in pencil by the artist "Matthews 74" (1974) at the middle right, as well as hand numbered in pencil "7/55" at the middle left. It was printed in a limited edition of only 55 hand signed and numbered impressions in the 1974. The work is also hand titled in pencil by the artist at the middle centre. Condition: Minor scattered foxing stains in the upper part.Light discoloration of the paper. One diagonal fold in the upper right. Handling creases in the margins. One minor scratch in the lower brown part. Otherwise good condition.

FREDERIC MENGUY 1927-2007 Paris 1927-2007 (French) Title: Two Girls with Flowers, ca. 1970's Technique: Original Hand Signed and Numbered Lithograph in colours on BFK Rives paper Paper Size: 63.5 x 47.5 cm / 25 x 18.7 in Additional Information: This colour lithograph is hand signed in pencil by the artist at the lower right margins, as well as hand inscribed in pencil at the lower left margins "E.A" (Eprouve d'Artiste=Artist Proof) It was printed in a limited edition in France in the 1970's. The paper bears the BFK Rives watermark. Condition: Good condition. Discoloration of the paper (verso), handling creases and marks, one very short tear in the lower margin.

MAN RAY 1890-1976 (Radnitzky Emmanuel) Philadelphia 1890-1976 Paris (American) Title: Metronome (Objet Indestructible), 1970 Technique: Original Hand Signed and Numbered Screenprint in colour on yellow glass paper Paper Size: 64 x 48.8 cm / 25.1 x 19.2 in Additional information: This is an original screenprint by the artist "Man Ray". It is hand signed in pencil with the artist initials "MR" at the lower right margin. It is also numbered in pencil "20/100" at the lower left margin. It was printed in a limited edition of 100 impressions Condition: Very good condition. Some minor creases throughout. Unexamined outside the frame.

ROBERTO MATTA 1911-2002 (Sebastian Matt Echauren) 1911 - Santiago - 2002 (Chilean) Title: Tromp'Homme, 1973 Technique: Original Hand Signed and Etching and Aquatint in Green Colour on Gold paper Paper Size: 32 x 45 cm / 12.5 x 17.7 in Image Size: 20.5 x 27 cm / 8 x 10.6 in Additional Information: This original etching is hand signed in pencil by the artist "Matta" in the lower right margin, and hand inscribed "Essai" (trial) in the lower left margin. This is one of the rare few trial proof that were printed before the regular edition. the final edition was of 40 impressions in green and 20 in brown. It was published by Editions Sonnet, Stockholm in 1973 and printed by Atelier Georges Visat, Paris. Literature: SABATIER, Roland, 1975. Matta: Catalogue Raisonne de 'lÓeuvre Grave 1943-1974. Stockholm & Paris: Editions Sonet-Visat. Reference: Sabatier 336. Condition: Very good condition. Very few green paint at the verso.

HANS MEID 1883-1957 Pforzheim 1883-1957 Ludwigsburg (German) Title: Circus VII - Akrobatenfamilie, 1912 Technique: Original Hand Signed and Inscribed Etching on vellum paper Paper Size: 25 x 32,5 cm / 9.8 x 12.8 in Plate Size: 17 x 18.5 cm / 6.7 x 7.3 in Additional Information: This original etching is hand signed in pencil by the artist "Hans Meid" at the lower right margin. The lower margin bears the title of the work written in pencil in German. Literature: HANS MEID: Das Graphische Werk, by Ralph Jentsch. Reference: Jentsch 99. Condition: Very good condition. Minor handling creases at the margins.

Title: La Melodie Acide, 1980 Technique: Original Signed in the Plate and hand numbered Lithograph in colours on Arches vellum paper. Paper Size: 33 x 25 cm / 13 x 10 in Additional Information: The lithograph in colours comes from a portfolio by Miro consisting of 14 lithographs, all signed in the plate in the lower right corner of the image. The impressions are hand numbered in pencil in the lower left corner. The portfolio was printed in 1980 in an edition of 1500 impressions by La Poligrapha, S A., Barcelona. Published by Ediciones Poligrapha, S A , Barcelona. Literature: 1. Joan Miro. Lithographe. Volume VI. 1976-1981, by Patrick Cramer, Paris, 1992. Reference: Maeght 1212-1225 2. Joan Mirò the illustrated books: catalogue raisonné, by Patrick Cramer, Geneva, 1989. Reference: Cramer 248

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Exhibition Miro Sculptures, 1971 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 86 x 72.5 cm / 33.9 x 28.5 in Additional Information: The Original Color Lithograph is hand signed in pencil by the artist "Miro" in the lower right, as well as Hand Numbered in pencil at the lower left corner "127/150". The Lithograph was printed in 1971 in a limited edition of 150 impressions by Arte Adrien Maeght, Paris and published by Walker Art Center Mineapolis. This lithograph was realised for the Miro Sculptures exhibition in the Walker Art Center in 1971. It was used also for the Museum of Cleveland, Chicago to illustarte the same exhibition. The paper bears the Arches watermark on the right side of the paper. Literature: Miro: The Lithographs, Vol.4 1969-1972 , by Patrick Cramer, Weber Genf, 1992. Reference: M.755 Condition: Very good condition. Fresh Colours. The paper is discoloured on the edges due to a previous frame.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bird Escaping Towards the Pyramides / Et l'Oiseau s'enfuit vers les Pyramides , 1954 Technique: Hand Signed, Dated and Numbered Etching and Aquatint in colours on wove paper, 1954 Paper Size: 75.1 x 31 cm / 29.6 x 12.2 in Plate Size: 57.5 x 14.8 cm / 22.6 x 5.8 in Additional Information: The work is hand signed in pencil by the artist "Miro" in the lower right. It is also hand dated "1954" beside the signature, as well as hand numbered in pencil at the lower left corner "223/300", It was printed n 1954 based on Miro painting by the same title of 1952 in a limited edition of 300 hand signed, dated and numbered impressions and was published by Galerie Maeght, Paris. Literature: Miro, Foundation Maeght, foreword by Jacques Dupin, Saint Paul de Vence, 1968 Reference: Maeght 1707. Condition: Very good condition. Fresh Colours. Two short repaired tears at the lower sheet edge.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Miro in the Press: Etchings, Lithographs, Illustrations and Posters / Miro al torchio: Inchiostri, acqueforti, litografie, incisioni varie, illustrazioni e manifesti, 1972 Technique: Book with two Original Lithographs in colours on Arches vellum paper Paper Size: 35.8 x 26.5 cm / 14.1 x 10.4 in Additional Information: The book is from the original edition in Italian. It was printed in a limited edition of 1000 numbered copies. Our book is numbered 313. It was printed by "Union" and published by "Societe Internationale d'Art XX Siecle", Paris in 1972. The text by Yvon Taillandier was translated into Italian by Elda Fezzi. The lithograph in colours on the title page is titles "Miro a l'Eucre I". It was printed by Jean Celestin, at Fernand Mourlot in Paris in 1972. The second original lithograph in colours is between page 16 and 17. It is titled "Miro a l'Eucre II". It was printed by Rene Le Moigne at the "Imprimerie Arte"in Paris in 1972. Rene Le Moigne also realised the cover for this book. Literature: Cramer, Patrick, 1992. Joan Miro - Lithographs part V, 1972-1975. Paris: Maeght Editeur. Reference: Mourlot 837 & 838. Condition: Excellent condition.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Exhibition Miro at the Galerie Maeght, 1978/1979 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 78 x 57 cm / 30.7 x 22.4 in Additional Information: This original lithograph in colors is hand signed in pencil by the artist "Miro" in the lower right margin, and hand numbered in pencil "23/75" in the lower left margin. It was printed in a limited edition of 75 hand signed and numbered impressions plus a further 25 artist's proofs by Arte Adrien Maeght, Paris. It was published in 1979 by Maeght Editeur for an exhibition of Miro's works at the Galerie Maeght in Paris from November 1978 to January 1979. Miro also realised a larger poster (160 x 120 cm) of the same subject printed in a limited edition of 60 impressions. This image was also used as the front cover of Miro's catalogue raisonne of graphic works volume VI. Literature:Joan Miro. Lithographe. Volume VI. 1976-1981, by Patrick Cramer, Paris, 1992. Reference: Maeght 11171 Condition: Some discolouration due to a previous frame. Some tape marks verso.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Figure with Red Sun I, 1950 Technique: Original Hand Signed and Numbered Color Lithograph on Arches vellum paper Paper Size: 64 x 50 cm / 25.2 x 19.6 in Additional Information: The Lithograph is Hand Signed and Dated in pencil by the artist "Miro 1950" in lower right corner. It is also Hand Numbered in pencil at the lower left corner "32/40". It was printed in 1950 in a limited edition of 40 hand signed and numbered impressions. Literature: "Joan Miro Lithographs - Vol. 1", by Fernand Mourlot and Michel Leiris, published by Tudor Publishing Company, New York, 1972. Miró Lithographs., Vol. I. Reference: Mourlot 93, page 166. Condition: Good condition. Apart from light handling creases and very light paper discoloration at the back. some foxing in the central part of the paper. The print has tape hinges verso on the top edge.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Fire Dance, 1963 Technique: Original Hand Signed and Numbered Color Lithograph on BFK Rives paper Paper Size: 47.2 x 65.5 cm / 18.5 x 25.7 in Additional Information: The Lithograph is Hand Signed by the artist "Miro" in the lower right corner of the image. It is also Hand Numbered in pencil at the lower left corner of the image "57/90". It was printed and published in 1963 by Galerie Maeght in a limited edition of 90 hand signed and numbered impressions. The paper bears the BFK Rives watermark. This print was included in the publication "Derriere le Miroir" realised for the Catalogue of the exhibition Miro-Artigas Monumental ceramics at the Galerie Maeght in 1963. It was printed in a large edition (approx 1500) on smaller paper and was not signed in pencil by Miro. Our impression is from the deluxe edition of 90 that was hand signed and numbered in pencil. The title of the work probably refers to the action of the fire on the clay in Artigas' Japanese wood-fired kiln where they worked. Literature: Literature: Mourlot, Fernand and Leiris, Michel, 1972. Joan Miro Lithographs - Vol. II. Tudor Publishing Company: New York. Reference: M 341 Condition: Good condition. The bottom left corner of the paper has been folded. A tape mark at the verso.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Seabed II / Fonds Marin II, 1963 Technique: Original Hand Signed and Numbered Aquatint on BFK Rives paper Paper Size: 76.2 x 56.3 cm / 30 x 22.1 in Image Size: 52 x 36 cm / 20.2 x 14.1 in Additional Information: This original etching in colors is hand signed in pencil by the artist "Miro" in the lower right margin, and hand numbered in pencil "43/50" in the lower left margin. The work was printed by Maeght and Levallois-Perret, Paris in 1963 in a limited edition of 50 hand signed and numbered impressions.It was published by Maeght Editeur, Paris. A few artist's proofs were realised aside the regular edition. The paper bears the watermark at the right margin. Literature: Dupin, Jacques, Lelong-Mainaud, Ariane. 2001. Miró Engraver: 1961-1973, Vol. II. Paris: Lelong/Alan Wofsy Fine Arts. Reference: Dupin 358 Condition: Very Good Condition. Some discolouration on the paper due to a previous frame.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Ubu's Childhood / L'Enfance d'Ubu, 1975 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches paper Paper Size: 32.1 x 50.5 cm / 12.6 x 19.8 in Additional Information: This ioriginal lithograph is hand signed in pencil by the artist "Miro" at the lower right corner of the image. It is also hand numbered in pencil "108/120" The work was part of a portfolio entitled "L'Enfance d'Ubu" (Ubu's Childhood) realised by the artist in 1975. It was printed by Mourlot, Paris and published by Tériade Editeur, Paris. Our print is one of the few impressions realised for the front cover of the portfolio. Additional Information: Ubu Roi (Ubu the King) is a play by Alfred Jarry, premiered in 1896. It is a precursor of the Theatre of the Absurd and Surrealism. It is the first of three stylised burlesques in which Jarry satirises power, greed, and their evil practices—in particular the propensity of the complacent bourgeois to abuse the authority engendered by success. It was followed by Ubu Cocu (Ubu Cuckolded) and Ubu Enchaîné (Ubu Enchained), neither of which was performed during Jarry's 34-year life. Père Ubu first appeared in 1888 in a collaboration between Alfred Jarry and a fellow student at the Rennes Lycée, but his first public appearance came in 1893 when Jarry published some of prose works in an avant-garde review, the Minutes de Sable Mémorial. His triumph, however, was on the stage when the director of the Theâtre de l'Oeuvre, Lugne-Poe staged a production of Ubu Roi. The audience received the play with screams, whistles, fist-shaking, the critics took up the cudgels and the play became infamous and its author an avant-garde hero Joan Miró used Ubu Roi as a subject of his most famous series made of 50 1940 lithographs known as "the Barcelona Series". These pictures could be Ubu Roi but they also satirise General Franco and his generals after he had won the Spanish Civil War. He revisited this subject many times in in oeuvre. Literature: 1. Patrick Cramer, Weber Genf, 1992, Miro: The Lithographs, Vol.5. Reference: Cramer 1014 2. Patrick Cramer, Cramer Edition, 1989, Miro Catalogue des Livres Ilustrés. Reference: Cramer 204 Condition: Very Good Condition. Two tape marks verso.

JACQUES MONORY b. 1934 Born 25 June 1934 in Paris (French) Title: Animal Testing Technique: Original Hand Signed Color Silkscreen on paper Paper Size: 38 x 28 cm / 15 x 11 in Additional Information: This work is hand signed by the artist in pencil at the lower right margin. Condition: Excellent condition.

RAYMOND MORETTI 1931-2005 Nice 1931-2005 Paris (French) Title: Screaming Figure, ca. 1970's Technique: Original Hand Signed and Numbered Lithograph in colors on vellum paper Paper Size: 65 x 50 cm / 25.6 x 19.7 in Additional Information: This work is hand signed in pencil by the artist at the lower right corner, as well as hand numbered at the lower left corner "153/185. The work was printed in the 1970's in a limited eiditon of 185 hand signed and numbered impressions. Condition: Good condition. discoloration of the paper (visiable verso), some tape removal scuffs verso.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Three Heads, 1973 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 50 x 40 cm / 19.7 x 15.7 in Image Size: 10.5 x 15.5 cm / 4.1 x 6.1 in Additional Information: This original lithograph is hand signed in pencil by the artist "Moore" in the lower right margin. It is hand numbered in pencil "HC 1/20" (Hors Commerce = Outside the Trade) in the lower left margin. The work was printed by Curwen Prints Ltd, London and published Ediciones Poligrafa SA Barcelona in 1977 in a limited edition of 75 hand signed and numbered impressions. There were a further 20 HC proofs and 10 printers proofs. Provenance: Purchased directly from Editions Poligrafa, Barcelona by the current owner. Literature: Henry Moore: Catalogue of the Graphic Work 1976-1979, by Gerald Cramer and Grant Alistair, Gerald Cramer, Geneva. Reference: Cramer 376 Condition: Very good condition.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Three Sisters, 1981 Technique: Original Hand Signed and Numbered Lithograph in colours on BFK Rives vellum paper Paper Size: 56 x 45 cm / 22 x 17.7 in Image Size: 35 x 25 cm / 13.8 x 9.8 in Additional Information: This original lithograph is hand signed in pencil by the artist "Moore" in the lower right margin. It is hand numbered in pencil "48/50" in the lower left margin. The work was published by Raymond Spencer and printed by J.E. Wolfensberger, Zurich in 1981 in a limited edition of 50 hand signed and numbered impressions. There were a further 25 proofs. Provenance: Purchased directly from Editions Poligrafa, Barcelona by the current owner. Literature: Cramer, Gerald, Grant, Alistar & Mitchinson, David, 1986. Henry Moore: Catalogue of the Graphic Work, Volume IV, 1980-1984. Geneva: Gerald Cramer. Reference: Cramer 621 Condition: Very good condition. Some paper peeling verso, shows very lightly through on the front upper margin. Note: The Three Sisters refers to a rock formation in the Blue Mountains in Australia. The commonly told legend of the Three Sisters is that three sisters fell in love with three men from a neighbouring tribe, but marriage was forbidden by tribal law. Battle ensued, and the sisters were turned to stone by an elder to protect them, but he was killed in the fighting and no one else could turn them back. This legend is claimed to be an Indigenous Australian Dreamtime legend.

JOAN MIRO 1893-1983 Montroig 1893-1983 Mallorca Title: Fundacio Joan Miro, 1975 Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Paper Size: 70 x 50 cm / 27.5 x 19.7 in Additional Information: The Lithograph is hand signed in pencil by the artist "Miro" in lower right corner. It is also Hand Numbered in pencil at the lower left corner "61/99". It was printed in 1975 in a limited edition of 99 impression that were numbered from 1 to 99. This Lithograph was created by Miro especially for his exhibition at the Fundacio Joan Miro. It was printed in this deluxe edition without the text. It was printed by "La Poligrafa S.A" in Barcelona, Spain. The work is fully listed in all of Miro important books of printed works. Literature: Miro Lithographs Vol. V, by Patrick Cramer, Tudor Publishing, New York. Reference: Cramer 1031. Condition: Very good condition. Light crease in the central part of the plate.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Three Reclining Figures (from La Poesie), 1973 Technique: Original Hand Signed Lithograph in four colours on Arches vellum paper Size: 47.2 x 38.5 cm / 18.6 x 15.2 in Additional Information: This original lithograph is hand signed by the artist in pencil with his initials "H.M" at the lower right margins. The work was printed as part of the portfolio "La Poesie" that included 10 original lithographs by Henry Moore. It was printed in 1976 by Curwen Studio, London and edited by Art et Poesie in a limited edition of 110 impressions. Literature: Cramer, Gerald, Grant, Alistar & Mitchinson, David, 1986. Henry Moore: Catalogue of the Graphic Work, Volume IV, 1980-1984. Geneva: Gerald Cramer. Reference: Cramer 325. Condition: Excellent condition. Unexamined out of the frame.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Ideas for Sculpture, 1969s Technique: Original Hand Signed and Numbered Etching on Arches paper Paper Size: 65.7 x 50.4 cm / 25.8 x 19.8 in Image Size: 30.8 x 23.8 cm / 12.1 x 9.4 in Additional Information: This original etching is hand signed in pencil by the artist "Moore" in the lower right margin. It is also hand numbered in pencil "44/100" in the lower left margin. The work was printed by Frélaut and Lacouriere, Paris in a limited edition of 100 hand signed and numbered impressions, aside from 35 artist proofs. It was published by Arted Editions d'Art, Paris in 1969. Literature: Cramer, Gerald, Grant, Alistar & Mitchinson, David, 1976. Henry Moore: Catalogue of the Graphic Work, Volume I, 1931-1972. Geneva: Gerald Cramer. Reference: Cramer 103. Condition: Good Condition. Some minor creases and handling marks in the paper, two of them at the lower right corner of the paper. A few tape remains verso and assosiated minor skinning.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Mother and Child with Wave Background I, 1976 Technique: Original Lithographin five colours on Vellum paper Paper Size: 41 x 53.2 cm / 16.1 x 20.9 in Image size: 17.5 x 26 cm / 6.5 x 10.2 in Additional Information: This is an original lithograph by Henry Moore titled "Mother and Child with Wave Background I". It was printed in five colours: dark olive Green, olive Green, Grey, light Grey and pale Grey. Our impression is a rare printer's proof that was printed aside the regular signed edition of 50 impressions that was part of the "80 Anniversary Portfolio" that was published for Moore 80th birthday in July 1978. The lithograph was printed in 1976 by Curwen Prints, London and published in 1978 by Orde Levinson, London. The paper bears the dry stamp of the printer "Curwen Chilford". It is also stamped "Sample Copy" as this impression belonged to the archive of the printer themself. Provenance: The Curwen Chilford Press. Literature: Cramer, Gerald, Grant, Alistar & Mitchinson, David, 1986. Henry Moore: Catalogue of the Graphic Work, Volume III, 1976-1979. Geneva: Gerald Cramer. Reference: Cramer 447. Condition: Excellent condition. Two stamps at the verso written "Sample copy".

JO NIEMEYER b. 1946 (German) Title: The Yellow Square, 1974 Technique: Original Hand Signed, Numbered and Dated Color Serigraph on carton paper Paper Size: 40 x 40 cm / 15.7 x 15.7 in Additional Information: This Color Serigraph is hand signed in pencil by the artist "Niemeyer" at the lower right corner, as well as Hand Numbered in pencil "31/50" at the lower left. This work is also hand inscribed in pencil with the date "74" (1974) next to the signature. It was printed in 1974 in a limited edition of 50 impressions. Condition: Foxing stains all over, especially at the right part of the image. Surface dirt. Some tape remainings on the reverse.

BEN NICHOLSON 1894-1982 1894 Denham, Buckinghamshire-1982 London (British) Title: Crystaline Form, 1967 Technique: Original Hand Signed and Numbered Etching and Aquatint on paper Paper Size: 32 x 37,5 cm / 12.6 x 14.7 in Plate Size: 19 x 22 cm / 7.5 x 8.7 in Additional Information: This Etching and Aquatint is hand signed in pencil by the artist "Nicholson" at the lower right as well as hand dated '67 underneath the signature. It is also hand numbered in pencil "14/50" at the lower left margins. The paper bears the dry stamp (chopmark) of the printer François Lafranca, Lugano at the lower left corner of the margins. The work was published in 1967 by Ganymed and Marlborough in a limited edition of 50 signed and numbered impressions. Literature: Ben Nicholson: Etchings printed by Francois Lafranca, Locarno, 1983. Reference: La Franca (KM. 35) Condition: Excellent condition. Light dicoloration through former matting. Very light handling creases at the margins.

PAUL HANS OHMERT 1890-1960 (German) Title: The Bear Technique: Original Hand Signed and Numbered Etching on thin vellum paper Paper Size: 31 x 26 cm / 12.2 x 10.2 in Plate Size: 16 x 12 cm / 6.3 x 4.7 Additional Information: This etching is hand signed in pencil by the artist "P.H. Ohmert" at the lower right margin, as well as hand numbered in pencil "1/40" at the lower left margin. This work was printed in a limited edition of only 40 hand signed and numbered impressions. Condition: Very good condition. Minor discoloration of the paper at the margins. Two stains at the upper margin. Light surface dirt.

MAX PAPART 1911-1994 Marseille 1911-1994 Paris (French) Title: Green Abstract Landscape, 1968 Technique: Original Hand Signed and Inscribed Color Etching on paper Paper Size: 33 x 33 cm / 13 x 13 in Image Size: 15 x 17 cm / 5.9 x 6.7 in Additional Information: This etching is hand signed in pencil by the artist "Max Papart" at the lower right margin, as well as hand inscribed in pencil "essai d'une planche refusee" (Trial, of a delclined plate). This is probably one of a few rare proofs that exists of this etching that was never published in a full edition Condition: Excellent condition.

KATIA PALVADEAU (1903-1960) (Russian/French) Title: Landscape Technique: Original Hand Signed and numbered Lithograph on Arches vellum paper Paper Size: 38 x 54.5 cm / 14.9 x 21.4 in Plate Size: 26 x 38 cm / 10.2 x 14.9 in Additional Information: The etching is hand signed in pencil by the artist "K.Palvadeau" at the lower right margin, and numbered in pencil in roman numerals "II/VII". It is also signed in the plate K Palvadeau. Condition: Excellent condition. Slight discolouration due to a previous frame

MAX PAPART 1911-1994 Marseille 1911-1994 Paris (French) Title: Le Sang, La Seve, l'Eau et Les Larmes, 1968 Technique: Original Hand Signed and hand numbered Portfolio consisting of 7 Etchings, partly with text and a additional suite of the 7 etchings on Auvergne paper. Portfolio Size: 39 x 34 cm / 15.4 x 13.4 in Paper Size: 37 x 32,5 cm / 14.6 x 12.8 in Additional Information: This portfolio is hand signed in green color-pencil by the artist "Max Papart" on the first page, stating in printed letters "Exemplaire 4". This page is also Hand Signed by the author "G. Ribemont-Dessaignes" in ball-pen above the signature of Papart. The portfolio was printed in a limited edition of only 15 signed copies on Auvernge paper. The total edition was, including this one, was 130 examples. The portfolio was edited by Jacques Goutal-Darly in 1968 and printed by Fequet et Baudier and Georges Leblanc. All 7 etchings included in the text (partly without text) are signed by the artist Papart. The additional suite consisting of 7 etchings (part colored, see images) are all signed by the artist. Condition: Excellent condition. Outside cover-box has minor damage.

JULES PASCIN 1885-1930 Vidin, Bulgaria 1885-1930 Paris (Bulgarian/French/American) Title: Les Amies / The Friends, 1925 Technique: Original Signed in the Plate Lithograph on vellum paper Paper Size: 49.5 x 32.5 cm / 19.5 x 12.8 in Additional information: This Lithograph is signed in the plate at the lower left middle "Pascin". The paper bears the dry stamp/chop mark of the Publisher "Gallery des Peintres-Graveurs Paris" in the lower left corner. Provenance: From the Collection of Claude Prince-Romanet.(The details are glued to the backside of the paper "collection Claude prince Romanet"). Condition: Discoloration from former mating in the margins, some glue tape pieces and marks in the backside edges of the paper and one minor water stain in the lower right corner. The Image itself is in very good condition.

JULES PASCIN 1885-1930 Vidin, Bulgaria 1885-1930 Paris (Bulgarian/French/American) Title: Noblesse Malgache (Malagasy Nobility), 1927 Technique: Original Stamp Signed and Hand Numbered Etching in colours on vellum paper Paper Size: 38 x 28 cm / 15 x 11 in Plate Size: 15 x 14.5 cm / 5.9 x 5.7 in Additional information: This etching is stamp signed "Pascin" in the lower right margin, and hand numbered in pencil "36/100" in the lower left margin. The etching was printed in a limited edition of 100 impressions. This work was later printed from Pascin's original plate of 1927 and published under the authorization of Guy Krogh in a limited edition of only 100 numbered impressions. Literature: 1. Rambert, Krohg, Perls & Hemin, 1990, Pascin: Catalogue Raisonne. Simplicissimus, Gravures, Lithographies, Illustrations, Sculptures, Objets. Tome III, Editions Abel Rambert, Paris. Reference: Rambert no. 10. 2. Pascin: Oeuvre Grave, Editions Abel Rambert, Paris, plate 6, illustrated. Condition: The image is in very good condition. Very light discoloration from former matting in the margins. Cut margins on the left and top side. The paper has been horizontally folded in the upper and lower margin. Surface dirt.

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: The Arrival of the Chevalier, 1951 Technique: Hand Signed and Numbered Lithograph in colours on stiff vellum paper Paper Size: 47.5 x 74.5 cm / 18.7 x 29.3 in Additional Information: The colour lithograph is hand signed in pencil by the artist "Picasso" at the lower right margin. It is also hand numbered in pencil "326/350" at the lower left margin. It was printed in a limited edition of 350 signed and numbered impressions based on an original work from 1951. The work is dated in the plate "21.2.51" (1951) by Picasso at the lower right corner. It is also printed in the plate "Mourlot Lith" at the lower left corner of the image. This work was printed by French printer Fernand Mourlot. Note: The Chevalier and the Horse are classic subjects in history of art. They represent the pride of being of warrior and at the same time the fearness due to the potential death at war. Condition: Good condition apart from some slight creasing at corners, some light stains and marks in the orange part.

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Flowers in a Vase / Fleurs dans un Vase, 1950 Technique: Original Lithograph on Arches paper with wide margins. Paper Size: 45 x 32.2 cm / 17.7 x 12.6 in Image Size: 23.5 x 15.7 cm / 9.2 x 6.1 in Additional Information: This work is signed in the plate by the artist "Picasso" in the lower right margin and also dated in the plate "5.5.1950". It was created by Picasso on the 5th of May 1950 by using a crayon drawing on transfer paper that was then transferred to stone. The paper bears the Arches watermark. It was printed as a proof aside the deluxe edition of 100 impressions with wide margins. There was also a poster edition with text of 350 for Picasso's exhibition of ceramics in Vallauris which took place from 29 july to 15 September 1950. The work was printed by Mourlot in 1950. Finally the motif of this print was also used as the frontispiece in "Une Visite a Vallauris", a book written by Rene Batigne and published by Le Musee de Vallauris in 1950. 500 lithogaphs copies were made but these were printed on smaller folded paper. Provenance: Given directly by Fernand Mourlot to his friend, Rolande Bouillot in the 1950's. Thence by decent to her grandson, Hans Bouillot who authenticated this work in a note verso. Literature: 1. Mourlot, Fernand. 2009. Picasso Project: Picasso. The Lithographic Work. Volume II. 1949-1969. San Francisco, Alan Wofsy. Reference: Mourlot 189 (A). 2. Pablo Picasso: Tome I, Catalogue of the printed graphic work 1904-1967 by Georges Bloch, Edition Kornfeld et Klipstein, Berne 1971. Reference: Bloch 674 Condition:Good Condition. Some foxing throughout.

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Woman, Child and Observers Viewing Painting, 1970 Technique: Original Stamp Signed and Hand Numbered Etching on Rives paper Paper Size: 63.5 x 76.5 cm / 25 x 30.1 in Image Size: 47.2 x 59.1 cm / 18.6 x 23.2 in Additional Information: This Etching is numbered "26/50" and stamp signed by the artist "Picasso" at the lower right margin. It is also dated in the plate "07.02.70". Additional Information: This work is stamped signed with the Picasso's signature stamp at the lower right margin. it is also hand numbered in pencil 26/50 at the lower left margin. Picasso created the plate in 1970 and the work was printed between 1975 to 1977 by Atelier Crommelynck, Paris in a limited edition of only 50 impressions that were all stamped signed and hand numbered. There were also 18 artist and printer proofs. The edition was stamped signed and was never hand signed. It was published by Galerie Louis Leiris, Paris. The works Picasso created in 1970-1972 pays once more homage to the female sex, but with some unexpected accents. It is a tender and voluptuous homage in which a touch of irony mingled with respect and mischievousness is present. These are the master's last works - series 156. Litrature: Bloch, Georges. 2004. Pablo Picasso: Catalogue of the Printed Work 1970-1972. San Francisco: Alan Wofsy Fine Arts. Reference: Bloch 1866 Condition: Excellent condition.

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Seated Woman and Three Bearded Heads / Femme Assise et Trois Tetes Barbues, 1934 Technique: Original Hand Signed Etching on Montval paper with the Picasso watermark Paper Size: 33.4 x 43 cm / 13.4 x 16.9 in Plate Size: 12.8 x 17.1 cm / 5 x 6.7 in Additional Information: This original etching is hand signed in pencil by the artist "Picasso" in the lower right margin. The paper bears the Picasso watermark in the bottom half. It was printed by Lacourière in a limited edition of 260 impressions in 1934 and published by A. Vollard, Paris. This is one of a small number of impressions from this edition that was hand signed by Picasso. This etching is from Picasso's most important series of etchings known as the Suite Vollard. The Suite Vollard, created between 1930-37, was named after it publisher, the French art dealer and critic Ambroise Vollard. Picasso and Vollard shared a close working relationship up until 1910; however, after this date Vollard was no longer Picasso’s dealer though the two continued to collaborate on publishing projects. In 1930, Vollard, encouraged by the success of two earlier ventures, ambitiously commissioned 100 plates from Picasso and by 1937 the plates were completed n his Neo-classical style and given to master printer Roger Lacouriere to print. The entire edition comprises 3 copies on parchment, 50 copies on larger format Montval paper (50 x 38 cm) and 250 on smaller format Montval paper 44.5 x 34.0). Tragically, Ambroise Vollard died in a car crash 22 July 1939 leaving the project temporarily suspended, until a greater part of the edition was purchased by the print dealer Henri Petiet. After World War II Petiet engaged Picasso to sign a certain number of sets, and this continued up until 1969 but ceased with the publication of the 347 Series. Hence, a large number of the prints from the edition of 250 remain unsigned. Provenance: Galleri Samlaren, Agnes Widlund, Stockholm Acquired at the above in the 1950's or 1960's. Literature: Bloch, Georges, 1968, Pablo Picasso: Tome I, Catalogue of the printed graphic work 1904-1967, Berne Editions Kornfeld et Klipstein. Reference: Bloch 216. Condition: Very good condition. Two tape marks at the verso.

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Women Playing Music and Dancing from Series 156, 1971 Technique: Original Stamp Signed and Numbered Aquatint on BFK Rives paper Paper Size: TBC when unframed Image size: 49 x 36.4 cm / 19.2 x 14.3 in Additional information: This original etching is signed with the artist's stamp at the lower right margin. It is numbered in pencil "12/50" at the lower left margin. It is also dated in the plate "5.5.71" at the upper left corner of the image. The work was printed by Atelier Crommelynck, Paris in a limited edition of only 50 impressions that were all stamped signed and hand numbered. There were also 15 artist and printer proofs. It was published by Galerie Louis Leiris, Paris. The works Picasso created in 1970-1972 pays once more homage to the female sex, but with some unexpected accents. It is a tender and voluptuous homage in which a touch of irony mingled with respect and mischievousness is present. These are the master's last works - series 156. Litrature: Bloch, Georges. 2004. Pablo Picasso: Catalogue of the Printed Work 1970-1972. San Francisco: Alan Wofsy Fine Arts. Reference: Bloch 1974 Condition: Very Good Condition. Not examined outside the frame.

PABLO PICASSO Málaga 1881- 1973 Mougins (Spanish) Original Stamped Signed Lithograph Title: The Dance of the Fauns / La Danse des Faunes, 1957 Technique : Original Stamped Signed Lithograph on Arches Vellum (wove) paper. Paper size: 48.3 x 64.3 cm / 19.1 x 24.3 in Image size: 40 X 52 cm / 15.7 X 20.5 inch. Additional Information : This Lithograph is Stamped Signed "Picasso" at the lower right margin. The work is also Dated "Dimanche 24.5.57" (1957) in the plate in the upper right corner. This original Lithograph was printed in 1957 in a limited edition of 1000 stamped signed and unnumbered impressions for the benefit of "Le Patriote". The paper bears the Arches watermark on the lower right hand corner of the paper. Literature: Pablo Picasso: Tome I, Catalogue de l'oeuvre Grave et Lithographie 1904 - 1967 (Catalogue of the Printed Graphic Work, 1904 - 1967), by Georges Bloch, edition Kornfeld et Klipstein, Berne 1979. Reference: Bloch 830, illustrated page 185. Condition : some creases in the margins. Some pin marks inb the margins. on the right edge the paper is torn as well as next to the signature (lower). Some slight discolouration trhoughout.

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title : Nude Viewing Man Writing and Character Studies (from the Series 347), 1968 Technique : Original Hand Signed and Numbered Etching on Rives paper Paper size: 21 x 27 cm / 8.2 x 10.6 in Image size: 14.6 x 20.3 cm / 5.7 x 8.2 in Additional Information : This etching is hand signed in pencil by the artist "Picasso" at the lower right margin, as well as hand numbered in pencil "47/50" at the lower left margin. It was printed in 1968 by the Crommelynck brothers in France and published by Gallerie Louise Leiris, Paris in an edition of 50 signed and numbered impressions. The paper bears the "Rives" watermark on the the lower right part. The “347 Series” was, in printmaking, the undertaking which defined late Picasso. This prodigious outpouring of work, dating from March 16th–October 5th, 1968, deals with all of his old themes and fantasies, adding an obsession newly central in the late 60s, the artist as voyeur. It is in this role, rather than that of a protagonist, that the artist figures in these fantastic narrations. In order to be able to work with full freedom and concentration, Picasso had his printers, the brothers Crommelynck, bring the etching plates and hand press to his farmhouse near Cannes. The full title of this work is 'Écrivain avec son égérie, travaillant à un conte du genre mille et une nuits où il est question d'un cabaliste au hibou, d'un jeune homme et d'une hétaire'(Writer with his Muse Composing a Tale Similar to the Thousand and One Nights, Relating to a Cabalist and his Owl, a Young Man and a Courtesan). Literature: Bloch, Georges, 1968, Pablo Picasso: Tome II, Catalogue of the printed graphic work 1966-69, Berne Editions Kornfeld et Klipstein. Reference: Bloch 1801. Condition: Very good condition.

SERGE POLIAKOFF 1900-1969 (Russian / French) Title: Composition in Carmin, Red, Brown, Yellow and Grey, 1956 Technique: Original Hand Signed and Numbered Lithograph in 5 colours on BFK Rives paper Paper Size: 50 x 65.3 cm / 19.6 x 25.7 in Plate Size: 43.3 x 58.3 cm / 17 x 22.9 in Additional Information: This lithograph is hand signed in pencil "Serge Poliakoff" at the lower right margin. It is numbered "91/125" in pencil in the lowet left margin. This work was printed in a limited edition of 125 hand signed and numbered impressions by Pons, Paris and was published in 1956 by Nesto Jacometti, L'oeuvre Gravee, Zurich. The paper bears the publisher drystamp. Literature: Serge Poliakoff. Catalogue Raisonne of the Prints by Alexis Poliakoff and Gerard Schneider; Edition Galerie Francaise, Munich, 1998. Reference: 11 (fully illustrated on p.53) Condition: Good condition. The paper is slighly discolored due to the previous frame. The paper is slightly damaged with a tear at the lower edge with a tear , loss some parts at extreme upper right corner. Few stains at the lower margins.

JEAN POUGNY 1892-1956 [Ivan Albertovich Puni] Kouokkala, Finland (now St Petersburg) 1892-1956 Paris (Russian) Title: Portfolio L'Atelier, 1914-1920 Technique: Portfolio of 10 Original Signed Linocuts, Hand-Colored in Pochoir on brown-grey paper with a poem by Jacques Prevert printed on havane satin paper Size: portfolio 45 x 32.5 cm / 18.1 x 12.8 in Additional Information: The portfolio consists of 10 linocuts, each printed on a separate sheet and stamp signed with the artist's signature stamp "Pougny". These original prints were created by Pougny himself in Leningrad, Vitebesk and Berlin between 1914 and 1920. Six of the ten linocuts were also hand colored in pochoir by Cardin and Bogratchew after Pougny's original designs. The portfolio also includes a poem by Prevert which was printed on havane satin paper by the Atelier Rigal, who also printed the linocuts. The justification page bears the edition number 80 and the Pougny signature stamp. The portfolio has been published in a limited edition of 165 impressions by Au Vent d'Arles, Paris, in 1964. Condition: Generally in good condition. Some of the prints have stains and handling creases.

PETER PROKSCH b. 1935 (Austrian) Title: Amamorpher Vogel, 1972 Technique: Original Hand Signed, Dated and Titled Etching in Colours on BFK Rives vellum paper Paper Size: 45 x 50 cm / 17.7 x 19.7 in Image Size: 22 x 29 cm / 8.7 x 11.4 in Additional Information: The work is hand signed in pencil by the artist "Peter Proksch" and dated "1972" at the lower right margin. The work is hand numbered in pencil "28/120" and titled in german "Amamorpher Vogel" at the lower left margin. It was printed in a limited edition of 120 impressions. The paper bears the BFK Rives watermark. Condition: Good condition. Two folds in the right upper and lower corner. Foxing and burning in the edges of the paper.

JORG REMÉ b. 1941 (Dutch) Title: Figure Rose. Technique: Original Hand Signed and Numbered Lithograph in colours on vellum paper Paper Size: 30 x 21 cm / 11.8 x 8.3 in Additional Information: This work is hand signed in pencil by the artist "J.Reme" at the lower margin, as well as hand numbered in pencil at the lower left margin "27/250" The work was printed in a limited edition of 250 hand signed and numbered impressions. Condition: Very good condition. paper discoloration (verso), tape removal scuffs.

AUGUSTE RENOIR Limoges 1841-1919 Cagnes-sur-Mer (French) Title: Baigneuse debout a mes Jambes, 1910 Technique: Original Etching on laid paper. Paper Size: 33 x 25,5 cm / 13 x 10 in Plate Size: 16 x 11 cm / 6.3 x 4.3 in Additional Information: This etching is a late impression from the original plate from 1910. Literature: Delteil, Loys: Renoir's Etchings and Lithographs. L'Oeuvre Grave et Lithographie. Catalogue Raisonne. Reference: Delteil 23. Condition: Very good Condition.

HENRI LE RICHE (HIRNE) 1868-? Grenoble 1868-? Paris (French) Title: The Oriental Water Porter, ca. 1890's-1900's Technique: A Rare Set of 3 Original Hand Signed Etchings (dry-point) on watermarked paper (2 on old laid paper and one on Arches paper) Paper size: average 40 x 26 cm / 15.7 x 10.2 in Additional Information: This is a rare group of 3 different states of the same etching. Each one of the 3 etchings is hand signed in pencil by the artist at the lower right margins. 1. The first etching is of the first state, before the steel facing of the plate. it is inscribed in pencil at the lower left margin "1er etat" (1st state) and is probably the unique and only impression of the first state. 2. The second etching is of the second state. It is inscribed in pencil at the lower left margins"2eme etat 1/3" (2nd state 1/3). This impression of the rare second state is one of only three in existence. 3. The third etching is of the final (probably the third state) of the etching. It bears the dry stamp of the publisher in the lower left margins "Cercle Librairie - HRN- Estampes" and has the additional etched face Condition: Very good condition. the second etching has a missing corner.

HANS RICHTER 1888-1975 (German / Italian) Title: Composition in Black, Grey and White, 1974 Technique: Original Hand Signed and Numbered Etching and Aquatint on paper Paper Size: 37 x 28 cm / 14.6 x 11 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin. It is also hand numbered in pencil at the lower left margins "91/99" The work was printed in 1974 in a limited edition of only 99 hand signed and numbered impressions by the famous French printer George Visat in Paris. Condition: Good condition. A few tape remains and minor paper peeling verso. Light discoloration of the paper. Foxing stains at the lower margin.

NIKI DE SAINT PHALLE 1930-2002 Paris 1930-2002 San Diego, California (French) Title: The Lovers / Les Amoureux, 1972 Technique: Original Hand Signed and Inscribed Lithograph in Colours on vellum paper Paper Size: 65 x 50 cm / 25.6 x 19.7 in Additional Information: This work is hand signed in pencil "Niki de Saint Phalle" at the lower right margin. It is also inscribed in pencil next to the signature "E.A". This is an artist proof aside from the limited numbered edition of 300 impressions. It is printed on vellum paper with full margins. The title of the work "Les Amoureux" is printed as part of the lithograph. Provenance: Collection of Jean-Yves Mock: Jean-Yves Mock (b. 1928) worked at the Hanover Gallery from 1956 until in 1973, when it closed. The gallery was originally founded in 1949 by Erica Brausen, primarily to showcase the work of the then relatively unknown artist, Francis Bacon. It went on to become one of the most important and influential establishments for three generations of 20th-century European artists. Jean-Yves's contribution was instrumental in discovering and promoting some of the 20th century's leading exponents of the avant garde and through his involvement he formed lasting friendships with many artists, as is illustrated by the numerous works dedicated to him in his collection. When the Hanover Gallery closed in 1973, Jean-Yves joined the curatorial team at the Centre Georges Pompidou, Paris. During his distinguished career there he organised the first major retrospectives of Niki de Saint Phalle, Yves Klein and Jean Tinguely and. His invaluable contribution to the arts was acknowledged by the French State when he was made a Chevalier de l'ordre des arts et des letters in 1985 and awarded L'Ordre du Merite in 1993. Condition: Good condition, apart from a crease in the lower right edge of the sheet.

REINER SCHWARZ b.1940 born in Hirschberg/Riesengebirge 1940 (German) Title: Portrait of a Girl, 1988 Technique: Original Hand Signed and Inscribed Lithograph in colours on Arches vellum paper. Paper Size: 66 x 50 cm / 26 x 19.7 in Additional Information: This work is hand signed and dated in pencil at the lower right margins. The work is also Hand numbered in pencil at the lower left margins "V/XVIII" (5/18) and titled in pencil. The work was printed in a limited edition in 1988. The paper bears a "Arches France" watermark. Condition: Very good condition.

WILLIAM SCOTT 1913-1989 Greenock, Scotland 1913 - Bath, England 1989 Title: Iona, 1961 Technique: Original Hand Signed, Numbered and Dated Lithograph in colours on vellum paper. Paper Size: 50 x 61.7 cm / 19.6 x 24.2 in Additional Information: This work is hand signed "W.Scott" and dated "61" (1961) in pencil at the lower right margin. The work is also Hand numbered in pencil at the lower right margins "197/300" next to the signature. The work was published in the "Europaische Grafik" portfolio in a limited edition of 300 impressions in 1961. Condition: Very good condition. Light foxing (just a spot) next to the signature. Tape marks at the verso.

WILLIAM SCOTT 1913-1989 Greenock, Scotland 1913 - Bath, England 1989 Title: Scalpay, 1963 Technique: Original Hand Signed, Numbered and Dated Lithograph in colours on Arches paper. Paper Size: 50.2 x 65.3 cm / 19.7 x 27.2 in Additional Information: This work is hand signed "W.Scott" and dated "63" (1963) in pencil at the lower left margin. The work is also hand numbered in pencil at the lower right margins "3/65" next to the signature. This is the seventh print from the portfolio "Europäische Graphik I" (that was dedicated to English artists), published by Edition Galerie Wolfgang Ketterer in cooperation with the publisher Felix H. Man, Munich in 1963 in a limited edition of 65 impressions. The paper bears the Arches watermark. It bears also the published drystamp at the bottom left corner. Condition: Very Good Condition.

ANDRE DUNOYER DE SEGONZAC 1884-1974 (French) Title: The Escape / L'Echappee, 1930 Technique: Original Hand Signed and Numbered Etching on vellum paper Paper Size: 22.5 x 29.5 cm / 8.6 x 11.6 in Plate Size: 16.5 x 21 cm / 6.5 x 8.3 in Additional Information: The etching is hand signed in pencil by the artist "A. Dunoyer de Segonzac" in the lower right margin, and hand numbered in pencil "suite 3/10" in the lower left margin. The work was printed by Vernant, Paris in 1930. According to the artist's catalogue raisonne this is an extremely rare proofs as there is no recorded edition of this print. It is possible that this is one of a very few trial proofs printed by the artist. Litearture: Liore, Aimee & Cailler, Pierre Cailler. Catalogue De L'Oeuvre Grave De Dunoyer De Segonzac- Tome II- 1928-1930. Pierre Cailler, Geneve. Reference: No. 385 Condition: Very good condition. The sheet is glued at the 2 upper corner to the matting. Very light surface dirt

JEAN SIGNOVERT 1919-1981 (French) Title: Blue and Yellow Abstraction, 1974 Technique: Original Hand Signed and Inscribed Etching with Aquatint on vellum paper Paper Size: 51 x 40 cm / 20.1 x 15.7 in Image Size: 24,5 x 24,5 cm / 9.6 x 9.6 in Additional Information: This Etching with Aquatint is hand signed by the artist in ink at the lower right margin, as well as Hand Inscribed and Titled "Epreuve d'Atelier" (Atelier Proof) at the lower left margin. Furthermore the work is dated "16.3. 74" (1974) underneath the signature. Jean Signovert was an important member of the French Abstract movement after the second world war. The movement included different groups as "Abstraction-Création" with Auguste Herbin, Georges Vantongerloo, Hans Arp, Albert Gleizes, Jean Hélion, Georges Valmier and Frantisek Kupka. After the second world war the significant Abstract groups were called among others "Art Informel", "Lyrical Abstraction" , "ART AUTRE" and "Tachism". The artist who praticipated were among others: Andre Lanskoy, Wols, Leon Zack, Hans Hartung, Georges Mathieu, Henri Michaux, Pierre Soulages, Jean Bazaine, Alfred Manessier, Serge Poliakoff, Vasily Kandinsky, Paul Klee, Jean Dubuffet, Jean-Michel Atlan, Roger Bissière, Camille Bryen, Alberto Burri, Charles Lapicque, Pierre Soulages, Nicolas de Staël, Antoni Tàpies and Jean Fautrier. Condition: Very good condition. Light foxing stains. Tape remains on the reverse.

JEAN SIGNOVERT 1919-1981 (French) Title: Abstraction with Round Shape in Centre, 1972 Technique: Original Hand Signed and Inscribed Etching with Aquatint on vellum paper Paper Size: 50 x 65 cm / 19.7 x 25.6 in Image Size: 30 x 48 cm / 11.8 x 18.9 in Additional Information: This etching with aquatint is hand signed by the artist in ink at the lower right margin, as well as Hand Inscribed and Titled "Epreuve d'Atelier" (Atelier Proof) at the lower left margin. Furthermore the work is dated "72" (1972) next to the signature. Jean Signovert was an important member of the French Abstract movement after the second world war. The movement included different groups as "Abstraction-Création" with Auguste Herbin, Georges Vantongerloo, Hans Arp, Albert Gleizes, Jean Hélion, Georges Valmier and Frantisek Kupka. After the second world war the significant Abstract groups were called among others "Art Informel", "Lyrical Abstraction" , "ART AUTRE" and "Tachism". The artist who praticipated were among others: Andre Lanskoy, Wols, Leon Zack, Hans Hartung, Georges Mathieu, Henri Michaux, Pierre Soulages, Jean Bazaine, Alfred Manessier, Serge Poliakoff, Vasily Kandinsky, Paul Klee, Jean Dubuffet, Jean-Michel Atlan, Roger Bissière, Camille Bryen, Alberto Burri, Charles Lapicque, Pierre Soulages, Nicolas de Staël, Antoni Tàpies and Jean Fautrier. Condition: Good condition. Some stains in the margins. Surface dirt and creases in the margins. Otherwise in very good condition.

MAX SLEVOGT 1868-1932 (German) Title: Achiles Technique: Original Hand Signed Lithograph on paper laid on wax paper Paper Size: 35.5 x 44 cm / 14 x 17.3 in Additional Information: This work is hand signed in pencil by the artist at the lower right margin. Provenance: Christies London, Prints Sale, 24th of October 2001. Condition: Foxing, some small folds, tear in the upper right corner.

LEOPOLD SURVAGE 1879-1968 Moscow, 31 July 1879 - Paris, 30 Oct 1968 (Russian/French) Title: Colored Rhythms II (Blue-Green), 1968 Technique: Original Hand Signed Color Lithograph on vellum paper Paper Size: 65 x 51 cm / 25.6 x 20.1 in Image Size: 49 x 45 cm / 19.3 x 17.7 in Additional Information: This original color lithograph is hand signed in pencil by the artist "Survage" at the lower right margin. It is also authenticated with the artist's atelier stamp at the lower left margin. Furthermore, the work is hand inscribed in pencil "HC IX/X" (Hors Commerce 9/10) at the lower left margin. Condition: Good condition. One short tear in the upper middle margin, which does not affect the image. Light discoloration of the paper.

LEOPOLD SURVAGE 1879-1968 Moscow, 31 July 1879 - Paris, 30 Oct 1968 (Russian/French) Title: "Les Paysans VIII" - De Balzac Technique: Original Hand Signed and Inscribed Etching on "BFK" Rives watermarked paper Paper Size: 31 x 20.5 cm / 12.1 x 8 in Image Size: 15 x 15 cm / 5.9 x 5.9 in Additional Information: This Original Etching is Hand Signed at the lower right margin "Survage". It is also Hand Inscribed at the lower left margin "éprouve d'artiste" (Artist proof). Furthermore the work is signed in the plate with the Artist Initials “L.S.” in the lower right corner. The paper bears the watermark of "BFK Rives" paper. This etching was printed as part of the 10 etchings Survage made especially to illustrate Balzac's "Les Paysans". It was printed in Italy in a limited edition of only 75 hand signed and numbered impressions and a few Artist Proofs. Our is one of the rare Artist proofs. Condition: Excellent condition.

DOROTHEA TANNING (1910-2012) Galeburg, Illinois (USA) 1910-2012 New York (USA) Title: In Flesh and Gold Portfolio / En Chair et en Os Portfolio, 1973 Technique: Ten Original Hand Signed and Numbered Etching swith Aquatint in colours on Japon nacré paper Paper Size: 43 x 32.2 cm / 16.9 x 12.6 in Image Size: 27.6 x 21.4 cm / 10.8 x 8.4 in Additional Information: This is a portfolio of 10 colour Etchings with Aquatint. Each one is hand signed in pencil "Dorothea Tanning" at the lower right margin. Each one is also hand numbered in pencil "85/100" at the lower left margin. This portfolio was printed in a limited edition of 100 signed and numbered impressions. It was published by Editions Georges Visat, Paris, in 1973. This portfolio contains 10 poems written by the artist Dorothea Tanning. There is also a poem written by the surrealist Jean Arp. Literature: Dorothea Tanning- Hail Delirium; A Catalogue Raisonne of the Artist's Illustrated Books & Prints, 1942-1991,. New York Public Library, NY, NY, 1992 Reference: page 64, number 34 Condition: Each print is in very good condition. The first page of the portfolio is discoloured.

ANTONI TAPIES b. 1923 Born 1923 in Barcelona (Spanish) Title: Lithograph no. 38, 1962 Technique: Original Hand Signed and Numbered Lithograph with Embossing on on BFK Rives paper Paper Size: 56 x 76 cm / 22 x 30 in Image Size: 50 x 65 cm / 19.7 x 25.6 in Additional Information: This original lithograph with relief embossing is hand signed in pencil by the artist "Tapies" in the lower right margin. It is hand numbered in pencil "30/50" in the lower left margin. The paper bears the BFK Rives watermark on the bottom margin. The work was printed in a limited edition of 50 hand signed and numbered impressions by Foto-Repro, Barcelona and published by Sala Gaspar, Barcelona in 1962. Literature: Galfetti, Mariuccia. Antonio Tapies: Das Graphische werk / L'oeuvre Grave. 1947-1972 (Catalogue raisonne of the prints of Antoni Tapies). Erker Verlag St. Gallen. Reference: Galfetti 38. Condition:Good Condition. Two minor creases on the upper margin and on the lower part of the plate.

ANTONI TAPIES b. 1923 Born 1923 in Barcelona (Spanish) Title: Lithograph no. 41, 1962 Technique: Original Hand Signed and Numbered Lithograph with Embossing on on BFK Rives paper Paper Size: 56 x 76 cm / 22 x 30 in Image Size: 28 x 42.5 cm / 11 x 16.8 in Additional Information: This original lithograph with embossing relief is hand signed in pencil by the artist "Tapies" in the lower right margin. It is hand numbered in pencil "30/50" in the lower left margin. The paper bears the BFK Rives watermark on the bottom margin. The work was printed in a limited edition of 50 hand signed and numbered impressions by Foto-Repro, Barcelona and published by Sala Gaspar, Barcelona in 1962. Literature: Galfetti, Mariuccia. Antonio Tapies: Das Graphische werk / L'oeuvre Grave. 1947-1972 (Catalogue raisonne of the prints of Antoni Tapies). Erker Verlag St. Gallen. Reference: Galfetti 41. Condition:Good Condition. Some foxing throughout the paper. Some minor creases.

Mark TOBEY (1890-1976) (American) Title: Self Portrait, 1967 Technique: Original Hand Signed, Numbered and Dated Lithograph in colours on BFK Rives paper Paper Size: 32.5 x 25 cm / 12.7 x 9.8 in Image Size: 20 x 15 cm / 7.8 x 5.9 in Additional Information: This original work is hand signed in pencil by the artist "Tobey" in the lower right margin. It is hand numbered in pencil "83/150" in the lower left margin. The work was printed in a limited edition of 150 impressions in 1967. Condition: Excellent Condition.

THEO TOBIASSE b. 1927 (French) Title: Le Petit Train / The Small Train Technique: Original Hand Signed and Numbered Color Lithograph on paper Paper Size: 73.5 x 54.5 cm / 28.9 x 21.5 in Additional Information: This work is hand signed in pencil by the artist "Theo Tobiasse" in the lower right corner. It is also Hand numbered in pencil at the left lower margin "7/175". Condition: Excellent condition. Slight discoloration at the margins through former matting. Foxing stains on the reverse.

JACQUELINE TARKIELTAUB b. 1945 (French) Title: Lettrism, ca. 1970's Technique: Original Hand Signed and Numbered Colour Lithograph on Arches paper Paper Size: 49.7 x 65 cm / 19.6 x 25.6 in Image Size: 35.5 x 45 cm / 14 x 17.7 in Additional Information: This Lithograph is hand signed in Pencil by the artist "J.Tarkieltaib" at the lower right margin. And also Hand Numberd in pencil 11/90 at the lower left margin . This work was printed in a limited edition of only 90 hand signed and numbered Impressions in the 1970's in France. The paper bears the watermark of Arches France. Jacqueline Tarkieltaub was one of the members of the French art movement "Lettrism" that included among others: Isidore Isou, Maurice Lemaître, Jean-Louis Brau, Gil J. Wolman and Serge Berna, Roberto Altmann, Roland Sabatier, Alain Satié, Michéline Hachette, Francois Poyet, Gérard-Philippe Broutin, Jean-Paul Curtay, Woody Roehmer. Condition: Very good condition. minor spots verso and a crease at the upper left corner.

RICHARD TESCHNER 1879-1948 Carlsbad, Bohemia, Czech Republic 1879-1948 Vienna (Austrian) Title: The Poet, 1909 Technique: Original Hand Signed and Dated etching on vellum paper Paper Size: 30.8 x 19.7 cm / 12.1 x 7.8 in Image Size: 24.4 x 14.8 cm / 9.8 x 5.8 in Additional Information: This work is signed and dated in pencil "Richard Teschner 1909" at the lower right margin. Condition: Very good condition. Very light surface dirt.

Mark TOBEY (1890-1976) (American) Title: Mandarin and Flowers, 1973 Technique: Original Hand Signed, Numbered and Dated Lithograph in colours on BFK Rives paper Paper Size: 77 x 103 cm / 30 x 40.5 in Image Size: 49 x 69 cm / 19.2 x 21.1 in Additional Information: This original print is hand signed in pencil by the artist "Tobey" in the lower right margin. It is hand numbered in pencil "46/95" in the lower left margin and also dated "73" (1973) next to the signature. The work was printed in a limited edition of 95 impressions in 1973. Condition: Good Condition. Some creases in the margins.

Mark TOBEY (1890-1976) (American) Title: Black by Yellow, 1973 Technique: Original Hand Signed, Numbered and Dated Lithograph in colours on wove paper Paper Size: 44 x 36.3 cm / 17.3 x 14.1 in Image Size: 35 x 27.5 cm / 13.7 x 10.8 in Additional Information: This original work is hand signed in pencil by the artist "Tobey" in the lower right margin. It is hand numbered in pencil "49/70" in the lower left margin. It is dated in pencil "73" (1973) next to the signature. The work was printed in a limited edition of 70 impressions in 1973. Condition: Good Condition. Two creases, one at the upper left corner and one throughout.

Mark TOBEY (1890-1976) (American) Title: Salute to Tobey, 1974 Technique: Original Hand Signed and Numbered Lithograph in 5 colours on BFK Rives paper Paper Size: 65.5 x 50.1 cm / 25.7 x 19.7 in Image Size: 26.3 x 23.3 cm / 10.3 x 9.1 in Additional Information: This original work is hand signed in pencil by the artist "Tobey" in the lower right margin. It is hand numbered in pencil "15/100" in the lower left margin. The work was printed in a limited edition of 100 impressions. The paper bears the publisher stamp Edition de Beauclair, Frankfurt. Condition: Very Good Condition. One tape mark at the verso.

KEES VAN DONGEN 1877-1968 [Cornelis Theodorus Maria] Delfshaven, Rotterdam 1877-1968 Monte Carlo (Dutch/French) Title: The Polo Match at Alexandria, circa 1949 Technique: Original Hand Signed and Numbered Lithograph on Arches vellum paper Paper Size: 50 x 65.2 cm / 19.6 x 25.2 in Image Size: 37 x 54.5 cm / 14.5 x 21 in Additional Information: This original lithograph is Hand Signed by the artist "Van Dongen" in pencil in the middle of the lower margin. It is also numbered in pencil "73/100" in the lower left margin. The print is signed in the plate "Van Dongen" at the lower right corner of the image. The paper bears the Arches watermark. Literature: Jan Juffermans & Jan Juffermans Jr. 2003. Kees Van Dongen - The Graphic Work - Catalogue of the Prints, Books and Posters. J, V+K publishing, Blaricum. Reference: JL.18 Condition: Good condition. A minor stain at the lower left corner of the paper.

VARIOUS ARTISTS Title: Sonnets d'Amour, 1943 Technique: 20 Original Etchings by various French artists and Sonnets in a Portfolio Size: portfolio 31 x 25.5 cm / 12.2 x 10 in Additional information: This book "Sonnets d'Amour" is illustrated by 20 original etchings by various artists. It was published by "Campanie Francaise des Arts Graphiques" in 1943 in a limited edition of only 326 impressions. This is number 289 and it is numbered in the justification page. The book includes an introduction and 18 Sonnets by various writers and poets. Each Sonnets is illustrated by an Original Etching by a different artist, printed on a full page without text. most of the etchings are signed in the plate. --- Please find below the complete list of Sonnets with the bane of th writers and the correspanding artist: - Introduction written by Yves Gerard Le Dantec - illustrated by 2 Etchings: one by Dunoyer de Segonzac and one by Robert Bonfils - Sonnet: Marie, Levez-vous by Ronsard, Etching by Camille Berg - Sonnet: Si nostre vie... by Du Bellay, Etching by Michel Ciry - Sonnet: Baise m'encore by Louise Labe, Etching by Luc-Albet Moreau - Sonnet: Ha! je vous pry, mes yeulx by Remy Belleau, Etching by Jean-Gabriel Daragnes - Sonnet: Comme un qui s'est perdu by Etienne Jodelle, Etching by Jean Frelaut - Sonnet: A Diane Salviato by AgrippaD'aubigne, Etching by Maurice Savin - Sonnet: Sur l'absence de la Viomtesse d'Auchy by Francois de Malherbe, Etching by Andre Jacquemin - Sonnet: L'ombre by Theophile de Viau, Etching by Galanis - Sonnet: Le Printemps des environs de Paris by Marc Antoine de Saint Amant, Etching by Verge-Sarrat - Sonnet: L'Amante de Cephale de Paris by Tristan L'Hermite, Etching by Jacques Boullaire - Sonnet: A Mademoiselle d'Arpajon by Cyrano de Bergerac, Etching by Roger Wild - Sonnet: Par un Ciel etoile by Charles Sainte Beuve, Etching by Jean Bersier - Sonnet: El Desdichado by Gerrard de Nerval, Etching by Hermine David - Sonnet: Beatrix Dunato by Alfred de Musset, Etching by Marie Laurencin - Sonnet: Le Sommeil de Leilab by Leconte de Lisle, Etching by Henri de Waroqueir - Sonnet: Sonnet d'Automne by Charles Baudelaire, Etching by Edouard Goerg - Sonnet: Egle by Theodore de Banville, Etching by Dignimont - Sonnet: L'Enlevement d'Antiope by Jose Maria de Heredia, Etching by Yves Brayer Condition: Good condition, apart from damage to the book's cover box.

ANDRE VILLERS, b 1930 Beaucourt, 1930 (French) Title: Portrait of Picasso with Straw Hat and Scarf, ca 1957 Technique: Hand Signed and Stamped Resin coated Silver gelatin Print Size: 60.5 x 50.5 cm / 23.6 x 19.8 in Additional information: This work is hand signed by the photographer "A.Villers" in the lower left corner. The print bears the Andre Villers Studio Stamp at the verso. It was printed by the photographer in circa 1985. This is part of a series of famous photographs taken by Andre Villers, a friend and confidant of Picasso. Andre Villers met Picasso in the street in Vallauris in 1953 when Villers stopped to take his photograph. From this chance meeting a great friendship grew between the two artists which was to result in numerous photographs of Picasso, his friends and his studio. Literature: JacquesPrévert, Jacques and Villers, Andre. 1981. Portraits de Picasso. Ramsay. Condition: Very good condition.

VICTOR VASARELY 1908-1997 Pecs, Hungary 1908-1997 Paris (Hungarian) Title: AZ Album 1988-BAN, 1988 Technique: Portfolio including 8 Original Hand Signed and Numbered Silkscreens on thick paper Paper Size: 70 x 50 cm / 27.6 x 19.7 in Portfolio Size: 71 x 51.5 cm / 28 x 20.3 in Additional Information: This original portfolio consists of 8 silkscreens, each hand signed in pencil by the artist "Vasarely" in the lower right margin, and hand numbered in pencil "8/100" in the lower left margin. The portfolio was printed in a limited edition of 100 impressions as a celebration of Vasarely's 80th anniversary. The justification pages give detailed information about the portfolio edition, and the title page is also numbered 8/100. Condition: Very good condition. Some light creases in the corners. The portfolio itself has some scratches, marks and tape remains, but is in general in a good condition.

MARIA ELENA VIEIRA DA SILVA 1908-1992 Lisbon, Portugal 1908-1992 Paris (Portuguese) Title: The Carnal Mysticity of Rene Crevel / La mysticite' charnelle de Rene' Crevel, 1973 Technique: Original Hand Signed and Numbered Aquatint in Black on Arches vellum paper. Paper Size: 38.4 x 28.4 cm / 15.1 x 11.2 in Image Size: 23.8 x 15.6 cm / 9.4 x 6.1 in Additional Information: This work is hand signed by the artist in pencil "Vieira da Silva" at the lower right margin and hand numbered in pencil "74/100" at the lower left margin. It was printed in a limited edition of 100 numbered and signed impressions by Editions Georges Visat, Paris. This work was one of the prints created for the publication "La mysticité charnelle de René Crevel" with text by Eddy Batache. Literature: Riviere, Yves. 1977. Vieira da Silva - Les Estampes 1929- 1976. Paris: Arts et Metiers Graphiques. Reference: Riviere 148, page 112. Condition: Excellent condition. Some minor handling creases

ANDRE VILLERS, b 1930 Beaucourt, 1930 (French) Title: Salvador Dali at the Ritz Hotel in 1956, Paris, 1966 Technique: Hand Signed and Stamped Resin Coated Silver Gelatin Print Size: 60 x 50.5 cm / 23.6 x 19.8 in Additional information: This work is hand signed by the photographer "A.Villers" in the lower right hand corner. The print bears the photographer stamp at the verso and a note "Dali en 1956 (Dali in 1956)". The photographs shows the artist with his curved moustache, gazing to the left and carrying his trademark cane. It was created in 1966 and printed by the photographer circa 1989. Condition: Very goodcCondition. Some crease on the lower edge.

JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: The Standing Model or after the Shower / Le Modele Debout ou Apres la Douche, 1931 Technique: Original Hand Signed and Numbered Etching on paper Paper Size: 18 x 15.3 cm / 7 x 6 in Plate Size: 14 x 9.4 cm / 5.5 x 3.7 in Additional Information: This work is hand signed in pencil by the artist "Jacques Villon" at the lower right margin. It is hand numbered "106/150" in pencil in the lower left margin. The etching was first engraved in 1931 and printed in 2 small editions of 10 proofs and 20 proofs. In 1960, Villon reworked the plate and created the third and last state that was issued with the book edited by Pierre Caillet "Les Caricatures de Jacques Villon" in a limited edition of 150 hand signed and numbered impressions. Ginestet and Pouillon mistakenly list the edition of the third state as 50 impressions. Literature: Jacques Villon-Les Estampes,Les Illustrations-Catalogue Raisonne, by Colette de Ginestet and Catherine Pouillon, published by Arts et Metiers Graphiques. Reference: Ginestet et Pouillon no. 340 III. Condition: Paper discoloration from former matting. Glue and tape remains verso.

OSSIP ZADKINE 1890-1967 Vitebsk 1890-1967 Paris Title: The Dog of the Geryon, 1960 Technique: Original Hand Signed and Numbered Lithograph in Gey Colors on Zerkall-Vellum paper Paper Size: 53 x 69 cm / 20.9 x 27.2 in Additional Information: This original Lithograph is hand signed in pencil by the artist ‘O. Zadkine’ at the lower right corner. It is also Hand Numbered in pencil 8/350 at the lower left corner. The work is furthermore signed in the plate by the artist. This lithograph was printed in 1960 in a limited edition of only 350 impressions as part of the series "Les Traveaux d'Hercule" (Die Arbeiten des Herakles) that was illustarated with 28 diffirent original lithographs by Zadkine to the myth of Euripides. The work was published by Christopher Czwiklitzer in Koln, Germany. Literature: Ossip Zadkine, Le Sculpteur-Graveur de 1919-1967, by Christoph Czwilklitzer, Paris, 1968. Reference: Czwiklitzer No. 102. Condition: Excellent condition.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Lambs Climbing, 1979 Technique: Original Lithograph in Brown colour on Auvergne paper Paper Size: 57 x 71 cm / 22 x 27.9 in Additional Information: This is an original lithograph by Henry Moore titled "Lambs Climbing". Our impression is a rare printer's proof that was printed aside the regular signed edition of 30 impressions. There were a further 10 numbrered artist proofs. It was printed by Curwen Studio, London, in 1979. It was published the same year by Raymond Spencer Ltd for the Henry Moore Foundation. It is stamped "Sample copy" and bears the Curwen print studio stamp. Provenance: Acquired from Curwen Chilford Prints ltd . The theme of the sheeps is crucial in Moore's oeuvre. The artist used to draw them from his studio window in Perry Green. Literature: Henry Moore: Catalogue of the Graphic Work 1976-1979, by Gerald Cramer and Alistair Grant, David Mitchinson, Geneva, 1979. Reference: Cramer 348, fully illustrated. Condition: Strong creases throughout. The paper has some foxing stains especially at the edges.

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: The Artist Hand I, 1979 Technique: Original Lithograph in Grey Brown colour on vellum paper Paper Size: 51 x 38 cm / 20 x 14.9 in Additional Information: This is an original lithograph by Henry Moore titled "The Artist's Hands I". Our impression is a rare printer's proof that was printed aside the regular un-numbered signed edition.This original color lithograph is by the artist Henry Moore.It was printed by Curwen Studio, London, in 1979. It was published the same year by Raymond Spencer Ltd for the Henry Moore Foundation. It is stamped "Sample copy" and bears the Curwen print studio stamp. Provenance: Acquired from Curwen Chilford Prints ltd Literature: Henry Moore: Catalogue of the Graphic Work 1976-1979, by Gerald Cramer and Alistair Grant, David Mitchinson, Geneva, 1979. Reference: Cramer 553, fully illustrated. Condition: Excellent Condition

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Seated Figure I Line Drawing, 1974 Technique: Original Lithograph in Black and Gray on TH Saunders paper Paper Size: 49 x 43 cm / 19.2 x 16.3 in Additional Information: This original color lithograph is by the artist Henry Moore. It was printed by Curwen Studio, London, in 1974. This lithograph was created for the album "Seated Figures" that included six original lithographs. Each lithograph was printed in an edition of 50 signed impressions, 10 artists proofs and 10 HC proofs. our impression is a rare printer trial proof aside the regular edition. It was printed by Curwen Prints ltd, London in 1976 and published by Henry Moore Much Hadham in 1976. Provenance: Acquired from Curwen Chilford Prints ltd . Literature: Henry Moore: Catalogue of the Graphic Work 1973-1976, by Gerald Cramer and Alistair Grant, David Mitchinson, Geneva, 1976. Reference: Cramer 407, fully illustrated. Condition: Excellent Condition

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Hands of Dorothy Crowford Hodgkin V, 1978 Technique: Original Lithograph in Dark Green colour on Rives paper Paper Size: 31.5 x 39.5 cm / 12.4 x 15.5 in Additional Information: This original color lithograph is by the artist Henry Moore. It was printed by Curwen Studio, London, in 1980. This lithograph was never printed in a regular edition and there exists only 25 artist proofs. Our impressions is a rare final printer's proof. Henry Moore met Dorothy Hodgkin in the 1960's at the Royal Society. For many years, he refused to do a conventional portrait of her and finally executed a series of drawings and prints of her hands. Moore frequently drew or studied hands, and is quoted as saying, "After the head and face, hands are the most expressive part of the human body." Dorothy Hodgkin (1910-1994) was a British chemist. She helped and discovered many aspects of B12 vitamins and insuline on the body. Provenance: Acquired from Curwen Chilford Prints ltd . Literature: Henry Moore: Catalogue of the Graphic Work , by Gerald Cramer and Alistair Grant, David Mitchinson, Geneva, 1976. Reference: Cramer 488. Condition: Excellent Condition

HENRY MOORE 1898-1986 Castleford 1898-1986 Perry Green (British) Title: Reclining Figure Architectural Background II, 1977 Technique: Original Lithograph in colours on TH Saunders paper Paper Size: 66.2 x 53.5 cm / 26 x 21 in Additional Information: This is an original lithograph by Henry Moore titled "Reclining Figure Architectural Background II". Our impression is a rare printer's proof that was printed aside the regular edition of 50 signed and numbered impressions plus 15 artist's proofs. This original color lithograph is by the artist Henry Moore. It was printed by Curwen Studio, London, in 1977. It was published by Christie's Contemporary Art Ltd. Provenance: Acquired from Curwen Chilford Prints ltd . Literature: Henry Moore: Catalogue of the Graphic Work 1973-1976, by Gerald Cramer and Alistair Grant, David Mitchinson, Geneva, 1976. Reference: Cramer 455, fully illustrated. Condition: Excellent Condition

PETER SZÜLE 1886-1944 (Hungarian) Title: Frontal Portrait of a Woman. Technique: Original Hand Signed Black and White Charcoal Drawing on Green paper Size: 33 x 28 cm / 13 x 11 in Additional Information: This work is hand signed by the artist's at the lower right corner. The reverse bears an additional stamp. Condition: Good condition. One fold in the upper left corner. Minor handling creases.

LASZLO HEGEDUS 1870-1911 (Hungarian) Title: Male Nude from Behind. Technique: Original Stamp Signed pencil drawing on paper Size: 21 x 14.5 cm / 8.3 x 5.7 in Additional Information: This work is Stamp Signed with the artist's estate stamp at the lower right corner. The supporting paper bears an additional stamp. Condition: Good condition. Surface dirt. The paper is glued to a supporting paper at the upper margin.

IMRE GERGELY 1868-1914 (Hungarian) Title: Portrait of a Young Woman. Technique: Original Hand Signed pencil drawing on paper Size: 21.5 x 17.5 cm / 8.5 x 6.9 in Additional Information: This work is hand signed by the artist in pencil at the lower right corner. Condition: Good condition. Creases in the margins. Othwise good condition.

JENO HARANGHY 1894-1951 (Hungarian) Title: Portrait of a Woman, 1933 Technique: Original Hand Signed pencil drawing on paper. Size: 36,5 x 29,5 cm / 14.4 x 11.6 in Additional Information: This work is hand signed and dated by the artist in pencil "1933" at the lower right corner. The reverse bears a stamp. (See image) Condition: Good condition. Creases in the paper. One large fold at the left margin. See images.

RICHARD GEIGER 1870/82-1945 (Hungarian) Title: Portrait of a Blond Woman. Technique: Original Hand Signed pastel drawing on paper. Size: 32 x 25,5 cm / 12.6 x 10 in Additional Information: This work is hand signed by the artist in pencil at the lower right corner. Condition: Good condition. The work is glued to a supporting paper. Creases in the paper. See images.

ANTAL JANCSEK 1907-1985 (Hungarian) Title: The Harvest Technique: Original Original Hand Signed Charcoal Drawing on paper Size: 31 x 47 cm / 12.2 x 18.5 in Additional Information: This work is hand signed by the artist in pencil at the upper right corner Condition: Heavy tears at the right and lower margin

RAYMOND ABNER 1924-1999 (Egyptian) Title: Pastel Composition, 1960 Technique: Original Hand Signed Pastel and Gouache Painting on paper Size: 50 x 64.5 cm / 19.7 x 25.4 in Additional Information: This original painting is Hand Signed and Dated at the lower left by the artist "Abner 1960". Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. This work by Raymond Abneri was part of her extensive collection that was partly sold in 2003. Condition: Good condition. Note: This lot will be shipped from outside the UK. It may be subject to some shipping delays.

MAX BAUMANN 1884-1939 (German) Title: Landscape with Farmer Technique: Original Signed Oil painting on canvas Size: 68 x 48 cm / 26.8 x 18.9 in Additional Information: This original oil painting is hand signed by the artist at the lower right part. Condition: Good condition. Not examined out of the frame. Note: This work will be shipped from Israel.

CHARLES BETOUT (French) Title: The Street Theatre Technique: Original Signed Gouache and Charcoal painting inside a hand painted round passepartout Size: 19 x 24.5 cm / 7.5 x 9.7 in Additional Information: This work by the costume and stage theatre designer Charles Betout is hand signed 3 times. It is signed on the painting itself, again on the supporting board, and last on the passepartout (matting). The work was painted on paper taht was then laid on a supporting board. The artist have created a special round matting out of paper to cover the work and then hand painted on it (in watercolor and pencil) some decorative motifs. Condition: The painting itself in in good condition, however there is some damage to the matting (small cuts, folds and missing pieces).

YVES BRAYER 1907-1990 Versailles 1907-1990 (French) Title: Trois Oiseaux / Three Birds, 1957 Technique: Original Signed Watercolor inside a Book Size: 18.5 x 11.5 cm / 7.3 x 4.5 in Additional Information: This is an Original Watercolor that was painted by Yves Brayer on the inside cover of the book "Trois Oiseaux". (it can by separated from the book easily) The watercolor is hand signed by the artist "Y Brayer" at the lower right corner in green watercolor. It presents a woman from the back. The Book include over 244 pages of text and was written by Andre Beucler. It was published in 1957 by Bernard Grasset in Paris and this is the first edition that was limited to only 20 copies. Condition: Very good condition. some wear and tear to the covers. The watercolor is in excellent condition..

TREVOR BELL b. 1930 born in Leeds 1930 (British) Title: Red Eye, 1965 Technique: Original Signed, Dated and Titled mixed technique painting (gouache, watercolour and indian ink) on paper Size: 45.5 x 45. 5 cm / 17.9 x 17.9 in Additional Information: This work by Trevor Bell is Hand signed and dated 'Bell 65' at the lower right corner. It is also signed, titled and dated on verso by the artist. Condition: Very good condition. Light handling creases at the outer margins.

POL BURY 1922-2005 (Belgian) Title: Boat No. 2, late 1940's Technique: Original Ink and Gouache Drawing on paper Size: 25 x 32.5 cm / 9.8 x 12.8 in Additional Information: This is an original drawing by Pol Bury. It was painted in the late 1940's. Provenance: Brissonneau, Paris, 25th of May 2007, lot no. 121. Condition: A few light stains and handling creases. One tear (1cm) in the upper edge and double fold in the upper right corner. Light surface dirt on both sides.

GUSTAVE CAMILLE CARIOT 1872-1950 Paris Mandres (French) Title: The Park in Georgenborn, 1924 Technique: Original Signed and Dated Oil Painting on canvas Size: 40 x 45 cm / 15.7 x 17.7 in Additional Information: This painting is signed and dated by the artist "G.Cariot 1924" at the lower left corner. It was painted in 1924 in Georgenborn, Germany (between Schlangenbad and Wiesbaden) Provenance: Christies, New York, Rockefeller Plaza , Impressionist and Modern Art, Sale 2198, 22nd September 2009, lot no. 44 Condition: Very good condition. Framed. Note: This work will be shipped from the USA.

PAUL COLIN 1892-1985 (French) Title: Tulips and Roses Technique: Original Signed Oil Painting on board Size: table: 71 x 90 cm / 27.9 x 35.4 in Additional Information: The work is hand signed in Oil by the artist "Paul Colin" in the lower right corner. Condition: Very gGood condition. Some scratches in the painting.

LOVIS CORINTH 1858-1925 Tapiau 1858-1925 Zandvoort (German) Title: Fight of Odysseus with the Beggar / Kampf des Odysseus mit dem Bettler, ca. 1903 Technique: Original Pencil Drawing on Butten paper Size: 47.7 x 30 cm / 18.8 x 11.8 in Additional Information: This work is a scetch for the "Fight of Odysseus with the Beggar". The Oil painting under the same title, compare Berend-Corinth 253. The reverse bears the stamp "Atelier-Lovis Corinth", as well as the hand written title in pencil and the signature by the son Thomas Corinth. Provenance: Atelier Lovis Corinth, Thomas Corinth. Condition: Gernally good condition. The right hand margin is demaged- three tears in the outer margin Paper lightly discolored. Some waterstains at the lower right.

JEAN CARZOU 1907-2000 Moligt, Aleppo 1907 - 2000 Perigueux, France (Armenian / French) Title: Woman with Necklace, 1954 Technique: Original Hand Signed and Dated Mixed Technique (Gouache, Pastel, Ink) on beige paper Size: 55.5 x 46.5 cm / 21.9 x 18.3 in Additional Information: This original work is hand signed in the lower left corner by the artist "Carzou", as well as Dated "54" (1954) next to the signature. Condition: Very good condition. tape remains in the edges of the paper, slight discoloration of the paper from former matting, a short tear at the lower margins.

JEAN COCTEAU 1889-1963 Maison Lafitte1889-1963 Paris (French) Title: The Afternoon of a Faune, 1957 Technique: Original Hand Signed Pencil Drawing on paper Size: 27 x 21 cm / 10.6 x 8.3 in Additional information: This original drawing is hand signed by the artist with his initials "JC" at the right upper part. It was drawn in 1957 by Cocteau as a study for the cover illustration for his unpublished brochure for Claude Debussy composition "L'apres-midi d'un Faune"(1984). Perhaps this work was intended as an accompaniment to an unrealized reintroduction of the highly scandalous, short run 1912 Ballet Russes production of “Afternoon of a Faune”, not fully reconstructed until the late 1980’s. In the drawing, we view the character (presumably modeled after the legendary ballet dancer Vaslav Nijinski’s performance as the faun) with his legs spread, echoing the ballet’s scandalous final scene, which was highly criticized by Le Figaro for its sexual nature and masturbatory gestures. The French artist, filmmaker, poet, dramatist, playwright, and designer Jean Cocteau (1889 – 1963) was an incredibly prolific avant-garde “Renaissance Man,” integral to many highly important developments within Modernism. In addition to his beautiful drawings, which are characterized by his signature lyrical line, Cocteau produced approximately 20 theatrical plays, 11 films, 6 screenplays, 6 novels, and numerous works of poetry and criticism. Cocteau was a close associate of some of the most legendary cultural icons of the time including Édith Piaf (who starred in his play Le Bel Indifférent), princess Natalie Paley, writer Marcel Proust, poet Guillaume Apollinaire, artists Pablo Picasso and Amedeo Modigliani, ballet master Sergei Diaghilev, and musician Erik Satie. After being asked by Diaghilev to write a work for one of his ballets in 1917, Cocteau responded with “Parade”, a collaborative ballet produced by Diaghilev, and also designed by Picasso with music by Erik Satie. With his work as a writer and director of film, Cocteau is widely credited as the father of French New Wave Cinema. Provenance: 1. This work is accompanied by a certificate of authenticity signed by Annie Guedras, the Cocteau expert, 8th of October 2009 and is recorded in the archives with reference number N5114E. 2. Couturier-De Nicolay, Curiosa, Autographes, Gravures, Dessins, Incunable, Almanachs Royaux, Nationaux et Impreriaux, 12th of October 1990, Paris, No. 17. Condition: Good condition. Unexamined out of the frame. Note: The work will be sold unframed.

INOS CORRADIN b. 1920 born Vogogna, Italy 1920 (Brazilian) Title: Boys with Bicycle Technique: Original Signed Oil Painting on wood Size: 35.5 x 27 cm / 14 x 10.6 in Additional Information: The work is hand signed "Inos" in the lower left corner. Condition: Good condition. Note: The work will be shipped from Israel.

JEAN COCTEAU 1889-1963 Maison Lafitte1889-1963 Paris (French) Title: A Saint Peter Angel / Un Ange de Saint Pierre, 1957 Technique: Original Hand Signed Wax Crayon and Ink Drawing in grey and blue colour on vellum paper Size: 53.5 x 38.5 cm / 21 x 15.1 in Additional information: This is an original wax crayon drawing by the artist Jean Cocteau. The drawing is hand signed "Jean Cocteau" in the lower right margin and dated "57". next to the signature. It is also titled in ink "Un Ange de Saint Pierre" in the right wing of the angel. Condition: Good condition. Some discolouration due to a previous frame. Some creases throughout, especially close to the edges of the paper. At the verso three tape marks. The signature is faded and discoloured.

ANDRE DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches Title: The King I from Pantagruel, circa 1943 Technique: Original Hand Signed Gouache & Watercolour on paper Size: 27.5 x 21.5 cm / 10.7 x 8.4 in Additional Information: This gouache is hand signed by the artist "Derain" at the lower right margin. This work is most probably a study for Derain's Pantagruel illustrations realised in 1943. Derain created in total 128 different woodcuts to illustrate the Pantagruel story and these are considered to be one of Derain masterpieces. Note: Pantagruel is a very famous book "The Life of Gargantua and of Pantagruel" written by Francois Rabelais in the 16th century. It tells the story of two giants a father (Gargantua) and his son (Pantagruel) and their adventures, written in an amusing, extravagant, satirical vein. Condition: Very good condition. Unexamined outside the frame. Will be sold unframed.

ANDRE DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches Title: The King II from Pantagruel, circa 1943 Technique: Original Black Ink Drawing on paper Size: 20 x 15.5 cm / 7.8 x 6.1 in Additional Information: This is an original drawing by the artist Andre Derain. This work is most probably a study for Derain's Pantagruel illustrations realised in 1943. Derain created in total 128 different woodcuts to illustrate the Pantagruel story and these are considered to be one of Derain masterpieces. Note: Pantagruel is a very famous book "The Life of Gargantua and of Pantagruel" written by Francois Rabelais in the 16th century. It tells the story of two giants a father (Gargantua) and his son (Pantagruel) and their adventures, written in an amusing, extravagant, satirical vein. Condition: Very good condition. One corner (bottom right) has been folded. Unexamined out of the frame. Will be sold unframed.

ANDRE DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches Title: Standing Page Technique: Original Stamp Signed Pencil on paper Size: 26 x 19 cm / 10.2 x 7.5 in Additional Information: The drawing is stamp signed with the atelier stamp of Andre Derain "ATELIER ANDRE DERAIN" at the lower right. Derain didn't sign many of his drawings, therefore this stamp was used to mark and authenticate his original works. Additionally, it is also stamped with the Andre Derain - Knaublich sale on the reverse. This stamp relates to a large sale which took place in Paris in the auction house Loiseau and Schmitz, where the Raymonde Knaublich collection of Derain's works was sold. Raymonde Knaublich was Derain's model and lover. Provenance: Studio of the Artist. The Raymonde Knaublich Collection, France. Andre Charlemagne Derain (the artist's son), France. Succession de Madame R. Knaublich (The Estate sale of Mrs. R. Knaublich), Loiseau et Schmitz, St.- Germain-en-Laye. Condition: Very good condition. Unexamined out of the frame.

JUN DOBASHI 1910-1975 1910 - Tokyo-1975 (Japanese) Title: Abstract Composition, 1969 Technique: Original Hand Signed and Dated Watercolor painting on Japon paper. Size: 47 x 61 cm / 18.5 x 24 in Additional Information: This is an Original Watercolor Painting by Jun Dobashi. It is Hand Signed and dated in watercolour by the artist "Jun Dobashi 69" (1969) at the lower left margin. The work is additionally signed and dated on the reverse. The work bears the stamp of:"Collection Bergman the Israel Museum Jerusalem" in the backside of the paper. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Duffy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Duffy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Excellent condition. The Japon paper has been laid down on a supporting vellum paper.

JEAN GABRIEL DOMERGUE 1889-1962 Bordeaux 1889 - 1962 Cannes (French) Title: Natalie Technique: Original Signed Oil on panel Size: 24 x 19 cm / 9.4 x 7.4 in Additional Information: This original oil painting on panel is signed by the artist "Jean Gabriel Domergue" in the lower left corner. Condition: Good Condition. Unexamined outside the frame.

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: Woman in Elegant Dress / Design Technique: Original Stamp Signed Double sided Ink Drawing on thin Carton Size: 33.3 x 24.3 cm / 13.1 x 9.6 in Additional Information: This Work is stamp signed in blue ink "RD" (Raoul Dufy) at the lower right corner. This is a very rare and unique painting by the French master Raoul Dufy. On one side there is a beautiful and very typical black ink drawing of a woman in an elegant dress. At the center of this image there is a delicate logo of a French store that was printed on the paper before Dufy's drawing. Raoul Dufy combined this symbol in the composition of the woman. On the second side of the paper there is a very interesting pencil and black ink design. This is probably a experimental commercial, that Dufy made for the Blanchini Ferier studio. Between the hand painted text there are some pencil sketches the text reads: "3 Nouveaux Tissus pour Les Capes L'Adorable La Fulgurante La Seduisia Souples, epais, en Plis moelleux aux reflets profonds ces tissus sepretent admirablement a toutes ls formes et facons des nouvelles Capes" Blanchini Ferier 24 bis Avenue de l'Opera Provenance: This drawing will be sold with a photo Cetificate fully detailed, stamp and signed by the only expert of Raoul Dufy works - Mrs. Fanny Guillon-Laffaille dated 8.2.2002. The work will be also included in the catalogue raisonne of works of Raoul Dufy being prepared by Mrs. Fanny Guillon-Laffaille. Condition: Very good condition. Two folds in the paper.

CHARLES AUGUSTE EDELMANN 1879-1950 Soultz-sous-Forêt, Alsace Lorraine 1879-1950 Paris (French) Title: Nude Technique: Original Signed Charcoal and White Pastel on paper laid on cardboard Size: 32 x 50 cm / 12.6 x 19.7 in Additional Information: This work is hand signed at the lower left corneer by the artist "Ch. A. Edelmann". The label of Editions Sagot Gallery, Paris is glued verso. Provenance:Editions Sagot Gallery, Paris Condition: Very good condition. Note: This work will be shipped from Israel

EMIL FILLA (1882-1953) Chropyne, Moravia 1882 - 1953 Prague (Czech) Title: Woman / Femme, 1934 Technique: Original pen and ink drawing on paper. Size: 32.5 x 24.5 cm / 12.8 x 9.6 in Additional Information: This drawing is hand signed in ink with the initials of the artist "EF" and dated '34' at the lower right hand corner. It is also stamped with a circular stamp reading "sbírka Františka Venery". The work is furthermore inscribed in pencil verso"Emil Filla: Iena, reproduEonina u monografi Emil Filla - Bruo 1936 - str.27". Provenance: 1. The collection of František Venera (Františka Venery) stamped lower right corner with the collection stamp. Venera was the former secretary of the Group of Graphic Artists in Brno and the publisher of the Filla important monographie of 1936 that was published in Bruno. 2. The collection of Milan Heidenreich, Gothenburg 3. Impressionist and Modern art including ceramics by 20th century artists : property from the estate of Milan Heidenreich, Sotheby's, London, 24th of March 1998, lot 22, illustrated. Exhibited: Passau, Museum Moderner Kunst Salzburg, Salzburger Landessammlungen Rupertinum Graz, Kulturhaus der Stadt. Tschechischer Kubismus, Emil Filla Zeitgenossen, 1991, p.79, illustarated. Condition: Good condition. Some light foxing, a pin hole besides the stamp, very light ink mark on the right leg.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris (Brazilian/French) Title: Colloque Entre Monos Et Una, 1987 Technique: Original Signed Oil Painting on paper laid down on canvas Size: 34 x 26 cm / 13.4 x 10.1 in Additional Information: This beautiful oil painting was painted in 1987 by Leonor Fini. The painting is hand signed by the artist "Leonor Fini" in the lower right corner. Provenance: 1. Aquired directly from the artist by the former owner. 2. Photo Certificate by Richard Overstreet from the 9th of March 2004, confirming the authenticity of this work. Condition: Very good condition.

LEONOR FINI 1908-1996 Buenos Aires 1908-1996 Paris Title: La Conversation Technique: Original Signed Gouache and Ink Painting on heavy gray paper Size: 48 x 35 cm / 18.9 x 13.8 in Additional Information: This beautiful Gouache and Ink Painting is hand signed in the lower right part "Léonor Fini". Provenance: Photo Certificate by Richard Overstreet from the 4th of February 2005 Confirming the authenticity of this work. Condition: Very good condition.

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French / Japanese) Title: Sleeping Cat / Chat endormi Technique: Original Hand Signed Pencil Drawing on vellum paper Paper Size: 18 x 26.3 cm / 7 x 10.3 in Additional Information: This original pencil drawing is hand signed by the artist "Foujita" in the lower left of the image. It is probably a preparatory drawing that was used to create a series of gouaches and ink works with the same motif. Provenance: Collection Kimiyo Foujita. Kimiyo Foujita was the artist's wife. She died in 2009 aged 99 years old. Her collection included major artworks from the famous Japanese/French artist of the "Annees Folles" in Paris. Condition: Good Condition. A few graphite marks throughout. The drawing is attached to a mount with four tapes. A black ink stain at the upper left corner.

EMILE OTHON FRIESZ 1879-1949 (French) Title: Lying Nude, 1929 Technique: Original Stamp Signed Charcoal and pencil Painting on paper. Size: 44 x 31 cm / 17.3 x 12.2 in Additional Information: This work is stamp signed with the Friesz estate stamp at the lower left margin. This is a preparatory drawing for Friesz’a painting "Le Grande Nu". Condition: Good condition.

JUNKO FRANK b. 1930 (Japanese) Wakayama, Japan 1930 Title: Automne, 1959 Technique: Original Signed and Dated Oil Painting on Canvas Size: 44 x 35 cm / 17.3 x 13.8 in Additional Information: This original painting is hand signed by the artist "Junko Frank" in the lower right corner, and dated "59" (1959) below the signature. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Good condition. Note: This work will be shipped from Israel.

FRANCOIS GALL 1912-1987 Kolozsvar 1912 - 1987 Paris (Hungarian/French) Title: Beach Scene in Trouville Technique: Original Signed Oil Painting on Canvas Size: 27.5 x 22.5 cm / 10.8 x 8.9 in Additional Information: This original painting is hand signed by the artist "F.gall" in the lower right corner. Provenance: The Authenticity of this work have been verbally confirmed By Mrs. Marie-Lize Gall, the artist's daughter. Condition: Very Good condition.

CHARLES GESMAR 1900-1928 (French) Title: Lady in Golden Cascades, ca. 1920's Technique: Original Stamp Signed Gouache, Silver and Gold paint and Pencil on Paper Size: 48 x32 cm / 18.9 x 12.6 in Additional Information: This Gouache and Pencil Drawing is Signed with the signature Stamp of the artist "C. Gesmar" in the lower right corner. It comes from the estate of Jean-Marie Riviere, Legendary Manager of Alcazar Nightclub. The reverse bears the collection stamp "Secession Jean-Marie Riviere" Provenance: The Estate of Jean Marie Riviere, The Legendary Manager of the Alcazar and Paradis Latin in Paris. Condition: Very good condition, Slight discoloration of the paper at the margins. Light handling creases.

EDOUARD GOERG 1893-1969 Title: Portrait of a Young Girl, ca. 1950 Technique: Original Signed Oil Painting on paper laid on canvas Size: 37 x 28 cm / 14.6 x 11 in Additional Information: This is an Original Oil painting by the French artist Edouard Goerg. The painting is hand signed by the artist in the lower right corner. The work was painted in ca. 1950. Provenance: The Authenticity has been confirmed by Mr. Christian Germak. Condition: Very good condition. The work is framed.

EMILIO GRAU-SALA 1911-1975 (Spanish) Title: Orphee, 1960 Technique: Original Signed Watercolor on paper Size: 19 x 13.5 cm / 7.5 x 5.3 in Additional Information: This work is hand signed in watercolor by the artist "Grau-Sala" at the lower left margin. The work is also dedicated and dated at the lower left margin. Condition: Good condition. Framed unexamined out of the frame. Note: This work will be shipped from Israel.

GEN PAUL (Eugene) 1895-1975 (French) Title: A Busy Street in Porte Saint Martin, Paris. Technique: Original Hand Signed Ink and Ink Wash on paper laid on cardboard Size: 50 x 65 cm / 19.7 x 25.6 in Additional Information: This work is hand signed by the artist at the lower left corner "Gen Paul", and inscribed by the artist at the upper left corner "Danses". Condition: Excellent condition.

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: Set Design for the Film 'I am a Camera', 1932 Based on Christopher Ishwood's Novel, Goodbye to Berlin Technique: Original Hand Signed Watercolor Painting on paper Size: 31.5 x 42.5 cm / 12.4 x 16.7 in Additional Information: The painting is hand signed by the artist "Grosz" in pencil at the lower right corner, and hand dated in pencil "32" (1932) underneath the signature. Provenance: The authenticity of this work was verbally confirmed by Dr. Ralph Jentsch and will be included in the catalogue raisonne of the works on paper. Condition: Very good condition. Unexamined out of the frame. Note: The work will be shipped unframed.

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: Standing Nude, 1913/14 Technique: Original Sepia-ink Drawing on paper Size: 28.5 x 22 cm / 11.2 x 8.7 in Additional Information: The Ink Drawing bears the estate stamp on the reverse, as well as the hand written number "2/13/6"and the inscription "L3Nr. 286" In the early 20th Century George Grosz drew a series of nudes in sepia ink and blue ink. Provenance: Estate of the artist. Condition: Very good condition. Light handling creases.

CONSTANTIN (ERNEST ADOLPHE HYACINTHE) GUYS 1802-1892 Flushing, the Netherlands 1802-1892 Paris, France (French) Title: Two Elegant Women Technique: Original Watercolor and Ink Painting on paper laid on board Size: image: 28 x 22 cm / 11 x 8.7 in (oval format), matting: 46 x 36 cm / 18.1 x 14.2 in Additional Information: This is an Original Watercolor Painting by the French Artist Constantin Guys. Condition: Good condition, mounted on board. Passe-partout with the artists name written on it. (See images) Note: This work will be shipped from Israel.

STANLEY WILLIAM HAYTER 1901-1988 London 1901- 1988 Paris Title: Abstract Composition, 1978 Technique: Original Signed, Inscribed and Dated Oil and Graphite on canvas Size: 18 x 14 cm / 7.1 x 5.5 in Additional Information: The work is signed twice at the lower right and left corners. It is also dated at the lower left part '78. The work is furthermore inscribed on the reverse: "Well. Well Hayter 78". It was painted in 1978. Provenance : Maurice Lefebvre-Foinet, Paris The Lefebvre-Foinet collection of more than 200 paintings, drawings, and sculptures by such artists as Alberto Giacometti, Max Ernst, Fernand Leger, Henri Matisse, Balthus, Victor Brauner, Matta, Jean-Paul Riopelle, Joan Mitchell, Zao Wou-Ki and Hayter was amassed by five generations of the family whose Left Bank shop furnished these artists with brushes, canvases, and paper, but most of all their famous tubes of colors and paints made from hand-ground natural pigments. Paul Foinet founded the business in the 1880s, marketing his traditional artisan-made products by door-to-door visits to artist’s studios. In 1902, Foinet’s son-in-law, Lucien Lefebvre, opened the Montparnase premises on rue Bréa, called Lefebvre-Foinet, that would serve the art establishment for the next 90 years. Lucien was succeeded by his son, Maurice, a renowned figure, and then by Maurice’s daughter, Josette. Even after the Paris shop was closed in the mid-1990s, Lefebvre-Foinet honored a commitment to continue to make tubes and colors for about a dozen artists. Along with art supplies, the Lefebvre-Foinets dispensed friendship, encouragement, advice, and often credit to indigent painters. American painter Dorothea Tanning (a.k.a. Mrs. Max Ernst) wrote in her autobiography of Monsieur Maurice’s “joviality towards gentlemen and gallantry in regard to ladies.” Condition: Very good condition.

HANNAH HOCH 1889-1978 Gotha 1889-1978 Berlin (German) Title: Garden, 1964 Technique: Original SignedWatercolor and Ink Painting on thick Vellum paper. Size: 10.5 x 15 cm /4.1 x 5.9 in Additional Information: This Watercolor Painting is hand signed in ink by the artist with her initials "H.H." (Hannah Hoch) at the lower right. The work is inscribed/dedicated in pencil by the artist on the supporting paper. "Alles Gute und Liebe fuer 1965 von Eurer Tante Hannah." Condition: Very good condition. Light surface dirt. The upper margin is taped to the supporting paper. Note: This work will be shipped from Israel.

ARTHUR KAUFMANN 1888-1971 Mülheim, Germany 1888-1971 (German/American) Title: New York View, 1940 Technique: Original Signed and Dated Oil and Tempera on Canvas Size: 51 x 61 cm / 20.13 x 24 in Additional Information: This original painting is signed and dated at the lower right corner "a.kaufmann 1940". The painting is stamped verso with the collectors stamp "Bergman Collection,The Israel Museum Jerusalem". Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. This work by Arthur Kaufmann was part of her extensive collection that was partly sold in 2003. Condition: Good condition

PETER KRAEMER 1823-1907 Zwiebrucken 1823-1907 Brooklyn (German) Title: The Drunk Technique: Original Signed Watercolor Size: 17 x 15 cm / 6.7 x 5.9 in Additional Information: This is an original Watercolor by the German Artist Peter I Kraemer. It is Hand Signed and inscribed by the artist "Munchen" at the lower left corner. Condition: Unexamined out of the frame. Note: This work will be shipped from Israel.

BERNHARD KRETZSCHMAR 1889-1972 (German) Title: Factory Workers, 1958 Technique: Original Signed and Dated Oil Painting on board Size: 81 x 109 cm / 32 x 43 in - frame size: 86 x 114 cm / 34 x 45 in Additional Information: This is an Original Oil Painting by the German Artist Bernhard Kretzschmer. It is Hand Signed with the artist's initials "B.K" (Bernhard Kretzschmer) at the lower right corner and also Hand Dated "58" (1958) at the same place. Condition: Excellent condition. The painting is framed (minor handling damage only to the frame).

CHARLES KVAPIL 1884-1957 (French ) Title: Landscape in Corsica Technique: Original Signed and Titled Sepia Charcoal Drawing on paper Size: 49.5 x 64 cm / 19.5 x 25.2 in Additional Information: This worl by Charles Kvapil is signed at the lower left corner by the artist. It is also hand titled by the artist at the lower left corner Condition: Very good condition. tape remains verso

GERRIT WILLEM KNAP 1873-1931 (Dutch) Title: Amsterdam Technique: Original Signed Watercolour Painting on brown paper Size: image 46 x 55 cm / 18.1 x 21.7 in Additional Information: This beautiful watercolour painting by the Dutch artist Gerrit Willem Knap is signed at the lower right corner by the artist. Condition: Good condition, apaprt from one tear (4 cm) at the lower right margin, at the edge of the painting. The margins around (without drawing) have been mounted - tape remains all around. Otherwise in good condition.

FELIX LABISSE 1905-1982 Douai 1905-1982 Paris (French/Belgian) Title: Procession, 1926 Technique: Original Signed and Dated Oil Painting on canvas laid on canvas Size: 40 x 87 cm / 15.75 x 34.25 in Additional Information: This is an Original Oil painting by Felix Labisse. The work is hand signed and Dated in red at the lower left "F.Labisse - 26" (1926). Condition: Very good condition. Unexamined out of the frame. Note: The work will be sold unframed.

JEAN EMILE LABOUREUR 1877-1943 (French) Title: View of the Castle of Villaines / Vue du Chateau de Villaines (preparatory sketch), 1922/23 Technique: Original Hand Signed Pencil Drawing on vellum paper Size: 13 x 39.5 cm / 5.1 x 15.6 in Additional Information: The drawing is hand signed in pencil by the artist "Laboureur" in the lower left corner. This is the preparatory sketch for the etching titled 'Vue du Chateau de Villaines', which was printed in 1923. Stamped verso with the Henri M. Petiet collection stamp (the initials 'H.M.P.' in an oval) in black ink. Provenance: Henri Marie Petiet Collection. Henri M. Petiet (1894-1980) was an important Parisian collector, publisher and dealer in prints and drawings of such artists as Bonnard, Vuillard, Luce, Signac, Matisse, Rouault, Villon, Vlaminck, Dufy, Picasso, Laurencin as well as Laboureur. Condition: Good condition. Small damage to the edges of the sheet. The drawing has been made on two sheets glued together. Tape remains in the lower left and right corner and verso. Light handling creases and one stain verso.

MARIE LAURENCIN 1883-1956 1883 - Paris-1956 Title: Pas Content Minette Technique: Original Inscribed Ink Drawing on paper Size:13.5 x 10.5 cm / 5.3 x 4.1 in Additional Information: This work is Hand Inscribed in Ink by the artist "Pas Content Minette " at the lower right corner. Provenance: Millon & Associes, "Dessins, Tableaux et Sculptures du XIXe siecle et Modernes", Paris, 2003. Expert: MM. Andre et Eric Schoeller, Paris. Condition: Very good condition.

LE PHO (1907 - 2001) (Vietnamese) Title: The Anemones with White Vase / Bouquet d'anemones au Vase Blanc Technique: Original Signed Oil on silk laid on Isorel Panel Size: h: 46 w: 27 cm TBC when it comes from france Additional Information: This Oil Painting is hand signed by the artist "Le Pho" both in English and in Vietnamese in the lowert right corner Condition: Very good condition. TBC

MAX LIEBERMANN 1847-1935 1847 - Berlin - 1935 (German) Title: Kriegszeit / Wartime, 1914-1917 Technique: Three Original Signed Pencil Drawings on paper Size: 1) 14 x 21,5 cm / 5.5 x 8.5 in 2) 9,5 x 14,5 cm / 3.7 x 5.7 in 3) 8 x 8 cm / 3.1 x 3.1 in Additional Information: The Three pencil Drawings are presented in a fitted passepartout. Two of the drawings are Hand Signed: 1. is signed in pencil in the lower right corner and 2. is signed in pencil in the lower left corner. Provenance: Paul Neumann, Liebermann's porter at Potsdamer Platz. With an oral confirmation by Dr. Margreet Nouwen from the Max Liebermann Archive Berlin Condition: Very good condition. Fixed to the passepartout with the upper margin. Drawing 1. has a minor fold in the center from up to down. Generally slight discoloration of the paper.

MAN RAY 1890-1976 (Radnitzky Emmanuel) Philadelphia 1890-1976 Paris (American) Title: Wrapped Nude, ca. 1970 Technique: Original Pencil Drawing on paper Paper Size: 21 X 27 cm / 8.3 x 10.6 in Additional Information: This is an original pencil drawing on paper by Man Ray, realised in 1970 circa. Provenance: The estate of the artist Man Ray Sale, Part II, Sotheby's London, 23 March 1995. Private collection, UK. Condition: Good condition. Some minor handling creases and some tape remains verso

PIERRE EUGENE MONTEZIN 1874-1946 (French) Title: Landscape with Trees Technique: Original Signed Gouache and Pastel Painting on Carton. Size: 23.5 x 31.5 cm / 9.3 x 12.4 in Additional Information:: This is an original painting famous French neo-impressionist artist Pierre Eugene Montezin. The work is hand signed by the artist in ink at the lower left corner "P Montezin". Provenance: The Authenticity of this work have been verbally confirmed By Mr. Cyril Klein-Montezin. Condition: Framed. Not examined out of the frame.

GEORGE MORRISON 1919-2000 (American) Title: Abstract Lines, 1959 Technique: Original Signed and Dated Watercolor painting on paper Size: 44 x 57 cm / 17.3 x 22.4 in Additional Information: This is an Original Watercolor Painting by George Morrison. It is Hand Signed and Dated in black ink by the artist "George Morrison-1959" in the lower right part. The reverse bears the collectors stamp "Bergman Collection,The Israel Museum Jerusalem". Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. This work by George Morisson was part of her extensive collection that was part of it was sold in 2003. Condition: Good condition, handling marks and creases in the margins, minor dirt at the margins.

MARCEL MOULY 1918-2008 (French) Title: Sail Boat Technique: Original Hand Signed Oil Painting on cardboard Size: 50.3 x 64.4 cm / 19.8 x 25.3 in Additional Information: The work is hand signed by the artist "M.Mouly" in the lower right corner of the painting. Condition: Good condition. Few stains at the verso.

KANJI NAKAMURA 1887-1932 Nagasaki 1887-1932 Boston (Japanese / American) Title: Sitting Woman Technique: Original Signed Oil Painting on canvas Size: 90 x 72 cm / 35.4 x 28.4 in Additional Information: The painting is hand signed at the lower left by the artist. Provenance: Private collection, Tel Aviv Condition: Good condition. Note: This work will be shipped from Israel.

FREDERIC OST 1905-1985 (Franciszek) (Czech) Title: Surrealistic Vision, 1943 Technique: Original Signed Ink Drawing on paper Size: 42.5 x 59 cm / 16.7 x 23.2 in Additional information: The work is hand signed in ink by the artist "f.ost" in the lower left corner, and hand dated "43" next to the signature. The drawing was created in 1943. Provenance: Collection Soros Gyorgy, Budapest Condition: Very good condition. Very light foxing. Unexamined out of the frame. Note: The work will be shipped unframed.

MAX PAPART 1911-1994 Marseille 1911-1994 Paris (French) Title: The Juggler, ca. 1965 Technique: Original Signed Collage and Watercolor on Arches vellum paper Size: 65.5 x 49.5 cm / 25.8 x 19.5 in Additional Information: This original collage and watercolor is hand signed in pencil by the artist "Max Papart" at the lower right margin. This work was executed ca. 1965. Condition: Good condition. Some handling creases and a crease in the upper left corner. Some small stains and punctures in the paper. Tape remains verso. Two small tears in the left paper edge.

JULES PASCIN 1885-1930 Vidin, Bulgaria 1885-1930 Paris ( Bulgarian / French / American) Title: Study of Three Men, 1910 Technique: Original Stamped Pencil Drawing on paper Size: 9.5 x 10.5 cm / 3.8 x 4.1 in Additional information: The work is stamp signed with the Pascin Atelier Stamp on the right hand side. This stamp appears in the book of complete Artist and Collectors stamps by Lugt as reference Lugt 2014b. The stamp were used to identify and authenticate the works that were left to the estate of the artist. The work bears additional inscriptions by the collector's wife, Lucy Krohg, at the back side: "de Pascin-1910 Paris". It was drawn in Paris in 1910. Provenance: Collection Guy Krohg, France. Condition: Good condition. Not examined out of the frame. Will be sold unframed.

JULES PASCIN 1885-1930 Vidin, Bulgaria 1885-1930 Paris ( Bulgarian / French / American) Title: Seated Woman and People around a Table, 1922 Technique: Original Stamp Signed and Inscribed Pencil Drawing on paper Size: 43 x 27.5 cm / 16.9 x 10.8 in Additional information: The work is Stamp Signed with the signature stamp of the artist "Pascin" at the lower right centre. The work is also Stamp Signed with the Pascin Atelier Stamp on the lower right corner. This stamps appears in the book of complete Artist and Collectors stamps by Lugt as reference Lugt 2014 a & b. The stamps were used to identify and authenticate the works that were left to the estate of the artist. The work bears additional inscriptions by the collector's wife, Lucy Krohg, at the lower margin: "de Pascin-1922 - L.K.". Provenance: Collection Guy Krohg, France. Condition: several folds and creases. not examined out of the frame.

VALENTINE ZADKINE PRAX 1897-1981 (French) Title: Harmony Technique: Original Signed Oil Painting on canvas Size: 61 x 50 cm / 24 x 19.7 in Additional Information: This original oil painting by Valentine Prax-Zadkine is hand signed by the artist on the backside of the painting. Condition: Good condition. Unexamined out of the frame. Note: This lot will be shipped from outside the UK. It may be subject to some shipping delays.

BASIL IVAN RAKOCZI 1908-1979 1908 - London-1979 (Irish) Title: Red Figure Holding a Heart Technique: Original Signed Oil, Gouache and Ink Painting on board Size: 29 x 39 cm / 11.4 x 15.4 in Additional Information: This original work is hand signed in ink by the artist at the lower right corner "Rakoczi". Condition: Very good condition. A few cuts in the edges of the board (possibly from former framing).

ALEX SADKOWSKY b. 1934 b. 1934 in Zurich (Swiss) Title: Man with Cap Technique: Original Hand Signed and Dated Color Pencil drawing with silver paint on paper Size: 19 x 19 cm / 7.5 x 7.5 in (round) Additional Information: The work is hand signed in color pencil by the artist "Alex Sadkowsky" at the upper left part. The work is also Hand Dated in pencil "69" (1969) by the artist underneath the signature. Provenance: Collection of Herman van Veen (Cinco), Amsterdam. Herman van Veen lived in Amsterdam and had a close relationship to the arts. He was living in a large circle of artists friends and collected over a long period of time contemporary works especially by Dutch artists. He was a passionate dealer, buying art at auctions, as well. A few years ago, a part of his collection was sold at Christies. Condition: Very good condition. Minor dirt on the passepartout, forming the round.

ISMAEL DE LA SERNA 1897-1968 Granada 1897-1968 Paris (Spanish) Title: Composition au Visage Technique: Original Stamp Signed Ink Painting on brown paper Size: 32 x 24 cm / 12.6 x 9.6 in Additional Information: This beautiful ink drawing is stamp signed with the artist signature stamp "De La Serna" at the lower right corner. Condition: Very good condition. One diagonal fold in the lower part. Otherwise in very good condition.

JEAN SIGNOVERT 1919-1981 (French) Title: The Church Technique: Original Signed Color-Pencil Drawing on paper Size: 26.5 x 37 cm / 10.4 x 14.6 in Additional Information: This Color-Pencil Drawing is hand signed by the artist "Jean Signovert" in pencil in the lower right corner. The drawing depicts a small place with a church that has been scetched by the artist in situ, probably sitting in a cafe with a scetchbook. The upper margin itself shows that it is authentically taken out from a loose-leave book. Condition: Good condition. Slight handling marks and one foxing stain in the lower center.

DANIEL SPOERRI b.1930 born in Galati, Rommania 1930 (Swiss) Title: La Medecine Operatoire Dessinee d'Apres Nature par N.H. Jacob, 1993 Technique: Collage of objects on old print Size: 21 x 19 cm / 12.6 x 9.5 in Additional Information: The collage consisted of various objects (sea shells, cross, chain) glued to an old print. The work is signed in pencil "Daniel Spoerri" in the lower right part. Spoerri, a central figure of European post - war art, is well known for his assemblages. Provenance: Yvon Lambert, Paris (label verso) Exhibited: “La médecine opératoire par N.H.Jacob interprété par Daniel Spoerri”, Galerie Yvon Lambert, Paris & Galerie Beim Steinernen Kreuz, Bremen Condition: Excellent condition.

THEOPHILE ALEXANDRE STEINLEN 1859-1923 Lausanne 1859-1923 Paris (Swiss/French) Title: Nurse and Doctor Technique: Original Stamp Signed Ink Drawing on paper Size: 35 x 26 cm / 13.8 x 10.2 in Additional Information: This Work is stamp signed with the Ink stamp of "Steinlen - Ex. Collection Georges Clavigny" at the lower right corner. Georges Clavigny (1873-1946) was a French journalist and writer and was also a close friend of Theophile-Alexandre Steinlen. The collection included many works of Steinlen that were probably given to Georges Clavigny. Provenance: Collection of Georges Clavigny. Condition: Good condition. Discoloration of the paper in the leftside and a small fold in the upper right corner.

THEOPHILE ALEXANDRE STEINLEN 1859-1923 Lausanne 1859-1923 Paris (Swiss/French) Title: Figures and Portraits Technique: Original Stamp Signed Double Sided Pencil Drawing on paper Size: 36.6 x 35 cm / 14.4 x 13.8 in Additional Information: This Work is stamp signed with the Collection stamp of "Steinlen - Ex. Collection Georges Clavigny" at the lower right. This is a double sided drawing. Georges Clavigny (1873-1946) was a French journalist and writer and was also a close friend of Theophile-Alexandre Steinlen. The collection included many works of Steinlen that were probably given to Georges Clavigny. Provenance: Collection of Georges Clavigny. Condition: minor creases and folds.3 tears in the right margins.

THEOPHILE ALEXANDRE STEINLEN 1859-1923 Lausanne 1859-1923 Paris (Swiss/French) Title: The Farewell Technique: Original Stamp Signed Blue Pencil Drawing on paper Size: 35 x 27 cm / 13.8 x 10.6 in Additional Information: This Work is stamp signed with the Collection stamp of "Steinlen - Ex. Collection Georges Clavigny" at the lower right corner. Georges Clavigny (1873-1946) was a French journalist and writer and was also a close friend of Theophile-Alexandre Steinlen. The collection included many works of Steinlen that were probably given to Georges Clavigny. Provenance: Collection of Georges Clavigny. Condition: Good condition apart from some minor creases, folds and cuts in the edges of the paper.

GIOVANNI STRADONE 1911-1981 Napoli 1911-1981 Rome (Italian) Title: Bathers, 1962 Technique: Original Oil on canvas Size: 20 x 30 cm / 7.9 x 11.8 in Additional Information: This original painting by Giovanni Stradone is hand sigend and dated by the artist. Provenance: Collection Ontari Giovanni, Milan, Italy. Condition: Very good condition. Unexamined out of the frame. Note: This work will be shipped from Israel.

LOUIS VALTAT 1869-1952 Dieppe 1869-1952 Paris (French) Title: Seascape Technique: Original Stamp Signed Ink Drawing on paper Size: 20 x 31 cm / 7.9 x 12.2 in Additional Information: This original drawing is stamp signed with the artist's initials "L.V" in the lower right corner. Condition: Overall very light foxing. Upper right corner missing and hole in right edge. Two folds in the lower right corner, of which the larger one is partly torn (1.5 cm). Small tear in lower edge (5mm) and some tiny punctures in the paper.

VICTOR VASARELY 1908-1997 Pecs, Hungary 1908-1997 Annet-sur-Marne, France (Hungarian) Title: Sange 3076, 1980 Technique: Original Signed Acrylic on vellum mounted on Wood Size: 52 x 61 cm / 20.4 x 24 in Additional Information: This original acrylic painting is signed "Vasarely" in the lower middle and dated "1980" It is also inscribed "3076" at the lower middle part. Provenance: Acquired in 1981 directly from the artist by Mrs. Dr. R. Rossmann. The collection of Mrs. & Dr. R. Rossmann, Germany. The work is accompanied by a letter of authenticity signed by the artist himself and dated 30.11.1981. Condition: Good condition. Vellum slighly wavy.

ANDY WARHOL 1928-1987 Pittsburgh 1928-1987 New York (American) Title: Shoe with Registration Marks (grey), 1955 Technique: Original Acrylic, Pencil and Paper Collage on Strathmore paper Size: 21.5 x 24.5 cm / 8.5 x 9.6 in Additional Information: This is an original unique work by Andy Warhol (not a print). It is stamped verso by the estate of Andy Warhol and the Andy Warhol Art Authentication Board, Inc. and numbered on the reserve "343.183". It was painted in 1955. Provenance: This work is recorded in the Andy Warhol Foundation for Visual Arts. Condition: Good condition. Unexamined out of the frame.

JOHAN HENDRIK WEISSENBRUCH 1824-1903 (Dutch) Title: Country House Technique: Original Signed Charcoal Drawing on Vellum paper Size: 15.5 x 23 cm / 6.1 x 9.1in. Additional Information: The Charcoal Drawing is hand signed in charcoal by the artist "J.H. Weissenbruch" in the lower left corner. Condition: Good condition. Foxing stains at the margins. Tape left overs at the reverse. A small part of the margin is missing at the upper left. See image. Otherwise in very good condition.

JOSE DE ZAMORA 1889-1971 (Spanish) Title: Une acheteuse / The Shopper Technique: Original Signed Gouache and Pencil on Paper Size: 32 x 23 cm / 12.6 x 9 in Additional Information: This Gouache and Pencil Drawing is hand signed by the artist in the upper right part in ink. It is also titled next to the signature There are also inscriptions in pencil at the upper left part. It comes from the estate of Jean Marie Riviere, Legendary Manager of Alcazar Nightclub. The work bears the collection stamp of Sucession Jean-Marie Riviere on the reverse and further various inscriptions in pencil. Provenance: The Estate of Jean Marie Riviere, The Legendary Manager of the Alcazar and Paradis Latin in Paris. Condition: Good condition. The painting of the actress is in a good condition with fresh colours. The lower right part has a tear (fixed). The reverse has tape remainings at the margins. Staining and foxing.

HEINRICH ZILLE 1858-1929 Radeburg 1858-1929 Berlin (German) Title: Rosen aus dem Sueden / Roses from the South Technique: Original Stamped Original Black and White Photograph, Silvergelatin print on photo paper. Size: 24 x 30 cm / 9.5 x 11.8 in Additional Information: This photograph was printed with permission in 1997 from the original negative from the "Photographische Sammlung der Berlinischen Galerie", Berlin. The work bears the stamp by the Berlinische Galerie on the reverse, as well as the stamp stating the unique edition, reproduced in 1997 by "griffelkunst". Condition: Excellent condition.

ALEXANDER ALTMANN 1878-1932 Kiev region 1878/1885 - 1932 Nemours Title: View on Saint-Jean de Luz: the Mountains and the Bay Saint-Anne, 1922 Technique: Original Signed and Dated Oil Painting on Canvas Size: 55 x 46 cm / 21.6 x 18.1 in Additional Information: This oil painting is signed and dated "Al. Altmann 1922". In 1905 Altman moved to Vienna and then to Paris where he studied art at the Art Academy. His first solo exhibit took place in 1908. Altman painted impressionistic landscapes in the vicinity of Paris and exhibited his work at the Salon d’Automne, at the Salon des Tuileries in Paris and at Izdebsky’s Salon. Condition: Good condition. Few pin holes on the upper edge and lower edge of the painting. Unexamined outside the frame.

MICHEL ADLEN 1898-1980 (Saki, Ukraine) 1898-1980 (Paris) [Ukrainian/Russian/French] Title: Countryside, 1946 Technique: Original Signed Oil painting on canvas Size: 26.5 x 46 cm / 10.4 x 18.1 in Additional Information: This painting is hand signed in Oil by the artist "Adlen" at the lower left corner. On the reverse of the canvas, the work is additionally Hand Signed and Dated "1946" by the artist. Provenance: Acquired by the previous owner in the 1970's or 1980's directly from the artist's studio in Paris. Condition: Good condition. Some paint peal-offs at the lower center and at the edges.

ISAAC ANTCHER 1899-1992 Peresecina, Bessarabia 1899-1992 Paris [Romanian/Ukrainian/Russian/French] Title: Village View through the Trees Technique: Original Signed Oil Painting on panel Size: 29 x 37 cm / 11.4 x 14.6 in Additional Information: This work is hand signed by the artist "Antcher" at the lower right corner. Provenance: The estate of the artist. Condition: Good condition. Minor paint loss in several places. Small pinhole in left bottom corner. Not examined out of the frame. Note: The work will be shipped unframed.

MICHAEL GOTTLIEB ARAM 1908-1998 (Russian) Title: Still life (Hommage to Picasso), 1949 Technique: Original Hand Signed and Dated Gouache painting Size: 25 x 32 cm / 9.8 x 12.6 in Additional Information: This original gouache painting is hand signed and dated by the artist "Aram '49" (1949) at the lower right corner. Condition: Very good condition. Some stains verso. Note: This work will be shipped from Israel.

DAVID BURLIUK 1882-1967 Kharkiv, Ukraine 1882-1967 Southampton, Long Island, New York (Ukrainian/Russian/American) Title: Mother and Child Technique: Original Signed Oil Painting on wood panel. Size:15 x 13.1 cm / 5.9 x 5.2 in Additional Information: This work is hand signed "Burliuk" at the lower left part. Provenance: Private Collection, Northbrook, Illinois. Condition: Very good condition. Minor paint loss along the upper and the lower edge. Tiny paint loss in the left edge.

NICOLAS BEKKER/BERKER 1877 - ? (Russian) Title: The Spanish Beauty, 1926 Technique: Original Signed and Dated Oil Painting on canvas Size: 61 x 46 cm / 24 x 18.1 in Additional Information: This painting is Hand Signed and Dated by the artist at the lower left corner "N.Berker 1926". It was painted in 1926. A different portrait by this artist from 1919 of Countess Maria Hilarionovnaworontsov-dachkova was recently sold in Christies London Russian sale (June 2008, lot no. 95) for over $190,000. Condition: Generally in good condition. Unexamined out of the frame.

SOLOMAN SAMSONOVICH BOIM 1899-1978 Dmitrov 1899-1978 Moscow (Russian) Title: The House by the Lake, 1966 Technique: Original Hand Signed and Dated Watercolour Painting on paper Size: 31.5 x 44 cm / 12.3 x 17.2 in Additional Information: The painting is hand signed in watercolor with the initials of the artist in the lower left corner, and dated "66" (1966) next to the signature. Additionally, the work is titled in pencil below the signature. Condition: Good condition. Some foxing, minor damage to lower right corner and tape remains in the backside edges of the paper. Some surface dirt and tiny pinholes in the corners. Otherwise, very fresh beautiful colours.

ALEXANDER BENOIS 1870-1960 (Alexandre Nikolayevich Benois) St Petersburg 1870-1960 Paris (Russian) Title: Dame en Bleu, for the Ballet Giselle, 1949 Technique: Original Signed and Dated Watercolour and Pencil Drawing on paper Size: 30.8 x 22.9 cm / 12.1 x 9 in Additional Information: This original watercolour is signed by the artist "A. Benois", in the right middle part. It is also inscribed in pencil "Dames en bleu" in the upper part and "Taffetas et Dentelles" in the lower part. This work is a costume design for the Lady with a Falcon in the classic Ballet Giselle. Giselle is one of the most influential of all Romantic ballets,. The peasant girl Giselle is driven to kill herself when she discovers that her youthful lover ‘Loys’ is in reality Count Albrecht, and not free to marry her. She rises from the dead to prey on the man who has betrayed her. But as Albrecht, repenting, visits her moonlit grave, Giselle protects him from the deathly touch of her phantom sisters until the dawn sees him safe once more. Condition: Good Condition. Not examined outside the frame. Please note the work will be shipped unframed.

NADIA BENOIS 1896-1975 (Nadezhda Alexandrovna ) St Petersburg 1896-1975 England (Russian) Title: Vase of Roses and Dahlias, 1951 Technique: Original Signed and Dated Oil Painting on canvas Size: 55 x 38.5 cm / 21.7 x 15.2 in Additional Information: This original painting is signed by the artist "Nadia Benois" in the lower right corner. Furthermore, it is dated "1951" below the signature. It was painted in 1951 while the artist lived in England. Condition: Very good condition. Note: Note: The work will be sold unframed.

JACQUES CHAPIRO 1887-1972 Dvinsk, Belarus 1887-1972 Paris (Russian / French) Title: Vase of Flowers / Woman by the Mirror, circa 1930's Technique: Original Signed Double Sided Oil Painting on canvas Size: 37.5 x 52 cm / 14.7 x 20.4 in Additional Information: This original double sided oil painting . It is signed by the artist "Jacques Chapiro" in the lower right corner of the flowers side. Jacques Chapiro was associated with L'Ecole de Paris and settled down in Montparnasse, Paris, along with Chagall at the beginning of the 20t century. This painting was painted in the late 1920's or in the 1930's. Condition: Good Condition. Unexamined outisde the frame.

ERTE (Romain de Tirtoff) St. Petersburg 1892-1990 (Russian/French) Title: Fortunio Technique: Original Hand Signed Gouache on paper Size: 35.2 x 23.3 cm / 13.8 x 9.1 in Additional Information: This Gouache is hand signed in blue ink by "Erte" in the lower right part. It is titled in ink on the reverse and stamped with the Erte Atelier stamp: "Romain de Tirtoff Erte - Composition Original". Condition: Very good condition. Unexamined outside the frame.

ERTE (Romain de Tirtoff) 1892-1990 St. Petersburg 1892-1990 (Russian/French) Title: The Metal Dancer Technique: Original Hand Signed Gouache and Silver-Paint on paper Size: 31 x 24 cm / 12.2 x 9.5 in Additional Information: This gouche is hand signed in ink by "Erte" in the lower right part. Furthermore it is inscribed with the work title and inventory number in ink on the back side of the paper: "No. 3482 - Metal Danseur". This is an original early gouache work from the peak of Art Deco period. Provenance: Property from the Harriett Rozier Trust. Sotheby's, 84th Street Galleries, sale number 4833, lot number 192 Condition: Good condition. tiny pinholes in the lower left. Strong handling creases. One short tear at the lower right margin.

ADOLPHE FEDER 1886-1943 Odessa, Ukraine 1886-1943 Auschwitz-Birkenau (Ukraine/Russian) Title: Lake View in France Technique: Original Signed Oil Painting on canvas Size: 39 x 46 cm / 15.2 x 18.1 in Additional Information: This original oil painting is hand signed by the artist "Feder" in the lower left part. Condition: Good condition. Unexamined out of the frame. Note: This work will be shipped from Israel.

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: Working in the Fields, 1920's/1930's Technique: Original Oil and Gouache painting on paper laid on canvas Size: 82.2 x 59.4 cm / 32.2 x 23.3 in Additional information: This is an Original Oil and Gouache Painting by the artist Serge Ferat. It is a prepatory study for a tapestry that was made in Beauvois. Férat showed his work, with that of other Cubists, at the Salon des Indépendants until 1928, and at La Section d’Or in 1925 - whose Europe-wide reputation furthered recognition of his work. Férat, who died in 1958, bequeathed his collection to Haba Roussot, his companion for over 20 years. Until her death in 2001, Haba devoted all her energy to promoting Serge Férat's work, showing it across Europe and in the United States and Japan. Provenance: Collection Haba and Alban Roussot since 1958. Condition: Good condition.

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: The Jugglers. Theater Decor Project for Matoum at Matamouasie by Pierre Albert Birot: The Circus Riders Technique: Original Ink Drawing on paper Size: 29 x 28 cm / 11.4 x 11 in Additional information: This is an Original Ink Drawing by the artist Serge Ferat from the famous collection of his partner Haba Roussot. Férat showed his work, with that of other Cubists, at the Salon des Indépendants until 1928, and at La Section d’Or in 1925 - whose Europe-wide reputation furthered recognition of his work. Thereafter he gradually distanced himself from the strictures of Cubism, and developed a passion for the circus and parades. Férat, who died in 1958, bequeathed his collection to Haba Roussot, his companion for over 20 years. Until her death in 2001, Haba devoted all her energy to promoting Serge Férat's work, showing it across Europe and in the United States and Japan. Provenance: Collection Haba and Alban Roussot. Condition: Very good condition. Unexamined out of the frame. Surface dirt.

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: Theater Interior Design Technique: Original Signed Gouache Painting on paper Size: 23 x 32 cm / 9.1 x 12.6 in Additional information: This Original Gouache painting is hand signed by the artist "S.Ferat" at the lower right margin. Férat showed his work, with that of other Cubists, at the Salon des Indépendants until 1928, and at La Section d’Or in 1925 - whose Europe-wide reputation furthered recognition of his work. Thereafter he gradually distanced himself from the strictures of Cubism, and developed a passion for the circus and parades. Férat, who died in 1958, bequeathed his collection to Haba Roussot, his companion for over 20 years. Until her death in 2001, Haba devoted all her energy to promoting Serge Férat's work, showing it across Europe and in the United States and Japan. Provenance: Collection Haba and Alban Roussot. Condition: Good condition. Unexamined out of the frame.

ILYA GALKIN 1860-1915 (Russian) Title: Profile of Boy in the Forest Technique: Original Signed Oil Painting on board Size: 34.5 x 21 cm / 13.6 x 8.3 in Additional Information: The work is signed by the artist in the lower right corner "I.Galkin". Condition: Good condition.

NATALIIA SERGEEVNA GONCHAROVA 1881-1962 Negayevo, Tula Province, 1881-1962 Paris Title: The Gardeners, late 1920's Technique: Original Hand Signed Color Watercolor and Pencil on card. Size: 14.5 x 9.5 cm / 5.7 x 3.7 in Additional Information: This work is hand signed with the artist initial "N.G" at the upper right corner. It was painted in the late 1920's or the early 1930's and presents the landscape of Midi where the artist visited regulary at that period. Provenance: 1.The work is accompained with a fully detailed Certificate of Authenticity written and signed by Dr. Anthony Parton who is a specialist in Modern Russian Art and the author of the Goncharova and Larionov monographies. The certificate is dated from the 20th of June 2001. 2.The work will be included in the forthcoming Catalogue Raisonne of Nataliya Goncharova, and bears the refernce GLF/2.17. 3.Exhibited at Goncharova-Larionov, at Galerie Atelier Napolitano, Paris. Condition: Very good condition. The work is framed. Note: The work will be shipped unframed.

MENDEL HAIMOVICH GORSHMAN 1902-1972 (Russian) Title: Late Autumn, 1922 Technique: Original Signed, Titled, Inscribed and Dated Pen Drawing on paper Size: 27.8 x 20.5 cm / 10.9 x 8.1 in Additional Information: The drawing is hand signed with the artist's initials and hand dated ('22) at the lower right corner. It is also inscribed in Russian verso with the artist name and title of the work. The paper bears the stamp of Raya Moiseevna Dine verso, which is hand numbered "81". Provenance: The collection of Raya Moiseevna Dine. (stamp verso) Condition: Good condition. Light handling creases and scratches in the paper. One small tear (0.4mm) in the lower margin. Tape remains verso.

NATALIIA SERGEEVNA GONCHAROVA 1881-1962 Negayevo, Tula Province, 1881-1962 Paris Title: Grime, from "L’Art Décoratif Théâtral Moderne", 1919 Technique: Original Hand Signed Pochoir on paper Size: 50.5 x 32.6 cm / 19.9 x 12.8 in Additional Information: The work is hand signed in pencil "N. Gontcharova" in the upper left corner. The work is also signed in the plate with the monogram "N.G." in the lower right corner. It is part of Gontcharova and Larionov's important portfolio "L’Art Décoratif Théâtral Moderne" that was published by Valentin Parnakh Paris, Édition "La Cible," in 1919. The portfolio was published in a limited but unsigned edition of 515 copies. Our work is however one of a few rare proofs, which were exceptionally signed by the artist. Mikhail Larionov and Nataliya Gonchorova, two artists of the Russian Avant-Garde who had met as students and worked in partnership ever since, began designing sets and costumes for the Ballets Russes in Switzerland in 1915. This was a development that had been years in the making. As the artists had, over the years, combined a futurist style with a neo-primitivist nod toward their Eastern European origins, they had also begun to push their artwork past the boundaries of traditional media and into a hybrid of painting, performance, manifesto, film, and fashion. Therefore, when the artists began to work for Serge Diaghilev’s Ballet Russes, their impact was substantial and immediate. Their melding of traditional Russian styles with avant-garde abstraction came to life in the form of elaborate headdresses, brilliantly coloured fabrics, and geometric costumes that were at times so elaborate as to restrict the dancers’ movement. The drawings for the costume designs were remarkable enough to themselves become the centrepieces of several exhibitions, including one in 1919 at the Galerie Barbazanges in Paris. It was in conjunction with this exhibition that L’art décoratif théâtral moderne was published. The highlight of this publication was a set of pochoir prints that featured, most notably, Larionov’s designs for the ballet Histoires Naturelles. These designs moved the concept of costume entirely out of the utilitarian realm: meant to evoke mechanical toys, they were angular, rigid, and entirely untraditional. Provenance: Galerie Le Minotaure, Paris. The work is accompanied by their certificate of authenticity. Condition: Very good condition. Very light foxing in the margins.

LEOPOLD KRETZ 1907-1990 Lvov 1907-1990 Paris (Ukrainian / Polish / French) Title: Still life on a Chair Technique: Original Signed Oil Painting on board Size: 55 x 45 cm / 21.7 x 17.7 in Additional Information: This oil painting is hand signed by the artist "Kretz" in the lower left corner. Provenance: Private collection, Israel. Condition: Very good condition.

ANATOLI KAPLAN (LWOWITSCH) 1902-1980 (Russian) Title: The Enchanted Tailor, 1954-57 Technique: Portfolio with 23 Original Hand Signed Lithographs in colour on paper. Size: each 60 x 45 cm / 23.6 x 17.7 in Additional Information: This Portfolio consists of 23 original Lithographs, each one is hand signed in pencil by the artist at the lower margins, as well as Hand Dated in pencil "54-57" (1954-1957) next to the signature. The portfolio also includes 3 extra Lithographs, with the justfication and introduction. Condition: Very good condition. Note: This work will be shipped from Israel.

PINCHUS KREMEGNE 1890-1981 Zaloudock, Lithuania 1890-1981 Switzerland (Lithuanian /Russian / French Title: Landscape in Saret-Pireneyan Technique: Original Signed Oil Painting on canvas Size: 46 x 61 cm / 18.1 x 24 in Additional Information: This Oil Painting is Signed by the artist "Kremegne" in the lower left corner. Provenance: Provenance: Sotheby's New York, Arcade paintings, 12th of December 2006, lot 135. Condition: Very good condition. Lightly worn edges.

VASYL KHMELUK 1903-1986 Berezivka, near Zhmeranka, Ukraine 1903-1986 Paris (Ukrainian/French) Title: Landscape in Gruyere Technique: Original Signed Oil Painting on canvas. Size: 38 x 55 cm / 15 x 21.7 in Additional Information: This oil painting is hand signed by the artist in the lower left corner "V.Khmeluk". It is tilted (in French) on the back of the wooden stretcher. The painting bears an old label on the back (M. Claude, Expert) Provenance: Lombrail Teucquam, Maison de Ventes, Paris, 18th of June 2008, lot no. 32, illustrated. (sold for 8700 Euros) Condition: Very good condition. Minor craquele on the upper right corner and three tiny pin holes below the signature.

MICHEL KIKOINE 1892-1968 Gomel, Belarus 1892-1968 Paris (Russian/French) Title: Petite Fille, circa 1950-1955 Technique: Original Signed Oil Painting on canvas Size: 53 x 31cm / 20.9 x 12.2 in Additional Information: This work is hand signed by the artist "Kikoine" in the lower right. This work was painted in circa 1950-19955. Literature: Cassou, Jean, Roditi Edouard, Mann, Mendel & Yankel, Jacques. 1973. "Kikoine". Switzerland: H. Piazza. Reference no. 474, page 309, illustrated. Exhibited: "Kikoine", 1955, The Redfern Gallery, 20 Cork street, Burlington Gardens, London, W1, No.20. Condition: Very good condition.

CONSTANTIN KOUSNETSOFF [Kouznetsoff, Kuznecov, Kuznetsov] Zoliono 1863-1936 Paris (Russian) Title: Forest Clearing and Sunset, ca. 1899 Technique: Original Oil Painting on canvas Size: 50 x 64 cm / 19.7 x 25.2 in Additional Information: This painting is stamped with the artist's studio stamp on the reverse. The work was probably painted in 1897-1899. Condition: Good condition. Unexamined out of the frame.

BORIS KORJEVSKII b. 1927 (Russian) Title: Still Life, 1967 Technique: Original Signed and Dated Oil Painting on canvas Size: 55 x 70 cm / 21.7 x 27.6 in Additional Information: This original oil painting is hand signed by the artist in Cyrillic in the upper right corner. It is also dated "1967" next to the signature. Additionally, the work has been signed, titled and dated in Cyrillic on the back side of the canvas. The frame bears a label with information about the painting in Russian. Condition: Very good condition. One pressure mark in the left side.

ARNOLD BORISOVICH LAKHOVSKY 1880-1937 Tschornobyl 1880-1937 New York (Russian) Title: Old Quimperle Technique: Original Signed Oil Painting on canvas Size: 55 x 46 cm / 21.6 x 18.1 in Additional Information: This oil painting is hand signed in oil by the artist "Arnold Lakhovsky" at the lower right corner. The reverse bears the label from "Salon des Tuileries, 1930" with the artist name and title of the work inscribed. The work is further signed, tilted and inscribed with the artist address verso. Exhibited: Salon des Tuileries, Paris, 1930 Condition: Very good condition. A few light canvas indentations. Unexamined out of the frame. The work will be sold unframed.

ANDRE LANSKOY (Andrej Michajlovic) 1902-1976 1902 - Moscow - 1976 (Russian / French) Title: Portrait of a Young Girl, ca. 1930's Technique: Original Signed Oil Painting on wooden panel Size: 18 x 14 cm / 7.1 x 5.5 in Additional Information: This Oil Painting by Andre Lanskoy is Hand Signed with the artist initial "a.L" at the lower right corner. Provenance: Galerie Kriegel, Paris. The authenticity of this work has been verbally confirmed by Mr. André Schoeller who is the only worldwide recognized expert for Lanskoy works. Condition: Good condition, a few scratches.

MIKHAIL LARIONOV 1881-1964 Tiraspol 1881 - Fontenay-Aux-Roses/Paris 1964 (Russian) Title: Kikimora, from "L’Art Décoratif Théâtral Moderne", 1919 Technique: Original Hand Signed and Dated Lithograph on paper Size: 50 x 32.3 cm / 19.7 x 12.7 in Additional Information: The work is hand signed in pencil "M. Larionov" in the lower right part and dated "1916" beside the signature. The work is also signed in the plate with the monogram "M. L." in the upper right part. It is part of Larionov and Gontcharova's important portfolio "L’Art Décoratif Théâtral Moderne" that was published by Valentin Parnakh Paris, Édition "La Cible," in 1919. The portfolio was published in a limited but unsigned edition of 515 copies. Our work is however one of a few rare proofs, which were exceptionally signed by the artist. --- Mikhail Larionov and Nataliya Gonchorova, two artists of the Russian Avant-Garde who had met as students and worked in partnership ever since, began designing sets and costumes for the Ballets Russes in Switzerland in 1915. This was a development that had been years in the making. As the artists had, over the years, combined a futurist style with a neo-primitivist nod toward their Eastern European origins, they had also begun to push their artwork past the boundaries of traditional media and into a hybrid of painting, performance, manifesto, film, and fashion. --- Therefore, when the artists began to work for Serge Diaghilev’s Ballet Russes, their impact was substantial and immediate. Their melding of traditional Russian styles with avant-garde abstraction came to life in the form of elaborate headdresses, brilliantly coloured fabrics, and geometric costumes that were at times so elaborate as to restrict the dancers’ movement. --- The drawings for the costume designs were remarkable enough to themselves become the centrepieces of several exhibitions, including one in 1919 at the Galerie Barbazanges in Paris. It was in conjunction with this exhibition that L’art décoratif théâtral moderne was published. The highlight of this publication was a set of pochoir prints that featured, most notably, Larionov’s designs for the ballet Histoires Naturelles. These designs moved the concept of costume entirely out of the utilitarian realm: meant to evoke mechanical toys, they were angular, rigid, and entirely untraditional. Provenance: Galerie Le Minotaure, Paris. The work is accompanied by their certificate of authenticity. Condition: Very good condition. Very light surface dirt.

OSSIP LUBITCH 1896-1990 Grodno, Belarus 1896-1990 Paris (Russian / French) Title: The Walk to Sainte-Victoire Mountain, France. Technique: Original Signed Oil Painting on Canvas Size: 71 x 50 cm / 27.9 x 19.7 in Additional Information: This original work is hand signed by the artist "Lubitch" in the lower right corner. Condition: Very good condition.

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Oriental Girl Technique: Original Signed Pastel on paper Size: appr. 62 x 52 cm / 24.3 x 20.4 in Additional Information: This original pastel is hand signed by the artist "Mane-Katz" in the upper right corner. Provenance: Collection J. Boullenger, France Private collection, Switzerland Literature: Aries, Robert S, Mane-Katz. 1894-1962 The Complete Works, Vol I, published by D'art Jacques O'hana, 1970 London. Reference: no.794, page 244. Condition: Very good condition.

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Praying Jew Technique: Original Signed Gouache and Watercolour Painting on paper Size: 66 x 50 cm / 26 x 19.7 in Additional Information: This original painting is signed in pencil by the artist "Mane Katz" in the lower left corner. Condition: Very good condition. Some waves on the paper, expecially on the upper side of the work. Some glue remains of the old framing verso. The colours are fresh.

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Flowers, ca. 1950's Technique: Original Signed Oil Painting on canvas Size: 63 x 53 cm / 24.8 x 20.9 in Additional Information: This painting is hand signed in oil by the artist "Mane-Katz" in the lower right corner. It was probably painted in the 1950's. Provenance: Christie's, London, 3rd December 1999, lot 89, illustrated. Condition: Very good condition. The canvas is laid on canvas. Note: The work will be shipped unframed.

MARKOV early 20th Century (Russian) Title: Costume Design for a Sailor, 1930 Technique: Original Signed and Dated Color Pencil Drawing on thick paper Size: approx 17.5 x 12 cm / 6.7 x 4.7 in Additional Information: This is an original Pencil Drawings by Markov. The work is are Hand Signed in pencil by the artist at the lower right corner and Dated in pencil "1930" underneath the signature. Condition: Good condition. Surface dirt. Discoloration of the paper.

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian/French) Title: The Conversation, 1960 Technique: Original Signed and Dated Oil Painting on canvas Size: 23 x 65 cm / 9 x 25 in Additional Information: The work is hand signed and dated by the artist Gregoire Michonze at the lower right corner. It was painted in 1960. Condition: Good condition. Unexamined out of the frame.

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian/French) Title: The Shepherd and the Village Folk, 1961 Technique: Original Signed Oil Painting on canvas Size: 46 x 38 cm / 18.1 x 15 in Additional Information: The work is hand signed by the artist Gregoire Michonze. The work bears the label on the reverse of James Bourlet & Sons, No. 12605 verso. Provenance: James Bourlet & Sons, London, No. 12605. Condition: Good condition. Unexamined out of the frame. Framed with modern frame. Note: The work will be shipped from Israel.

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian / French) Title:Lunch at the Country Side Technique: Original Signed Oil Painting on board Size: 38 x 30 cm / 15 x 11.8 in Additional Information: The work is hand signed by the artist "Michonze" in the lower right corner. It was painted in the late 1950's or early 1960's. Condition: Good Condition. Unexamined outside the frame.

CHANA ORLOFF 1888-1968 (Russian) Title: Lisese 1, 1959 Technique: Original Signed and Dated Bronze Sculpture. Size: height 54 cm / 21.3 in Additional Information: This Bronze sculpture is signed and dated by the artist at the base. The work is also stamped with the foundry mark: "Susse Fondeur Paris" It was produced and casted by the artist herself in 1959 in the Susse brothers studio in Paris. Exhibited: One man exhibition, Gallerie Granoff, Paris, 1959. One man exhibition, Tel Aviv Museum of Art, 1969. One man exhibition, N.R.A, Turin, 1980. Literature: Felix Marcilhac, Chana Orloff, Paris, 1991, p. 291, no. 391, illustrated. Condition: Very good condition.

ISAAC PAILES 1895 - 1978 Kiev 1895 - 1978 Paris (Russian / French) Title : Fishermen, circa 1930 Technique : Original Hand Signed Oil Painting on canvas Painting size : 46.5 x 55.3 cm / 18.3 x 21.8 in Additional Information : This oil painting is signed by the artist "I Pailes" at the lower right corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in France in the 1950's - 1960's. Condition : Very Good condition.

ELIE ANATOLE PAVIL 1873-1948 Odessa 1873-1948 (Ukrainian / Russian / French) Title: Park in Marrakesh, 1937 Technique: Original Signed Oil painting on board. Size: 20 x 26 cm / 7.9 x 10.2 in Additional Information: This is an original Oil Painting by the Ukrainian artist Elie Anatole Pavil. It is hand signed by the artist at the lower right corner. The reverse bears a label with the title and date "Parc a Marrakesh-1937" by the former owner Lina Pavil. Please, see photo of te reverse. Provenance: Private Collection of Lina Pavil, Paris. Condition: Very good condition. Unexamined out of the frame. Note: The work will be shipped unframed.

ABEL PANN 1883-1963 Latvia 1883-1963 Jerusalem (Russian /Lithuanian /Israeli) Title: The Storm (after the Crucifixion). Technique: Original Signed Pastel on paper mounted to board. Size: 48.2 x 63.2 cm / 19 x 24.8 in Additional Information: This work is hand signed by the artist at the lower left part "Abel Pann". It is also titled verso "Apres la Crucification". Provenance: Stern Gallery, Tel Aviv Private collection, New York (acquired from the above) Condition: Good condition. Unexamined out of the frame. Note: The work will be shipped unframed.

JOSEPH PRESSMANE 1904-1967 Berestechko, Ukraine 1904-1967 (Ukrainian/Russian/French) Title: Town Square in Ecouen, 1957-58 Technique: Original Signed Oil painting on canvas Size: 73 x 60 cm / 28.7 x 23.6 in Additional Information: This is an original Oil painting by Joseph Pressmane. The work is hand signed and dated by the artist at the lower left part. It was painted in 1957-58 in France. The painting is furthermore titled verso. Condition: Very good condition. Unexamined out of the frame. Note: This lot will be shipped from Israel.

JEAN MIROSLAW PESKE 1870-1949 Ukraine 1870-1949 France (Ukrainian/Russian/French) Title: Landscape with House and Tree Technique: Original Signed Watercolor on paper Size: 36 x 37 cm / 14.2 x 14.6 in Additional Information: This is an original work by Jean Peske. The work is hand signed by the artist in pencil "Peske" at the lower left corner. It was probably painted in the 1920's. Condition: Unexamined out of the frame. Some tears and cuts mainly in the margins. Note: The work will be shipped unframed.

JEAN MIROSLAW PESKE 1870-1949 Ukraine 1870-1949 France (Ukrainian/Russian/French) Title:The Apple Pickers Technique: Original Signed Pastel and Crayon on paper Size:42 x 28,5 cm / 16.5 x 11.2 in Additional Information: This is an original work by Jean Peske. The work is hand signed by the artist in pencil "Peske" at the lower right corner. Condition: Good Condition not examined out of the frame. Note: The work will be shipped unframed.

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: Vase of Flowers Technique: Original Signed Watercolour Painting on paper Size: 49 x 33.5 cm / 19.2 x 13.1 in Additional Information: This watercolour is hand signed by the artist "I. Ryback" in the lower left corner. Provenance: Acquired by the parents of the previous owner in the 1960's or 1970's in Paris. Condition: Good condition. Unexamined outside the frame. Note: The work will be sold unframed.

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: Market Scene Technique: Original Signed Pencil Drawing on paper Size: 26 x 19 cm / 10.2 x 7.5 in Additional Information: The work is Stamp Signed with the signature of the artist "I. Ryback" in the lower left corner by the Estate of the artist "Succession". Provenance: The estate of the Artist. Condition: Good condition, except of a few small stains at the outer margins form glue tape.

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: Portrait of a Man, ca. 1925-1935 Technique: Original Signed Oil Painting on canvas Size: 64.8 x 49.5 cm / 25.5 x 19.5 in Additional Information: The painting is hand signed by the artist at the lower left part "I. Ryback". It was probably painted between 1925 to 1935 in France. Provenance: Josef Steiglitz Gallery, Tel Aviv. Condition: Unexamined out of the frame. Note: The work will be shipped unframed.

LEOPOLD SURVAGE 1879-1968 Moscow, 31 July 1879 - Paris, 30 Oct 1968 (Russian/French) Title: Femmes et Paysage / Woman and Landscape, 1936 Technique: Original Signed Pencil Drawing on paper Size: 28.5 x 22 cm / 11.2 x 8.7 in Additional Information: This drawing is hand signed with the artist initials "LS" (Leopold Survage) at the lower right corner It is also hand dated in pencil "36" (1936) next to the initials and stamped with the signature stamp of Atelier "Survage" at the lower right corner. Provenance: 1. The ex collection of Mr. Christian de Rabaudy. The work was purchased in the sale of the estate of Mr. Christian de Rabaudy that took place in Paris. the high bidder will receive the photocopies of this sale catalogue were this work is fully detailed. 2. Auction of Maitre Couturier, France. 3. The ex collection of Maurice Simon. Condition: Excellent condition. Very minor handling creases.

LEOPOLD SURVAGE 1879-1968 Moscow, 31 July 1879 - Paris, 30 Oct 1968 (Russian/French) Title: Woman in Landscape. Technique: Original Signed Pencil Drawing on paper Size: 6.8 x 7.6 cm / 2.7 x 3 in Additional Information: This Drawing is hand signed in pencil by the artist "LS" at the lower right. Condition: Excellent condition.

LEOPOLD SURVAGE 1879-1968 Moscow, 31 July 1879 - Paris, 30 Oct 1968 (Russian/French) Title: Lying Nude Resting on her Arm, 1924 Technique: Original Signed Pencil Drawing on thin paper Size: 44 x 28 cm / 17.3 x 11 in Additional Information: This Drawing is Hand Signed and Dated in pencil by the artist "Survage 24" (1924) at the lower right. The work also bears the Atelier Stamp of the artist with his intials "LS" at the lower left. The drawing is dated by the artists in 1924. Condition: Very good condition. Minor folds all four corners. Discoloration of the outer margins. The thin paper is lightly glued to another larger paper.

EDIK EDWARD ARCADIEVICH STEINBERG b. 1937 born in Moscow 1937 (Russian) Title: Composition with Yellow Circle, 1989 Technique: Original Hand Signed and Dated Gouache Painting on cardboard Size: 54 x 60 cm cm / 21.3 x 23.6 in Additional information: This original painting is hand signed and dated by the artist. It was painted in 1989. Provenance: Acquired directly from the artist by the previous owner. Exhibited: Paris & Tel Aviv, Galerie Le Minotaure, Steinberg, June 2008, pages 62-63, illustrated. Condition: Very good condition. Unexamined out of the frame.

CONSTANTIN Andreevic TERECHKOVITCH 1902-1978 (Russian) Title: La Treille Muscate / The Muscat Vine, 1961 Technique: Original Hand Signed Portfolio with 4 original gouaches, 42 lithographs in colours and a set of 11 seperation proofs of one lithograph, all in their original box Box Size: 40.5 x 30.5 cm / 15.9 x 12 in Gouaches Size: 38.5 x 28.5 cm / 15.2 x 11.2 in Lithographs Size: 38.4 x 28.8 cm / 15.1 x 11.3 in Additional information: This lot includes the complete book "La Treille Muscate" (The Grape Vine) by Robert Leger with 4 original Gouache, 42 original lithographs in colours and a set of 11 proof of different states and colour plates for one lithograph by Constantin Terechkovitch. The four gouaches on paper are titled "Pampre/ Vine", "La Treille Muscate/The Grape Vine", "Les Fleurs/The Flowers" and "Le Jardinier/The Gardener", these last two having also some drawing in pencil. They are each hand-signed by the artist. They are very probably the original studies for the lithographs of the book. The 14 Lithographs on Japon paper (titled "Pampre/ Vine", "Port de Saint - Tropez/Saint Tropez Harbour", "La Treille Muscate/The Grape Vine", "Matinee sur la plage/Morning on the beach", "La petit train du mer/Little train of the sea", "La plage ensoleillee/Sunny beach", "L'enfant au verre du vin/Boy with glass of wine, "Les vendanges/Grapes harvest", "Bauillabaisse au clair de lun/Bauillabaisse in the moonlight, "Les Fleurs/Flowers,"Roses", "Le Jardinier/Gardener", "Les Chats/Cats", "Retour du Marche/Back at work" ) are spread throughout the book, some are with text, and some are on full pages. In addition, there is another set of these 14 lithographs on Arches paper and another set on Japon nacre paper. Finally, there is the "gamme montante" (set of 11 proofs of different states and colour plates on Arches paper) for one lithograph, "Bauillabaisse au clair de lun". All the lithographs were printed by Edmond and Jacques Desjobert in Paris in 1961. The work was published in Paris in 1961 in a limited edition of only 151 copies. However, our copy was especially printed for Paul Petrides (1901-1993), an important Parisian art dealer who represented the artists of the Ecole de Paris, notably Utrillo, Vlaminck and Fujita. Condition: Excellent condition, a part from some minor pinholes beside the margins in 3/4 gouaches.

LEON ARTHUR TUTUNDJIAN 1905-1968 (Armenian) Title: Circles and Lines, 1965 Technique: Original Hand Signed and Dated Charcoal Drawing on paper Size: visible 24 x 33 cm / 9.4 x 13 in (underneath matting) Additional Information: This work is signed and dated in ink by the artist "L.A. Tutundjian" at the lower right corner. The drawing is also signed, dated and inscribed again on the back side. The work was painted in 1965. Condition: Very good condition. Unexamined out of the frame. Tiny foxing stains in the paper.

LEON ZACK 1892-1980 Nijni Novgorod 1892-1980 Paris (Russian/French) Title: Mother with Children, 1948-1950 Technique: Original Signed Oil Painting on canvas Size: 41 x 33.5 cm / 16.1 x 13.2 in Additional information: This oil painting is hand signed in pencil by the artist "Leon Zack" in the upper right corner. The work was painted between 1948-1950. Condition: Unexamined out of the frame.

JANKEL ADLER 1895-1949 Lodz 1895-1949 London (Polish / British) Title: Portrait Technique: Original Ink Drawing on paper. Size: 21 x 27 cm / 8.3 x 10.6 in Additional Information: This is an original drawing by Jankel Adler and as probably painted in the early 1940's. The paper bears the watermark "L.C.B. Paper Papyrus". Provenance: Acquired by the grandfather of the previous owner in the south of France (possibly in Cagnes sur Mer) in the 1940's directly from the artist. Exhibited: Water-Colours and Draings by Jankel Adler (1895-1949), The Leicester Galleries, Leicester Square, London, October 1951. Condition: Good condition. Light handling creases. Some light scattered foxing. Small piece of lower left corner missing. Paper peeling from tape verso.

ALFRED ABERDAM 1894-1963 Lviv 1894-1963 Paris (Polish/French) Title: Women in an Interior, 1948 Technique: Original Signed Oil Painting on panel Size: 32.5 x 26.5 cm / 12.8 x 10.4 in Additional Information: This Original work by Alfred Aberdam is Hand Signed and dated (1948) by the artist at the lower left part. The work was painted in 1948. Condition: Good condition. Unexamined out of the frame. Note: This work will be shipped from Israel.

HENRYK BERLEWI 1894-1964 Warsaw 1894-1964 Paris (Polish/French) Title: Man with Closed Eyes, 1919 Technique: Original Signed and Dated Double-Sided Pencil drawing on paper Size: 26 x 16.2 cm / 10.2 x 6.4 in Additional Information: This double-sided drawing is hand signed, inscribed and dated by the artist "H. Berlewi dessine en 1919" (Henryk Berlewi drawn in 1919) in the lower right part. Provenance: Mandel Mann Collection, Paris. Acquired directly from the artist in France. Condition: Very good condition. Very light surface dirt. Very light paper discoloration. Tiny tear on the right edge (4 mm).

HENRYK BERLEWI 1894-1964 Warsaw 1894-1964 Paris (Polish/French) Title: Portrait of Riri Technique: Original Signed and Inscribed Pencil Drawing on paper Size: 28.2 x 22.7 cm / 11.1 x 8.9 in Additional Information: This drawing is hand signed by the artist "H. Berlewi" in the lower left margin. It is also inscribed in red pencil "Riri" on the lower right margin. Provenance: Mandel Mann Collection, Paris. Acquired directly from the artist in France. Condition: Very good condition. Light surface dirt and a few tiny stains. A tiny fold on the upper left corner. A tiny tear in the right edge. Minor creases in the paper.

HENRYK BERLEWI 1894-1964 Warsaw 1894-1964 Paris (Polish/French) Title: Renicling Figure Technique: Original Signed Oil Painting on canvas laid on board Size: 46 x 61 cm / 18.1 x 24 in Additional Information: The work is hand signed in the lower right part (traces of signature). It is also inscribed with the artist name verso. Provenance: Briest, Paris, 15th March 1999, lot 36, illustrated. Private collection, France. Condition: Good condition. Minor loss of paint along the lower margin.

JOZSEF BATO 1888-1966 Budapest 1888-1966 London (Hungarian) Title: Fresque Technique: Original Pastel, Pencil and Watercolour Drawing on paper Size: 25.8 x 36.8 cm / 10.1 x 14.4 in Additional Information: This work is an original drawing with watercolour by the Hungarian artist József Bató. It is stamped signed "Josef Bato" at the upper right corner of the image. The work is also stamped with the collection Starck-Oberkoxholtz stamp on the reverse. Provenance: The former collection of Hermann C. Stack and Renate Starck-Oberkoxholt. (stamp verso) Condition: Very Good condition. Four tape marks at the verso.

MAURICE BLOND 1899-1974 (Maurice Blumenkrantz) Lodz, Poland 1899-1974 Clamart, France (Polish/French) Title: Interior - Sofa Technique: Original Signed double-sided watercolor and oil pastel drawing on paper Size: 52 x 73.5cm / 20.5 x 29 in Additional Information: This original work by Maurice Blond is hand signed at the upper left corner "M.Blond". The reverse of the watercolour bears an oil pastel drawing of a nude woman, hand signed with the initials of the artist at the lower right. Condition: Tears and creases in the margins. Partly glued.

BELA BÁN 1909-1972 (Hungarian) Title: Surrealistic Figure, 1963 Technique: Original Hand Signed Pastel Drawing on paper Size: 48 x 30 cm / 18.9 x 11.8 in Additional Information: This drawing is hand signed by the artist in the left edge of the paper. Provenance: The estate of the artist Condition: Good condition. The sheet is glued with tape to paper matting. There is one indentation/tear in the paper in the right part.

HENRYK BERLEWI 1894-1964 Warsaw 1894-1964 Paris (Polish/French) Title: Two Turkish Men, 1921 Technique: Original Signed and Dated Pencil Drawing on paper, laid on cardboard Size: 11 x 27 cm / 4.3 x 10.6 in Additional Information: This original drawing by Henryk Berlewi is hand signed and dated in pencil "H. Berlewi '21" at the lower right corner. Provenance: Mandel Mann Collection, Paris. Acquired directly from the artist in France. Condition: Good condition. Minor surface dirt at the margins.

HENRYK BERLEWI 1894-1964 Warsaw 1894-1964 Paris (Polish/French) Title: Posing Model, 1917 Technique: Original Signed and Dated Colour-Pencil Drawing on paper Size: 29.4 x 22.6 cm / 11.6 x 8.9 in Additional Information: This original drawing is hand signed and dated in pencil by the artist "H. Berlewi 1917 " at the lower right bottom. Provenance: Mandel Mann Collection, Paris. Acquired directly from the artist in France. Condition: Good condition. Surface dirt. Upper right corner missing. Small hole in the right part. Small tear in the right edge (3 mm). One crease on the top and one in the left bottom. Tiny fold in the lower right corner.

JOZSEF BATO 1888-1966 Budapest 1888 -1966 London (Hungarian) Title: Stage Interior Design, ca. 1920's Technique: Original Watercolor, Gouache and Tempera Painting over pencil on paper Size: 98 x 36 cm / 42.5 x 14.1 in Additional Information: This work is an Original painting by the Hungarian artist József Bató. It is stamp signed with the artist ink signture stamp "Josef Bato" at the lower right margin. The work is also stamp with the collection Starck-Oberkoxholtz stamp on the back side of the paper. This painting is painted on 3 separated sheets of paper that have been attached together. Provenance: The former collection of Hermann C. Stack and Renate Starck-Oberkoxholt. (stamp verso) Condition: Good condition, 2 folds (where the sheets have been attached together), minor hadling marks.

ETIENNE BEOTHY 1897-1961 (Hungarian) Title: Composition on Violet Background, 1927 Technique: Original Hand Signed and Dated Gouache Painting on paper Size: 23.3 x 17 cm / 9.2 x 6.7 in Additional Information: This original gouache by Etienne Beothy is hand signed with the initials of the artist "E.B."and dated "27" (1927) next to the signature at the lower right corner. Provenance: The artist's widow. Condition: Good condition. Discoloration and some stains at the margins of the paper. Unexamined out of the frame. Note: This work will be shipped from Israel.

ANTAL BIRO 1907-1990 Pozsony 1907-1990 Székesfehérvár (Hungarian) Title: Four Red Stripes, 1961 Technique: Original Signed and Dated Oil Painting on paper Size: 65 x 50 cm / 25.6 x 19.7 in Additional Information: This original painting is hand signed in ink by the artist "Antal Biro" in the lower left corner. It is also dated "8.10.1961" next to the signature. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. This work by Antal Biro was part of her extensive collection that was partly sold in 2003. Condition: Very good condition. Unexamined out of the frame.

ANTAL BIRO 1907-1990 Pozsony 1907-1990 Székesfehérvár (Hungarian) Title: Figures / Alakok, 1950-1952 Technique: Original Signed and Oil Painting on Board Size: 21 x 31 cm / 8.3 x 12.2 in Additional Information: This original painting is hand signed in ink "Antal Biro" in th lower part. It is also signed and dated "Antal Biro 1950-52" verso and also stamped with the Bergman Collection stamp verso. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. This work by Antal Biro was part of her extensive collection that was partly sold in 2003. Condition: Very good condition

ISTVÁN CSÓK 1865-1961 Pusztaegres 1865-1961 Budapest (Hungarian) Title: Portrait of a Girl Playing Cards, ca. 1930's Technique: Original Signed Oil Painting on Panel Size: 60 x 50 cm / 23.6 x 19.7 in Additional Information: This original oil painting is hand signed by the artist at the lower left corner. It is also indistinctly dated next to the signature (possibly 1931). Exhibited: Ernst Múzeum, Budapest, exhibition 'Munkácsy - Céh'. Label verso. Provenance: Dr Leopold Ringwald. Thence by descent. Private collection, UK. Condition: Very good condition.

BELA CZOBEL 1883-1976 1883 - Budapest-1976 (Hungarian) Title: Landscape in the South of France, circa 1930's Technique: Original Oil Painting on canvas Size: 54 x 82 cm / 21.3 x 32.3 in Additional Information: This is an original painting by the Hungarian artist Bela Czobel, painted in the early 1930's in France. The authenticity of this work has been confirmed by Mr. Antal Toth, a leading Hungarian art historian and the author among others of the book "The Society of Szentendre Artists", 2007. Provenance: The Collection of Pierre Levy, France. Condition: Very good condition.

HENRI EPSTEIN 1891-1944 Lodz (Poland) 1891-1944 Auschwitz (Polish/French) Title: White Flowers and Roses, circa 1930 Technique: Original Signed Oil painting on canvas Size: 65.4 x 50 cm / 25.3 x 19.6 in Additional Information: This original oil painting by Henri Epstein is hand signed "H. Epstein" by the artist at the lower left corner. Provenance: The Issachar Ber Frydman collection. Acquired in France in the 1950's - 1960's. Condition: Good condition. Unexamined outside the frame.

HENRI EPSTEIN 1891-1944 Lodz (Poland) 1891-1944 Auschwitz (Polish/French) Title: Village Scene Technique: Original Signed Oil painting on canvas Size: 29 x 30 cm / 11.5 x 11.8 in Additional Information: This original oil painting by Henri Epstein is hand signed "H. Epstein" by the artist at the lower left corner. Condition: Good condition.

PAL FRIED 1893-1976 (Hungarian / American) Title: Blond Lady Technique: Original Hand Signed Pastel on paper Size: 60 x 50 cm / 23.6 x 19.7 in Additional Information: This original pastel is hand signed by the artist "Fried Pal" at the lower left. Condition: Very good condition, not examined out of the frame.

BORIS BORVINE FRENKEL 1895-1984 Kalisz, Poland 1895-1984 Paris (Polish / French) Title: View of Jerusalem Technique: Original Signed Oil Painting on cardboard Size: 36 x 27 cm / 14.2 x 10.6 in Additional Information: This painting is hand signed by the artist. Condition: Surface dirt, otherwise in good condition. Framed with modern wood and canvas frame, lose corners. Note: This work will be shipped from Israel.

BELA IVANYI GRÜNWALD (Béla Iványi) 1867-1940 Som 1867 - 1940 Budapest (Hungarian) Title: Disznópásztor / The Shepherd, circa 1922-25 Technique: Original Signed Oil Painting on canvas Size: 70.5 x 100.5 cm / 27.8 x 39.6 in Additional Information: This painting by Bela Ivanyi Grunwald who was a Hungarian painter, a leading member of the Nagybánya artists' colony and founder of the Kecskemét artists' colony is signed at the lower left part by the artist. It was painted in circa 1922 to 1925 Exhibited: Ernst Museum, 73rd exhibition, Ivanyi grunwald Bela es Kisfaludi Strobl Zsigmond, January 1925, Cat. no. 99. Condition: Very Good condition.

HENRI HAYDEN 1883-1970 Warsaw 1883-1970 Paris (Polish/French) Title: Landscape with Train-rail, 1953-56 Technique: Original Signed Oil Painting on Board Size: 33 x 41 cm / 13 x 16.14 in Additional Information: This painting is hand signed by the artist at the lower left. The work is accompanied by an illustrated, hand written certificate of authenticity from the artist's son, Mr Pierre Celice, signed and dated 4 October 2009. Provenance: The estate of Alice & Cortland Knipe, New York Condition: Good condition. Some minor scratches and rubbing in the edges.

HENRI HAYDEN 1883-1970 Warsaw 1883-1970 Paris (Polish/French) Title: Still Life with Flowers Technique: Original Signed Oil Painting on Canvas Size: 38.6 x 46.3 cm / 15.2 x 18.2 in Additional Information: This painting is hand signed by the artist "Hayden" at the lower left. Original galerie label verso. Provenance: Galerie A. Drouant, Montmartre, Paris. (label verso) The Issachar Ber Frydman collection. Acquired in France in the 1950's - 1960's. Condition: Good condition.

GYULA KOMJATI (WANYERKA) 1894-1958 (Hungarian) Title: Portrait of a Woman, 1923 Technique: Original Hand Signed and Dated Pencil Drawing on paper Size: 16 x 12 cm / 6.2 x 4.7 in Additional Information: This original drawing is hand signed by the artist "Komjati Wanyerka" at the upper right corner. It is also date "1923 sept 10" at the lower right corner. This drawing was realised by the artist in 1923. Condition: Good condition. Paper slightly wavy and fixed to another piece of paper.

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: A Couple in Architectural Cityscape Technique: Original Signed Ink Drawing on paper Size: 29.5 x 22 cm / 11.6 x 8.6 in Additional Information: This drawing is hand signed in black ink in the lower left corner "Bela Kadar". Condition: Good condition. Unexamined outside the frame.

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Design for the Fresco of the MEMOSZ Centre, 1948 Technique: Original Watercolour Painting on Paper Size: 9 x 46.5 cm / 3.5 x 18.3 in Additional Information: This is an original painting by the artist Bela Kadar. Provenance: Haas Gallery, Budapest. Exhibited: Bela Kadar - Dreams and Reality - Works from 1920 to 1948, Essay by Dr. Mariann Gergely, Galerie Le Minotaure, Paris - Tel Aviv, 2005, Illustrated on page 55. Condition: Very good condition. Unexamined out of the frame. The work will be sold unframed.

PAUL KALLOS 1928 - 2001 1928 - 2001 (Hungarian) Title: Interior with Green Plant / Interieur a la plante verte, 1956 Size: 76 x 62.5 cm / 29.9 x 24.6 in Technique: Original Signed and Dated Oil Painting on canvas Additional information: The work is hand signed and dated "Kallos 56" in the lower right part. Furthermore it is inscribed at the back on the middle part of the strecher "Kallos de la part de Pierre Loch 21.12.56" and also titled in pen "Interieur a la plante verte" on the left middle part of the strecher. The work also bears the orginal label "Lucien Lefebvre Foinet 1225 Couleurs et toiles fines". Provenance : Maurice Lefebvre-Foinet, Paris The Lefebvre-Foinet collection of more than 200 paintings, drawings, and sculptures by such artists as Alberto Giacometti, Max Ernst, Fernand Leger, Henri Matisse, Balthus, Victor Brauner, Matta, Jean-Paul Riopelle, Joan Mitchell, Zao Wou-Ki and Paul Kallos was amassed by five generations of the family whose Left Bank shop furnished these artists with brushes, canvases, and paper, but most of all their famous tubes of colors and paints made from hand-ground natural pigments. Paul Foinet founded the business in the 1880s, marketing his traditional artisan-made products by door-to-door visits to artist’s studios. In 1902, Foinet’s son-in-law, Lucien Lefebvre, opened the Montparnase premises on rue Bréa, called Lefebvre-Foinet, that would serve the art establishment for the next 90 years. Lucien was succeeded by his son, Maurice, a renowned figure, and then by Maurice’s daughter, Josette. Even after the Paris shop was closed in the mid-1990s, Lefebvre-Foinet honored a commitment to continue to make tubes and colors for about a dozen artists. Along with art supplies, the Lefebvre-Foinets dispensed friendship, encouragement, advice, and often credit to indigent painters. American painter Dorothea Tanning (a.k.a. Mrs. Max Ernst) wrote in her autobiography of Monsieur Maurice’s “joviality towards gentlemen and gallantry in regard to ladies.” Condition: Very good condition.

PAUL KALLOS 1928 - 2001 1928 - 2001 (Hungarian) Title: Untitled, 1955 Paper Size: 11 x 9 cm / 4.3 x 3.5 in Technique: Original Hand Signed and Dated Watercolour and Indian Ink on paper Additional information: The work is hand signed and dated "Kallos 55" in the lower right part. The work bears on the reverse the original label "Lucien Lefevre - Foinet 1237" and is also inscribed in pencil "M Monsieur don de Monsieur Pierre Loch 30th avril 1955 Kallos". Provenance : Maurice Lefebvre-Foinet, Paris The Lefebvre-Foinet collection of more than 200 paintings, drawings, and sculptures by such artists as Alberto Giacometti, Max Ernst, Fernand Leger, Henri Matisse, Balthus, Victor Brauner, Matta, Jean-Paul Riopelle, Joan Mitchell, Zao Wou-Ki and Paul Kallos was amassed by five generations of the family whose Left Bank shop furnished these artists with brushes, canvases, and paper, but most of all their famous tubes of colors and paints made from hand-ground natural pigments. Paul Foinet founded the business in the 1880s, marketing his traditional artisan-made products by door-to-door visits to artist’s studios. In 1902, Foinet’s son-in-law, Lucien Lefebvre, opened the Montparnase premises on rue Bréa, called Lefebvre-Foinet, that would serve the art establishment for the next 90 years. Lucien was succeeded by his son, Maurice, a renowned figure, and then by Maurice’s daughter, Josette. Even after the Paris shop was closed in the mid-1990s, Lefebvre-Foinet honored a commitment to continue to make tubes and colors for about a dozen artists. Along with art supplies, the Lefebvre-Foinets dispensed friendship, encouragement, advice, and often credit to indigent painters. American painter Dorothea Tanning (a.k.a. Mrs. Max Ernst) wrote in her autobiography of Monsieur Maurice’s “joviality towards gentlemen and gallantry in regard to ladies.” Condition: Very good condition. Unexamined outside the frame.

EMIL KELEMEN (11895-1975) (Hungarian / American) Title: Family Scene, 1928 Technique: Original Signed Gouache and Watercolour on card Size: 36 x 50.5 cm / 14.1 x 19.8 in Additional Information: This original work is hand signed in pencil by the artist "Kelemen" at the lower left corner. It is also hand dated in pencil "1928". Condition: Very Good Condition.

ZYGMUNT SIGMUND LANDAU 1898-1962 Lodz 1898-1962 Tel Aviv (Polish) Title: Village in the South of France, circa 1930's Technique: Original Signed and Dated Oil Painting on Canvas Size: 35.5 x 49.6 cm / 13.9 x 19.5 in Additional Information: This original painting is hand signed by the artist at the lower right part "Landau". It was probably painted in the 1930's when the artist was living in France. Condition: Very good condition. Not examined out of the frame.

ABRAM ADOLPHE MILICH 1884-1964 Tishne, Poland 1884-1964 Paris (Polish) Title: Chateauneuf, 1957 Technique: Original Signed Oil Painting on canvas Size: 65.5 x 81 cm / 25.8 x 31.9 in Additional Information: The painting is hand signed "Milich" at the lower left part. It is also titled in pen "Chateauneuf" verso. Provenance: Family of the artist, London. Acquired by Milich's nephew directly by the artist in France and then Thence by descent. Exhibited: Kunstmuseum, Bern. Catalogue: "Adolphe Milich". Catalogue reference: no. 45. Condition: Excellent condition. Not examined out of the frame.

LASZLO BARO MEDNYANSZKY 1852-1919 Beckó, Slovakia 1852-1919 Vienna (Hungarian) Title: Factory Technique: Original Hand Signed Pencil Drawing on paper Size: 24 x 36 cm / 9.4 x 14.1 in tbc Additional Information: The original drawing in pencil is signed by the artist "Mednyanszky" in the lower right hand corner. Condition: Good condition. Not examined outside the frame.

LASZLO BARO MEDNYANSZKY 1852-1919 Beckó, Slovakia 1852-1919 Vienna (Hungarian) Title: Landscape Studies Technique: Original Hand Signed Pencil Drawing on paper Size: 24 x 36 cm / 9.4 x 14.1 in tbc Additional Information: The original drawing in pencil is signed by the artist "Mednyanszky" in the lower right hand corner. Condition: Good condition. Not examined outside the frame.

GUSZTAV MAGYAR-MANNHEIMER 1859-1937 Pest 1859-1937 Budapest (Hungarian) Title: The Church by the Forest Technique: Original Signed Oil Painting on canvas Size: 43.5 x 53 cm / 17.1 x 20.9 in Additional Information: The painting is hand signed by the artist at the lower left corner Provenance: Dr Leopold Ringwald. Thence by descent. Private collection, UK. Condition: Very good condition.

ARTUR MARKOWICZ 1872-1934 Podgórze (Poland) 1872-1934 Cracow (Polish) Title: A Winter Street Scene, Krakow, 1917 Technique: Original Signed, Inscribed and Dated Pastel on card board Size: image 39 x 66 cm / 15.4 x 26 in Additional Information: This is an original pastel by the Polish Jewish artist Artur Markowicz. Markowicz was active in the first part of the 20th century. The work is hand signed, inscribed and dated "Markowicz Artur Krakow 1917" in the lower right bottom. Condition: Very good condition. Recently reframed. Not examined out of the frame.

MARYAN, Pinas Burstein 1927-1977 Nowy-Sacz 1927-1977 New York (Polish / French / American) Title: Composition II, 1958 Technique: Original Hand Signed and Numbered Color Lithograph on BFK Rives vellum Paper Size: 66 x 50 cm / 26 x 19.7 in Additional Information: This work is hand signed in pencil by the artist "Maryan" at the lower right margin. The work is also hand numbered in pencil "8/120" at the lower left margin. The paper bears the dry stamp "L'Oeuvre Gravee" in the lower corner. Condition: Very good condition. Minor surface dirt. Light discoloration of the paper.

MIHALY VON MUNKACSY [Lieb Michael] 1844-1900 Munkács 1844-1900 Endenich, Bonn (Hungarian) Title: Golgotha Technique: Original Signed Pencil drawing on paper Size:20.9 x 17 cm / 8.2 x 6.7 in Additional Information: This is a beautiful original pencil drawing by the famous Hungarian artist Mihaly Von Munkácsy. The work is hand signed in pencil at the right lower corner Provenance:The work was part of a large Munkácsy collection in Germany. The work was physically examined by Mrs. Boros Judit who is an Art historian specializing in 19th century Hungarian Art and in particular the works of Munkacsy . We will provide the high bidder a photo certificate of authenticity from Mrs. Judit Boros. The certificate is hand written on the back side of a large photograph of the drawing and is signed and stamped by Mrs. Boros. (see image). It reads as follows: "I Judit Boros art Historian, specializing on 19th century Hungarian Art, Confirm that this is a photo of an original pencil study of M. de MUNKACSY (1884-1900), Prepared for the composition: "Golgotha" . Dimension: 209 on 170 mm Signed. 7th Nov 2003." Condition: Excellent conditon.

MIHALY VON MUNKACSY [Lieb Michael] 1844-1900 Munkács 1844-1900 Endenich, Bonn (Hungarian) Title: Christ Before Pilate III Technique: Original Hand Signed Pencil drawing on paper. Size: 20.1 x 17.6 cm / 7.9 x 6.9 in Additional Information: This is a beautiful original pencil drawing by the famous Hungarian artist Mihaly Von Munkácsy. The work is hand signed in pencil at the right lower corner Provenance: The work was part of a large Munkácsy collection in Germany. The work was physically examined by Mrs. Boros Judit who is an art historian specializing in 19th century Hungarian Art and in particular the works of Munkacsy . The work is accompanied by the photo certificate of authenticity from Mrs. Judit Boros. The certificate is hand written on the back side of a large photograph of the drawing and is signed and stamped by Mrs. Boros (see image). It reads as follows: "I Judit Boros art hisorian, specializing on 19th century Hungarian Art, confirm that this is a photo of an original pencil study of M. de MUNKACSY (1844-1900), prepared for the composition "Christ befor Pilate". Dimension: 201 on 176 mm Signed. 7th Nov 2003." Condition: Good conditon. Some stains in the upper and lower margins. Some handling marks.

VAGO PAL 1853-1928 (Hungarian) Title: Portrait of a Man Technique: Original Hand Signed Pencil Drawing on tracing paper Size: 20.7 x 15.2 cm / 8.1 x 9.8 in Additional Information: This is an original pencil drawing hand signed by the artist "Vago" at the lower right. The work is stamped verso by the Hungarian National Gallery export stamp (the Magyar Nemzeti Galeria or MNG). Condition: Good condition.two folds in the upper left part.

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: Granville - Men Sitting at a Table, 1915 Technique: Original Double-Sided Signed and Dated Watercolor and pencil on paper Size: 20 x 31 cm / 7.9 x 12.2 in Additional Information: This watercolor is hand signed by the artist "A. Reth" in the lower right corner, as well as hand dated and titled "1915 Granville" underneath the signature. The reverse of the paper bears a beautiful drawing of a sitting nude. Condition: Good condition. Slight discoloration of the paper. Tape remainings on the reverse, upper margin.

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: Vertical Composition, ca. 1950 Technique: Original Signed Pastel Drawing on Paper Size: 17 x 10 cm / 6.7 x 3.9 in Additional Information: The painting is hand signed in pencil by the artist "A. Reth" in the lower right corner of the image. The work is accompanied by a certificate of authenticity from Mrs Aline Boutin, head of the Association Alfred Reth - Loi 1901, Paris, dated 07/04/2009. Provenance: Acquired by the pevious owner in France (in Drouot) 20 years ago. Condition: Very good condition. Unexamined out of the frame. Note: The work will be sold unframed.

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: Abstract Composition, 1939 Technique: Original Signed and Dated Oil and Mixed Technique painting on Board Size: 100.3 x 74.5 cm / 39.4 x 29.3 in Additional Information: This is an original oil on board painting by the artist Alfred Reth. It is signed "Reth" in the lower right corner and also dated "39" next to the signature. Provenance: Galerie Urban, rue Faubourg Saint Honore, Paris (their label verso) The authenticity of this work has been kindly confirmed by Mrs. Aline boutin of the Association Alfred Reth. Condition: Good condition.

HUGO SCHEIBER 1873-1950 1873 - Budapest-1950 (Hungarian) Title: Man with a Hat Technique: Original Signed Gouache and Tempera Painting on paper Size: 67 x 54 cm / 26.4 x 21.3 Additional Information: This original painting is hand signed by the artist "Scheiber H" in the lower left corner. Condition: Some paint loss and cracks in the surface. Unexamined out of the frame. Note: The work will be sold unframed.

HUGO SCHEIBER 1873-1950 1873 - Budapest-1950 (Hungarian) Title: Countryhouse Technique: Original Hand Signed Pastel and Charcoal Drawing on brown paper Size: 37 x 60 cm / 14.6 x 23.6 in Additional Information: This original painting by Hugo Scheiber is hand signed by the artist in charcoal "Scheiber H" at the lower left corner. Condition: Some crease. One at the lower left corner. Upper left and right corner missing. Small waterstains in the upper right corner. Unexamined out of the frame.

ZYGMUNT SCHRETTER 1896-1977 (Polish) Title: Profile of a Woman Technique: Original Signed Oil Painting on canvas Size: 34 x 24 cm / 13.4 x 9.4 in Additional Information: This work is hand signed by the artist at the lower right "Schretter". Condition: Very good condition. Small paint peal-off underneath the eye of the woman. Otherwise in very good condition.

ZYGMUNT SCHRETTER 1896-1977 (Polish) Title: Still life with Apple and Flowers Technique: Original Signed Pastel Drawing on paper Size: 42 x 29.6 cm / 16.5 x 11.7 in Additional Information: This work is hand signed by the artist in pen in the lower left corner "Schretter". Condition: Good condition. Very light foxing. A few stains. Light surface dirt. Tape remains verso.

NICOLAS STERNBERG 1901-c.1960 (Hungarian) Title: The Hairdresser Technique: Original Signed Ink Drawing on (thin) paper Size: 27 x 21cm / 10.6 x 8.3 in Additional information: The drawing is hand signed in pen by the artist at the lower right margin with the artist's initials "N.ST". Nicolas Sternberg was born in 1901 in Hungary. Little is known about his early life. He spent some time in Munich before arriving in Paris. Sternberg was a prolific artist and illustrator. He illustrated several books in the 1920s and 1930s. He also worked as an illustrator of magazines such as “Elle.” In 1930 in the magazine l’Art et les Artistes André Warnod wrote and extensive review of Sternberg’s work being exhibited at the Georges Petit Galerie in Paris. Sternberg’s work shows the influence of Expressionism but like many of the artists of l’École de Paris his style is difficult to define. His portraits are powerful and intimate including his many self-portraits. Sternberg died in the 1960’s. Condition: Very good condition. One ink stain on the right margin. Some surface dirt beside the left margin. Lowe right corner missing. Tiny tear on the right margin. Tiny crease on the upper left corner.

MORDECHI ARDON 1896-1992 (Israeli) Title: Abstract Color Composition Technique: Original Signed and Numbered Lithograph on vellum paper Size: 70 x 50 cm / 27.6 x 19.7 in Additional Information: This work is hand signed in pencil by the artist in English "Ardon" and in Hebrew "Mordechi" at the lower right corner. The work is also Hand Numberd in pencil at the lower left corner "19/100". It was printed in a limited edition of 100 Impremssions. Condition: Excellent condition. Very small fold in lower right corner and a some very slight surface dirt.

AVIGDOR ARIKHA (1929 - 2010) Radauti 1929 - 2010 Paris (Romanian/israeli) Title: Jerusalem: The Slopes of the Old City's Wall, 1976 Technique: Original Hand Signed, Dated and Dedicated Watercolour on paper. Size: 50 x 35 cm / 19.69 x 13.75 in Additional Information: This original watercolour is hand signed by the artist "Arikha" at the lower right corner. It is also dated next to the signature. The work is also dedicated by the artist to Provenance: a gift from the artist to Alix de Rothschild Condition: Very good.

YOSL BERGNER b. 1920 (Israeli/Austrian) Title: Toys Technique: Original Signed Oil Painting on paper laid on canvas by the artist Size: 50 x 45 cm / 19.75 x 17.75 in Additional Information: This work is hand signd by the artist "Bergner" at the lower right corner and also signed and titled in Hebrew verso. Provenance: Private collection, London Condition: Very good condition

JACOB EISENSCHER 1896-1960 Czernowitz 1896-1960 (Israeli) Title: View of Zefat Technique: Original Stamp Signed Watercolor and felt-pen on paper Size: 16.5 x 19 cm / 6.5 x 7.5 in Additional Information: This Watercolor is Stamp Signed with the signature stamp of Eisenscher in Hebrew in the lower right corner. (Estate stamp) Provenance: Estate Eisenscher, Israel. Condition: Good condition. Vertical fold in the centre. Unexamined out of the frame. Note: The work will be sold unframed.

YACOV EISENBERG 1897-1966 Pinsk, Belarus 1897-1966 Jerusalem (Polish/Israeli) Title: Standing Nude Male from the Back, 1922 Technique: Original Signed Pencil Drawing on transparent paper Size: 38.5 x 25 cm / 15.2 x 9.8 in Additional Information: This is an original Pencil Drawing, Hand Signed and Dated by the artist "Eisenberg 22 " (1922) at the lower right corner. Condition: Very good condition. Handling creases and some minor folds at the edges.

BARUCH ELRON 1934-2006 Bucharest 1934 - 2006 Herzliya, Israel (Israeli / Romanian) Title: Crazy Dreams Technique: Original Hand Signed and Inscribed Oil and Tempera Painting on Board Size: 49.6 x 50 cm / 19.6 x 19.7 in Additional information: The work is hand signed "Elron" in the lower left part. It is inscribed in latin "Qui Zeus perdere vult dementat" (When falls on man the anger of the gods, first from his mind they banish understanding). The inscription is an ancient Greek proverb. Provenance: Private collection, Austria. Condition: Very good condition. Minor craquelure.

YITZHAK (Isaac) FRENKEL-FRENEL 1899-1981 Odessa 1899-1981 Tel Aviv (Ukrainian/Russian/Israeli) Title: View of Zeffat Technique: Original Signed Gouache and Watercolor on paper Size: 34.5 x 50 cm / 13.6 x 19.7 in Additional Information: This original work is hand signed by the artist at the lower left corner. Condition: Good condition apart from skinning of the apepr and some short tears in the upper edge of the paper.

JACOB GILDOR b. 1948 (German / Israeli) Title: Two Figures, 1996-98 Technique: Original Hand Signed and Inscribed Colour Etching and Aquatint on vellum paper Paper Size: 34.,5 x 24.5 cm / 13.6 x 9.6 in Plate Size: 20.5 x 17.5 cm / 8.1 x 6.9 in Additional Information: This Colour Etching and Aquatint is hand signed in pencil by the artist "Gildor" both in Hebrew at the lower right margin, as well as in English at the lower left margin. Additionally, the work is hand inscribed in pencil "A/P" (Artist Proof) at the lower left margin. Condition: Excellent condition. Two tape remains on the reverse.

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Composition Duele Technique: Original Signed Oil painting on canvas laid on cardboard Size: 50 x 35 cm / 19.5 x 13.8 in Additional Information: The work is hand signed by the artist "Janco" at the lower right part. Provenance: The estate of the artist. Gallerie Paul Sties, Kronberg. Private collection, Germany. Condition: Excellent condition.

MENASHE KADISHMAN b.1932 born Tel Aviv 1932 (Israeli) Title: Sheep Head Technique: Original Signed Acrylic on canvas Size: 80 c 60 cm / 31.5 x 23.6 in Additional Information: This work is hand signed by the artist "M.Kadishman" at the lower left corner. Condition: Excellent condition.

MENASHE KADISHMAN b.1932 born Tel Aviv 1932 (Israeli) Title: Sheep in the Landscape Technique: Original Hand Signed Cut Brass Sculpture Size: 11 x 23 x 6 cm / 4.3 x 9.1 x 2.4 in Additional Information: The work is hand signed twice on the base, both in Hebrew and English. Condition: Excellent condition.

MENASHE KADISHMAN b.1932 born Tel Aviv 1932 (Israeli) Title: Spiral with Love Birds Technique: Original Hand Signed Cut Brass Sculpture Size: 13 cm high x 12 cm wide / 5.1 x 4.7 x in Additional Information: The work is hand signed. Provenance: Collection Matti Greenberg, Israel. Condition: Excellent condition.

JOSEPH KOSSONOGI 1908-1981 1908-1981 (Israeli) Title: View of the Port of Acre, Israel, circa 1950's. Technique: Original Signed Watercolour and Ink Drawing on cardboard Size: 48 x 66.5cm / 18.8 x 26.1 in Additional Information: The work is hand signed "Kossonogi" at the lower right corner. It was painted in the 1950's in Israel. Condition:A minor crease to lower left corner, a faint exposure line across upper image. Not Examined outside the frame.

EPHRAIM MOSHE LILIEN 1874-1925 Drohobycz (Galicia) 1874-1925 (Polish/Austrian/Israeli) Title: Portrait of a Bearded Man Technique: Original Hand Signed Etching on Japan paper Size: 66 x 51 cm / 26 x 20.1 in Additional Information: This is an original etching by Ephraim Moshe Lilien. The work is hand signed in pencil by the artist in the lower right margin. The subject matter is probably a portrait of a Samaritan man. This is an extremely rare work as we have not found any record of any other impression in the market in the last 20 years. Condition: Folds in the margins mainly in the lower left part. One fold in the left lower part of the subject. A 1.5 cm tear in the lower margin. Some discoloration of the paper. Framed in a modern frame. Note: This work will be shipped from Israel.

ESTER PERETZ ARAD b. 1921 (Israeli) Title: Surrealistic Landscape, 1960 Technique: Original Signed Oil Painting on canvas Size:73 x 33 cm / 28.8 x 13 in Additional Information: This work is hand signed in Hebrew by the artist at the lower right part. It was painted ca. 1960 Condition: Good condition. Unexamined out of the frame. Note: This work will be shipped from Israel.

REUVEN RUBIN 1893- 1974 Galatz , Romania 1893- 1974 Caesarea, Israel (Israeli) Title: The Shepherd Carrying a Sheep Technique: Hand Signed and Inscribed Print with hand-colouring in watercolour Size: 16.8 x 28 / 6.6 x 11 in Additional Information: This work is hand signed and extensivly Hand dedicated by Reuven Rubin: "A happy Hannuka to our dear Lola Dolphi. Rubin & Esther Dec 1960 Tel Aviv". It is also signed in the plate at the lower right part. The print is hand colored in watercolour by the artist (the black lines are printed). Provenance: The authenticity of this work and the hand colouring by Rubin have been confirmed by Mrs. Carmela Rubin, The artist's daughter-in-law and the director and curator of the Rubin Museum. Condition: Good condition. Very light paper discouluration. A few tiny handling creases. A tape remain verso.

DAVID SCHNEUER 1905-1988 Przenmis, Galicia 1905-1988 Tel Aviv, Israel (Israeli) Title: Figures in Paris, 1984 Technique: Original Hand Signed Ink and Watercolour on paper Size: 19 x 20 cm / 7.4 x 7.9 in Additional Information: The work is hand signed "Schneuer 84" in the lower right part. Condition: Good overall condition. Discolouration from previous framing. Four tape marks at the verso

DAVID SCHNEUER 1905-1988 Przenmis, Galicia 1905-1988 Tel Aviv, Israel (Israeli) Title: At the Horse Races Technique: Original Hand Signed Watercolour on paper Size: 44 x 30.2 cm / 17.3 x 11.9 Additional Information: The work is hand signed "Schneuer" in the lower right part. Condition: Good overall condition. Very light foxing. One light handling crease on the lower right margin. One tiny scratch in the right margin. Some little stains beside the bottom margin.

YEHIEL SHEMI 1922-2003 (Israeli) Title: Abstract Composition Technique: Original Hand Signed and Inscribed Color Lithograph on Arches vellum paper Size: 50 x 65 cm / 12.6 x 25.6 in Additional Information: This work is hand signed in Hebrew and English in pencil by the artist "Y.Sehmi" at the lower right Corner. The work is also Hand inscribed in pencil "A/P" (Artist Proof) . It was printed in a limited edition of 250 Impremssions plus a few artist proofs that this is one of them. The paper bears the "Arches" paper watermark. --- Short Biography: Yehiel Shemi - Israeli sculptor. He made his first sculptures, in wood and stone, at the Kibbutz Beit-Ha’arava, in the Negev, which he joined in 1939 as a construction worker. In 1949 he helped found Kibbutz Kabri in Western Galilee, where he continued to live and work apart from intermittent periods in France, Italy and New York. Among the sculptors whose work helped form his mature aesthetic were Julio González, David Smith and Anthony Caro. In the 1950s he created abstract expressive constructions using industrial tools and mass-produced materials such as iron and scrap metal to arrive at coarse and unadorned surfaces. The incorporation of twisted elements suggestive of plant forms brought in associations with nature. From the late 1950s Shemi received commissions for major monumental sculptures in metal and concrete. These works, for example at the Binyanei Ha’vmah Convention Centre in Jerusalem, and the Jerusalem Theatre, with its concrete and steel walk-through environmental sculptures (1967–71), are noted for their clean surfaces and compositions of intersecting angles, devoid of all associative detail. Condition: Excellent condition. One small fold in the corner.

JAKOB STEINHARDT 1887-1968 Zerków, Germany 1887-1968 Nahariya, Israel (German/Israeli) Title: The Dalmatian Port / Dalmatinischer Hafen, 1928 Technique: Original Signed, Dated and Titled Oil Painting on Canvas Size: 80 x 60 cm / 31.5 x 23.6 in Additional Information: This original painting is signed by the artist "J.Steinhardt", and dated "28" (1928) in the lower right corner. It is also signed, dated and titled "Dalmatinischer Hafen" verso. Provenance: A gift from the artist to his sister, Selma Hirsch (formally Selma Steinhard). Thence by descent to the grandson of the artist's sister, David Fleming. The work is accompanied by a certificate of authenticity signed by him. Condition: Very good condition. A little paint loss in the lower center.

JAKOB STEINHARDT 1887-1968 Zerków, Germany 1887-1968 Nahariya, Israel (German/Israeli) Title: Shabbat Candels Technique: Original Hand Signed Lithograph on laid paper Size: 29.5 x 33.5 cm / 11.6 x 13.2 in Additional Information: This work is hand signed by the artist in pencil at the lower right margin "J. Steinhardt". Condition: Very good condition. Tape remainings on the reverse of the paper. Very slight foxing in the margins.

HERMANN STRUCK 1876-1944 (German) Title: Portrait of a Jewish Woman Standing Technique: Original Hand Signed Lithograph on paper Size: 27.2 x 16.9 cm / 10.7 x 6.7 in Additional Information: This lithograph is hand signed in pencil by the artist "Struck"in the lower right part. The work was printed in a limited edition. Condition: Good condition. Very light discoloration of the paper. Four tiny tears along the right margin.

HERMANN STRUCK 1876-1944 (German) Title: Mother and Child Technique: Original Hand Signed Lithograph on paper Size: 27.3 x 17 cm / 10.7 x 6.7 in Additional Information: This lithograph is hand signed in pencil by the artist "Struck"in the lower right part. The work was printed in a limited edition. Condition: Good condition. Very light discoloration of the paper. A few tiny pinholes around the signature, not affecting the image.

ITZCHAK (ISAAC) TARKAY b.1935 Born in Yugoslavia 1935 (Israeli) Title: Reclining Woman in Green Dress Technique: Original Signed Oil and Acrylic Painting on Canvas-board Size: 35 x 45 cm / 13.8 x 17.7 in Additional Information: The work is hand signed in Hebrew and English by the artist at the lower left corner. This is an example of Tarkay early works and was probably painted in the 1970's or early 1980's. Provenance: Important Dutch private collection. Purchased directly from the artist by the previous owner. The work is recorded in the artist's archives. Condition: Excellent condition.

ITZCHAK (ISAAC) TARKAY b.1935 Born in Yugoslavia 1935 (Israeli) Title: Young Woman Technique: Original Signed Oil and Acrylic Painting on canvas-board. Size: 76.5 x 61 cm / 30.1 x 24 in Additional Information: The work is hand signed by the artist "Tarkay" at the lower right corner. This is an example of Tarkay's early work and was probably painted in the early 1980's. Provenance: Important Dutch private collection. Purchased directly from the artist by the previous owner. The work is recorded in the artist's archives. Condition: Excellent condition.

ITZCHAK (ISAAC) TARKAY b.1935 Born in Yugoslavia 1935 (Israeli) Title: Interior with Two Women and Flowers Technique: Original Hand Signed Watercolor on paper Size: 40 x 40 cm / 15.8 x 15.8 in Additional Information: The work is hand signed by the artist in ink in the lower right corner. This beautiful watercolor is typical to the work of the successful artist Izchak Tarkay. The colors are fresh and vivid. Provenance: The work has been purchased directly from the artist by the previous owner. Condition: Excellent condition.

FRANK ARNA 20th Century (Hungarian) Title: Hungarian Country Houses Technique: Original Lithograph on Chine paper Paper Size: 26.5 x 42 cm / 10.4 x 16.5 in Plate Size: 19 x 24 cm / 7.5 x 9.5 in Additional Information: The Lithograph is signed with the initials of the artist in the plate in the lower left corner. Condition: Very good condition. The thin paper is slightly creases at th lower right margin. partly foxing stains.

ISIDOR ASCHHEIM (ASCHEIM) 1891-1968 (German/Israeli) Title: Portrait of a Man Technique: Original Hand Signed and Inscribed Etching on vellum paper Paper Size: 27 x 23 cm / 10.6 x 9.1 in Plate Size: 14.5 x 11.5 cm / 5.7 x 4.5 in Additional Information: This work is hand signed in pencil by the artist "I. Aschheim" in the lower right margin, It is also indistinctly inscribed in pencil in the lower left margin. This impression is an artist proof, printed aside the regular edition. Condition: Good condition. Some handling creases and a few folds in the corners.

BENN (Rabinowicz Benejou) Bialystok 1905-1989 Paris (Russian / French) Title: Landscape Technique: Original Hand Signed and Numbered Color Lithograph with full margins on BFK Rives paper Paper Size: 44.5 x 56 cm / 17.3 x 22 in Image Size: 24 x 32 cm / 9.4 x 12.6 in Additional Information: This work is hand signed in pencil by the artist "Benn" at the lower right margin. It is also hand numbered "28/50" at the lower left margin. This work was printed in a limited edition of 50 impressions. Condition: Very good condition. Minor handling creases.

BLOMBERG 20th Century (Swedish) Title: Landscape Technique: Signed Watercolor on paper Size: 31.5 x 24 cm / 12.4 x 9.5 in Additional Information: This Watercolor is hand signed in watercolor by the artist "Blomberg" in the lower right corner. The reverse bears the collection stamp of the Bergman Collection. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Good condition. Minor handling creases. The painter used the back of a drawing book to paint on.

KARL BLOSSFELD 20th Century (German) Title: In Memoriam Hector Laga, 1972 Technique: Original Hand Signed Etching on vellum paper Paper Size: 21 x 15 cm / 8.3 x 5.9 in Plate Size: 11 x 8 cm / 4.3 x 3.2 in Additional Information: This Etching from 1972 was especially made as an Exlibris by Karl Blossfeld. The work is hand signed in pencil at the lower margin, as well as dated in the plate. Condition: Very good condition.

CYRIL BOUDA 1901-1984 (Czech) Title: Mantero, 1968 Technique: Original Hand Signed Lithograph on paper Size: 15.5 x 10 cm / 6.1 x 3.9 in Additional Information: This Lithograph from 1968 was especially made as an Exlibris by Cyril Bouda. The work is hand signed in pencil at the lower margin, as well as signed with the initials "CB" in the plate. Condition: Very good condition.

RENE LOUIS BIGNON 20th Century (French) Title: Two Nudes in the Landscape of Versailles Technique: Original Etching on paper Size: 45 x 50 cm / 17.7 x 19.7 in Additional Information: This etching by the artist Rene Louis Bignon is hand inscribed in pencil at the lower right. Condition: Good condition. Discoloration of the paper. Some stains. Surface dirt. One short tear at the upper margin.

CHRISTIAN HUGUES CAILLARD (French) Title: Young Girl with a Red Tissue Technique: Original hand signed Lithograph on paper Size: 45.5 x 33 cm / Additional Information: This lithograph by the artist Christian Caillard is hand signed in pencil "Caillard" at the lower right margin. Provenance: This works comes from a collection of works constituted by Mourlot in 1950's. He gave part of it at his death to his very good friend Rolande Bouillot. At the back of the paper there is a note by Hans Bouillot, Rolande's great child. Condition: Good condition. Some discolouration throughout.

CESAR DOMELA 1900-1993 (Dutch) Title: Domela Touring Retrospective in the USA, 1927/1977 Technique: Poster Offset print on paper Size: 60 x 40 cm / 23.6 x 15.8 in Additional Information: This offset Poster print was printed in France for the touring retrospective exhibition of Cesar Domela in the USA, 1927/1977 in cooperation with Galerie Roger d'Amecourt Paris. Condition: Good condition.

HERBERT EICHHORN 20th Century Title: Exlibris S.Moritz, ca. 1982 Technique: Original Linocut on paper Size: 7.5 x 10,5 cm / 3 x 4.1 in Additional Information: This Linocut was especially made as an Exlibris by Herbert Eichhorn. Condition: Very good condition.

WILLERING EPKO b. 1928 (French) Title: Sun Set Technique: Original Hand Signed and Numbered Color Lithoghraph on vellum Arches paper Paper Size: 75 x 54 cm / 29.5 x 21.2 in Image Size: 57 x 46.5 cm / 22.5 x 18.2.nch. Additional Information: This Color Lithograph is hand signed by the artist at the lower right margin. It is also Hand Numbered "227/225" in the lower left corner. This work was printed in a limited edition of only 225 impressions. The paper bears the watermark of "Arches France" paper. Condition: Very good condition, minor handeling creases in the edges

LEON GOZARE b. 1919 (French) Title: Carver Technique: Original Hand Signed Etching on vellum Marais paper Paper Size: 28 x 42 cm / 11 x 16.5 in Image Size: 20.5 x 26 cm / 8.1 x 10.2 in Additional Information: This Etching is hand signed by the artist in pencil "Gozare" at the lower left margin. Condition: Very good condition, apart from tape remainings on the reverse.

FRANZ HECKENDORF 1888-1962 Berlin 1888-1962 München (German) Title: Riders in the Forest Technique: Original Etching on "JW" watermarked Laid paper Paper Size: 29 x 36.5 cm / 11.4 x 14.4 in Plate Size: 20.5 x 26.5 cm / 8.1 x 10.4 in Additional Information: This is an original etching by Franz Heckendorf. The paper bears a watermark with the letters "JW" and a symbol of a woman. Condition: Very good condition Some "waves" in the paper.

ARTHUR KAMPF 1864-1950 (German) Title: Traum des Berichterstatters/ Dream of the Reporter, 1928 Technique: Original Lithograph on paper Size: 14,5 x 20 cm / 5.7 x 7.9 in Additional Information: This Lithograph is Signed "A. Kampf" in the plate in the upper left, as well as titled in the plate "Traum des Brichterstatters/Dream of the Reporter" in the lower center. Condition: Very good condition. The work is glued to a paper at the upper margin.

FERENC KISS 20th Century (Hungarian) Title: Still Life with Kaktus Technique: Original Hand Signed Etching laid down on paper Size: 27 x 31 cm / 10.6 x 12.2 in Additional Information: The Original Etching is hand signed in pencil by the artist "Kiss Ferenc" at the lower right margin, as well as signed in the plate in the lower left corner. At the lower left margin, an inscription in pencil in Hungarian. Condition: Good condition. Slight waterstains at the lower margin. Slight dicoloration of the paper.

JAN KONUPEK 1883-1950 October 10, 1883 in Mladá Boleslav - March 13, 1950 in Prague (Czech) Title: Ex Libris Ing Boh Formanek Technique: Original Hand Signed Etching on vellum paper Paper Size: 28.5 x 21 cm / 11.2 x 8.3 in Plate Size: 13 x 9 cm / 5.1 x 3.5 in Additional Information: The etching is hand signed in pencil by the artist "Konupek" in the lower right margin. This print was created as an ex libris for Ing. Boh. Formanek. Condition: Very good condition. The left margin has been cut and is folded.

RAFFY LE PERSAN, JEAN b. 1912 (French) Title: Sitting Woman Technique: Original Hand Signed and Numbered Color Lithograph on vellum paper Size: 52.5 x 42.5 cm / 20.6 x 16.8 in Additional Information: This work is hand signed in pencil by the artist"R. Le Persan" in the lower right margin. It is also Numbered in pencil "74/175" in the lower left margin. The work was printed in a limited edition of 175 Impressions. Condition: Excellent condition.

HENRI LEROLLE 1848-1929 (French) Title: Promenade Technique: Original Signed in the Plate Etching with full margins on old laid paper Paper Size: 38 x 28 cm / 15 x 11 in Image Size: 21 x 18 cm / 8.2 x 7.1 in Additional Information: This work is Signed in the plate "Lerolle" at the lower left part. Condition: Scuffs in the edges and stains in the lower parts of the paper.

SONIA NATRA b. 1925 Born 1925 in Bucarest, Romania (Romanian/Israeli) Title: Composition, 1977 Technique: Original Hand Signed and Inscribed Etching with hand-colouring in watercolor on paper Size: 36 x 49.5 cm / 14.2 x 19.5 in Additional Information: This Etching is hand signed by the artist "Sinia Natra" in the lower right margin as well as hand dated next to the signature '77 (1977). It is also Hand inscribed "A.P" (Artist Proof) in the lower left margin. This is a unique work as it is hand colored in watercolor by the artist. All the colors purple, yellow, green) were applied by hand by the artist. --- Sonia Natra was born in Bucharest, Romania in 1925. She is a Painter, Sculptor, Graphic Artist, & Photographer. She immigrated to Israel in 1961. Studies: National Academy for Art, Bucharest; further studies, Czechoslovakia, France, Italy and U.S.A.; Tel Aviv University, pedagogy and psychology. T eaching: Avni Institute, Tel Aviv; Mizrachi Art Teachers Seminary; Institute of Plastic Arts, Bat Yam; WIZO France Institute; Art Teachers College, Ramat Hasharon. Prizes: 1957 International Sculpture Exhibition, Moscow; 1959 Artist of the Year, Romania; 1980 Haifa Museum, Distinction for Graphics; 1984 Israel Engravers, Tel Aviv; 1984Trophy, Naples Academy of Art and Photography, Visiting Artist Award; 1984 Rodino Centre, Naples, Medal of Distinction; 1986 Gold Medal and title of Honoured Visitor, Artistes de France; 1986 Lutece International Academy, Paris, Bronze Medal; 1988 "Rose of France", Artistes de France, Paris; 1990 Artistes de France Exhibitiion, Quebec, Canada; 1992 Association of French Artists, Diploma of Distinction; 1993 Lutec Academy of Arts and Literature, Paris, Gold Medal for Painting and Photography and Silver Medal for Poetry; 1997 Gold Medal, Visual Arts, A.I.L. Her works have been exhibited at and acquired by museums in Israel and abroad. Lives in Tel Aviv. Condition: Good condition, discoloration of the paper (in the margins and verso) scattered foxing.

JACOB NOVOGRODER b. 1939 (Israeli) Title: Country Side (two lithographs) Technique: Original Hand Signed and Inscribed Lithographs in colours on Fabriano vellum paper Paper Size: 34 x 32.5 cm / 13.4 x 12.8 in Image Size: 27.5 x 24 cm / 10.8 x 9.4 in Additional Information: The two lithographs are hand signed in pencil by the artist "Novogrodor" in the lower right margin. One of the prints is also inscribed in pencil "A.P." (= Artist Proof). Condition: Very good condition. Both works have light surface dirt. One of the two prints has three dark stains in the right margin.

YUVAL MAHLER b. 1951 (Israeli) Title: Four Pregnant Women Technique: Original Hand Signed and Numbered Lithograph in colours on Arches vellum paper Size: 40 x 60.5 cm / 15.7 x 23.8 in Additional Information: This original lithograph is hand signed in pencil by the artist "y. mahler" in the lower right margin and hand numbered in pencil "1/125" in the lower left margin. The work was printed in a limited edition of 125 impressions. The paper bears a blind stamp in the lower right corner "grebel lithograph Israel" Condition: Good condition. Some very light stains and light surface dirt on both sides. One paper peel spot in the right part of the image. A scratch in the left side of the image, but it's in the white part.

YUVAL MAHLER b. 1951 (Israeli) Title: Condo Technique: Original Hand Signed and Numbered Lithograph in Colours on vellum paper Paper Size: 68 x 32 cm / 26.8 x 12.6 in Image Size: 61 x 25 cm / 24 x 9.8 in Additional Information: This original lithograph is hand signed in pencil by the artist "y. mahler" in the lower right margin, and inscribed in pencil "AP" (Artist proof) in the lower left margin. This is an artist proof printed aside the regular limited edition of 275 impressions. Condition: Excellent condition. A few tiny marks in the lower right corner, and a tiny indentation in the upper margin.

YUVAL MAHLER b. 1951 (Israeli) Title: Hammocks Technique: Original Hand Signed and Numbered Lithograph in Colours on vellum paper Paper Size: 68 x 32 cm / 26.8 x 12.6 in Image Size: 61 x 25 cm / 24 x 9.8 in Additional Information: This original lithograph is hand signed in pencil by the artist "y. mahler" in the lower right margin, and hand numbered in pencil "265/275" in the lower left margin. The work was printed in a limited edition of 275 impressions. Condition: Excellent condition.

MARCEL MARCEAU 1923 - 2007 (French) Title : Mime and Butterfly. Technique : Original Color Lithograph with Small Flower Drawing on Arches paper. Paper Size : 73.5 X 54 cm / 29 X 21.4 inch. Image Size : 65 X 44 cm / 25.7 X 17.4 inch. Additional Information : This work is hand Signed in pencil in the lower right margin. Next to the signature, there is a small drawing of a flower made by the Artist. The paper bears the dry stamp of "Arches France". Condition : Excellent condition.

MARCEL MARCEAU 1923 - 2007 (French) Title : Floating Mime. Technique : Original Color Lithograph with Small Flower Drawing on Arches paper. Paper Size : 73.5 X 54 cm / 29 X 21.4 in. Plate Size : 65 X 44 cm / 25.7 X 17.4 in. Additional Information : This work is hand Signed in pencil in the lower right margin. Next to the signature, there is a small drawing of a flower made by the Artist. The paper bears the dry stamp of "Arches France". Condition : Excellent condition. Light horizontal fold at the upper margin.

JEANE BIERUMA-OOSTING 1898-1995 (Dutch) Title: De Keukenmeid / The Kitchen Maid, 1940 Technique: Original Hand Signed and Dated Etching with full margins on old laid paper Paper Size: 28 x 23 cm / 11 x 9 in Image Size: 21.5 x 14 cm / 8.5 x 5.5 in Additional Information: This work is hand signed in the lower right margin. It is also Hand titled in the lower left margin. Condition: Very good condition, glue tape remains in the backside

RICCARDO PAGNI b. 1936 (Italian) Title: Surreal Monument Technique: Original Hand Signed and Numbered Etching and Aquatint on vellum paper Paper Size: 70 x 50 cm / 27,5 x 19.7 in Plate Size: 50 x 32 cm / 19.7 x 12.6 in Additional Information: This work is hand signed by the artist at the lower right margin, as well as Hand numbered in pencil "49/50" at the lower left margin. Condition: Good condition. Discoloration of the margins. Scattered foxing. Handling creases.

JAMES MOLLISON After RICHARD REDGRAVE 1804-1888 (English) Title: Gulliver in Brobdingnag Technique: Original Etching on paper Paper Size: 25 x 33 cm / 9.8 x 13 in Additional Information: This work was engraved by James Mollison after the painting of Richard Redgrave. Both the details of the painter and engraver are printed below the image. Condition: Good condition apart from minor folds in the corners.

GEORGES ROHNER 1913-2000 (French) Title: From "20 Fabels" of Jean de la Fontaine, 1961 Technique: Original Hand Signed Color Lithograph with full margins on vellum Arches paper Size: 37.5 x 28 cm / 14.8 x 11 in Additional Information: This work is hand signed in pencil by the artist "G.Rohner" at the lower left corner It is also Signed in the plate in the lower right corner. This Lithograph comes from the series of works by famous French artists based on "20 Fabels of Jean de la Fontine" (20 tales of Jean de la Fontane) Published in 1961. The Editor of the series was Jaspard Polus et cie. The paper bears the watermark of Arches paper. Condition: Excellent condition

DANILO ROMERO (French) Title: Composition "Le Diable et la Ligne", 1974 Technique: Original Hand Signed, Inscribed and Dedicated Lithograph on vellum paper Paper Size: 63 x 90 cm / 24.8 x 25.4 in Image Size: 39 x 80 cm / 15.4 x 31.5 in Additional Information: This Lithograph is hand signed in black pencil by the artist at the lower right margin. The work is also Hand Dedicated and Dated "1.3.74" (1974) next to the Signature. Furthermore the work is Titled and Inscribed "epreuve dartiste"=(Artist Proof) in the lower right margin. Condition: Good condition, handling creases in the margins and foxing in the reverse side of the paper only.

MADELEINE ROUART 1896-1986 (French) Title: Lovers and Faunes Technique: Original Hand Signed and Numbered Etching on Rives vellum paper Paper Size: 50.5 x 65 cm / 19.9 x 25.6 in Plate Size: 38.5 x 50 cm / 15.2 x 19.7 in Additional Information: The etching is hand signed in pencil by the artist "M Rouart" in the lower right margin, and hand numbered in pencil "46/100" in the lower left margin. The work was printed in a limited edition of 100 impressions. The paper bears the drystamp of the Louvre Chalcography. Condition: Very good condition. A few small scattered foxing spots. Light surface dirt. One brown stain verso.

SIZU SIMADA (Japanese) Title: Exhibition Poster Galerie du Damier, 1965 Technique: Gouache on Poster paper Size: 65 x 45 cm / 25.6 x 17.7 in Additional Information: This is a poster produced for the exhibition of the artist Sizu Simada, which is extensively painted in gouache. All of the upper part of the work is an original hand painted unique gouache painting. The exhibition took place at the Galerie du Damier in 1964-65. Sizu Simada was the wife of the artist Jan Voss Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Very good condition. Very light surface dirt. One yellow and one brown stain verso.

20th Century Israeli Artist Title: Woman in Red Standing Technique: Hand Sigend and Numbered Offset print on paper Size: 67.5 x 49 cm / 26.6 x 19.3 in Additional Information: This Offset Poster print was printed in a limited edition of 750 impressions. It is hand signed in pencil by the artist in Hebrew at teh lower right mragin and numbered in pencil 313/750 at the lower left margin. Condition: Very good condition. Creases at the edges of the paper.

UNKNOWN ARTIST Title: Poster for 'The Tiniest Town in Mexico', circa 1960's. Technique: Poster on paper Size: 41 x 28.5 cm / 16 x 11.2 in Additional Information: This is a poster made for the theatre musical 'The Tiniest Town in Mexico'. The play was under the sponsorship of Mrs Bergman, from whose major art collection this work stems. The comedy was written by David Novak and the music and lyrics were by Edward Herzog. It was published in 1961. Provenance: The Bergman Collection, The Israel Museum Jerusalem. Charlotte Bergman, who died in Jerusalem on July 17 2003, one month before her 99th birthday, was unique among the museum's benefactors. She lived on the premises of the Israel Museum for three decades, and died there. When she made aliyah from New York to Israel in the 60's, the Belgian-born Bergman brought her collection of modern art with her and helped Jerusalem ex-mayor Teddy Kollek found the museum. As the childless widow of an English architect, she promised to bequeath her paintings, sculptures and ceramics by such 20th century masters as Marc Chagall, Raoul Dufy, Henry Moore and Pablo Picasso to the museum. In return, she asked to build a home within the campus, sharing its security. She wouldn't have to put her treasures in a vault. She could live with them and savor them with her friends. After her death the museum plans to keep the white, single-story house and its 200 art works intact. Although he would not put a figure on it, they are believed to be worth many millions of dollars. They include a portrait in oils of a young Charlotte Bergman by Dufy, a personal friend, and a set of small-format Henry Moore bronzes, among other works of Picasso, Braque and other great 20th century masters. Condition: Very good condition. One crease in top left corner.